M - El hijo del siglo

The english subtitles are a disaster. They look like automated translations not reviewed by someone who understand italian. For example "Margarita" (the name of a woman) is translated as "margarita pizza". Or "No, no" is translated "ninth", because in italian "nono" means "ninth".

Sometimes these bugs don't help comprehension. They mix up pronouns: "They kick it out" instead of "They kick him out". They don't take into account the formal you that in italian is she. For some complex sentences there is no analysis done by a human : "his husband".

An amateur job done by incompetents.

Such a magnificent work deserves better.

The film presents the beginnings of Benito Musollini's political career. But to a greater extent it is a study of the creation of a dictatorship. And this is a universal and timeless phenomenon.

What is unusual is the form, which may put off some viewers. The main character often speaks directly to the audience, presents his thoughts and comments on the events taking place, sometimes these allusions are current, e.g. In episode four when he says the slogan MIGA (you will understand when you see it). It is a really great scene.

The film is also quite baroque, at times surreal.

The acting makes a great impression. Luca Marinelli (Musollini) behaves on screen like his prototype. If you know the history and have seen Mussolini's grotesque speeches, you can imagine that this required great skills. Other roles, although episodic, are also worth attention. For example, Benedetta Cimatti is great as the suppressed wife of the Duce.

Due to the specific form of the film, some viewers may be put off by it.

But it's a very good movie.

Compelling plot, striking photography, excellent acting by Marinelli. Above all, a solid portrayal of a particular historical period.

Much more to be appreciated if you speak Italian, because Marinelli's performance is truly a masterpiece, both from a linguistic and human point of view. M is a winning example of how history should be represented in cinema: hard and raw, without unnecessary words or unnecessary events based on fiction.

I really recommend its viewing. However, do not expect a simple and straightforward viewing; the story is purely described, there is no shortage of harsh scenes and I felt like some stories missed some details.

What is interesting is that the meaning of some of the pictures goes beyond the simple political figure to the man, with his fears and weaknesses. Things that, of the figure of Mussolini, never really came out of that period.

Excellent cinematic work.

I mainly focus on the film aspects. Without getting too deep into it, I try to gauge how much truth versus mystification is presented. I don't align with either the right or the left.

This series is one of the most beautiful I have seen in recent times. Mussolini's dialogue with the camera is pure gold. The way he conveys his thoughts, mocks the viewer, and shares his confessions keeps you glued to the screen and makes you feel involved in the story. Marinelli is fantastic! Those who criticize him likely do so for reasons unrelated to his performance. Francesco Russo is superb, and Barbara Chichiarelli is perfect!

Best Most Engrossing TV In Years.

I don't know how much of the Parliamentary madness is historically accurate, how much the birth of Fascism was accurate either, what I do know this series is giving me and anyone who takes the time to engage with the movement the phenomenon called Fascism build by a human being who cut out the representative instinct, the fundamental purpose of Legitimate Representation, the instruments that since the Athenian experiment was found to successfully create, control the masses. The tools to create a society.

Mussolini brought this idea into our world. The use of chaos into politics. That by changing your position, saying the insayable, thinking the unthinkable you can take control of millions of people.

Mussolini proposed to do the impossible and made people believe he had done it. He unbalanced his opponents. The whole body politic couldn't construct a coherent strategy to combat him.

Sensible, pragmatic policies are forgotten as those who think otherwise gasp for breath.

And Benito with his grasp of how the prolaterate thought. How he instructed them to believe "His Message". The truth was never considered. Benito was the 1st. All our modern demi gods use El Duce play book. No Hitler. No Franco. No Pinochet. No Pol Pot. No Saddam without Mussolini.

El Duce thought them all.

And we laugh at him. Maybe its us that are the fools.

Who'll be next to use his bag of tricks?

So now we have this magnificent expose of control by an English director an Italian writer and Rupert Murdochs Sky putting the money, the distribution, the lesson on how not to be a politician in front of us.

The "Making Of" might be a mini series for another day.

To think till now "Gomorrah" was the height of our appreciation for Italian modern story telling. And season 1 ends with Matteotti murder. What a rich vein of contemporary instruction lays before us.

By the way. This is Magnificent. A 10 all day long and double on Sunday.