PUNTUACIÓN EN IMDb
7,7/10
4 mil
TU PUNTUACIÓN
Este documental incluirá entrevistas a fans de la obra de Jim Henson, intercaladas con imágenes de las obras de Jim Henson, incluidos anuncios de Wilkins y Wontkins que se habían perdido.Este documental incluirá entrevistas a fans de la obra de Jim Henson, intercaladas con imágenes de las obras de Jim Henson, incluidos anuncios de Wilkins y Wontkins que se habían perdido.Este documental incluirá entrevistas a fans de la obra de Jim Henson, intercaladas con imágenes de las obras de Jim Henson, incluidos anuncios de Wilkins y Wontkins que se habían perdido.
- Ganó 5 premios Primetime Emmy
- 8 premios y 20 nominaciones en total
Jim Henson
- Self - Filmmaker
- (metraje de archivo)
- …
Michael K. Frith
- Self - Creative Director
- (as Michael Frith)
Julie Andrews
- Self - Actress
- (metraje de archivo)
Harry Belafonte
- Self - Actor
- (metraje de archivo)
- …
Bernie Brillstein
- Self - Jim's Agent
- (metraje de archivo)
Maury Brown
- Self - Jim's Grandfather
- (metraje de archivo)
- (as Maury 'Pop'Brown)
Dick Cavett
- Self - Host, The Dick Cavett Show
- (metraje de archivo)
Chevy Chase
- Self - Performer, Saturday Night Live
- (metraje de archivo)
Reseñas destacadas
I knew immediately that this bio documentary about Jim Henson was in good hands (Ron Howard directing) with the opening, played out against the rousing music of Charles Mingus in one of his trademark barn-burning performances. The story is one of unbridled creativity, and the movie, along with authoritative commentaries by the likes of Frank Oz and Jennifer Connolly, speaks for itself. Howard is especially successful at the poignant way he handles Henson's sudden death, which I had forgotten even though I was a reporter covering the movie industry 34 years ago when it occurred.
One element that hit me out of the blue was a shot of George Lucas on screen during the coverage of "Labyrinth". It reminded me how difficult it would be to make a documentary on Lucas's life, and how there are book-ending similarities in his career relative to Henson's: both were once experimental filmmakers in the 1960s (THX 1138 4EB versus Timepiece), later becoming entwined in the commercial side of the entertainment business with huge financial success, and their creative achievements ended up in the domain of Walt Disney (himself an analogous figure in history).
One element that hit me out of the blue was a shot of George Lucas on screen during the coverage of "Labyrinth". It reminded me how difficult it would be to make a documentary on Lucas's life, and how there are book-ending similarities in his career relative to Henson's: both were once experimental filmmakers in the 1960s (THX 1138 4EB versus Timepiece), later becoming entwined in the commercial side of the entertainment business with huge financial success, and their creative achievements ended up in the domain of Walt Disney (himself an analogous figure in history).
When I was in high school, Sesame Street came along. I had study hall before lunch in a small room where we could watch the show on TV. That began my interest in the Muppets and Jim Henson. This documentary is a great view of the history of both.
That said, I'm halfway through and the music is annoying. I'm trying to listen to people talk, watch the pictures, and there's distracting music playing that interferes with the sound.
It's not flowing music, it's short and choppy. That would be fine for scenes that need to imply action, but it's people talking in short, choppy words. The music is ear-catching when it should be subtle and not distracting. Music should be an additive to scenes that don't have dialogue. When people are talking, let them talk!
That said, I'm halfway through and the music is annoying. I'm trying to listen to people talk, watch the pictures, and there's distracting music playing that interferes with the sound.
It's not flowing music, it's short and choppy. That would be fine for scenes that need to imply action, but it's people talking in short, choppy words. The music is ear-catching when it should be subtle and not distracting. Music should be an additive to scenes that don't have dialogue. When people are talking, let them talk!
Ever since I could remember, Jim Henson has been apart of my life. From Sesame Street, the Muppet Show, Muppet Babies, Fraggle Rock, Dog City, the Storyteller, and all his movies. Growing up, Jim Henson was inseparable from my life. When I heard about this film, I was so excited to see bits and pieces about Jim Henson that I never knew. Unfortunately well the picture did take more attention to building up the man and having us understand his genius, It felt lacking. For some reason, they decided to keep a running time of two hours. Suddenly, in his darkest time after the Muppet show ended, when he was flourishing the most creatively, the crew decided to rush that second phase of his career and jam it in the final 30 minutes of runtime. I wanted more detail on the storyteller or his failed Jim Henson hour. I wanted them to talk about Dinosaurs The sitcom. I wanted them to talk about the creature shop and how they created Yoda and the ninja Turtles. They didn't interview George Lucas. Ron Howard knows George personally and they didn't get him? I wanted them to interview his peers in directing. I wanted them to interview the celebrities who were a part of the Muppet show and Sesame Street. They only interviewed one person, Rita Moreno. Very strange. Yes I know a lot of them have passed away, but there are so many others they could have put on there. They didn't even interview Conan O'Brien, who divulged on his podcast that not only did he go to college with his daughter Lisa, but he ran the Lampoon with her AND knew Jim Henson personally. He was even there for the funeral, which was just glazed over, not even showing the clip of all the muppets coming out on stage to sing for him. I wanted more. Yes, there have been very few specials about Jim Henson, but the wealth of material he left us deserved more. Make it a 4 part series like the Beatles, or a Two Parter to bookend the before and after Muppet Show career. Now, don't get me wrong, I'm a fanatic and I'm still probably discovering things to this day. There are way bigger Jim Henson fans than me so I won't say I'm disappointed. I loved the film because it's about Jim but I wanted way way more and it would take a lot to satisfy my appetite. I just thought it was going to be a big project like The Beatles was and I felt a little mislead. Please watch it, enjoy it and learn more about the man. I hope there's another series that goes into depth what he was about and what he made.
This was absolutely the most heartwarming documentary I've seen yet! Since I was younger, I've always been obsessed with the Muppets! I always thought Jim Henson was just the "puppeteer" for these famous puppets. But from this documentary, I've learned he was so much more than that. He was a creative mind that wanted way much more than just being a children's puppeteer. I've learned that he's done more creative projects than just the Muppets. Like other muppet documentaries, it doesn't show the true side of him and his work, like this does. This just gives a more of an inside scoop of his life and his reality. For the most part, seeing the others who have worked alongside him pay tribute, is just so beautiful! If you're interested in him and his life, I most definitely recommend this! To conclude, It's such a heartfelt, heartwarming tribute for Jim Henson. I'm just hoping this lives on for generations to come and that we celebrate his artistic work.
This documentary is a beautifully crafted tribute to one of the most imaginative and creative individuals of our time. Seeing Henson, Oz, and the talented team of Muppeteers at work, performing just below the frame, was both surreal and slightly heartbreaking. It felt as though I had seen too much behind the curtain, losing a bit of that childhood magic where Kermit, Piggy, Fozzy, and Gonzo were real to me.
While the film is visually stunning and expertly made, I felt that certain parts of the 80s were glossed over, leaving me wanting more depth in that era. However, the use of stop-motion was a wonderful addition, complementing the storytelling beautifully.
Ultimately, this documentary paints a touching and heartfelt portrait of an extraordinary man, told through the eyes of those who knew and loved him. It's hard not to be moved by the end, and it's easily one of the most enjoyable projects from Ron Howard.
While the film is visually stunning and expertly made, I felt that certain parts of the 80s were glossed over, leaving me wanting more depth in that era. However, the use of stop-motion was a wonderful addition, complementing the storytelling beautifully.
Ultimately, this documentary paints a touching and heartfelt portrait of an extraordinary man, told through the eyes of those who knew and loved him. It's hard not to be moved by the end, and it's easily one of the most enjoyable projects from Ron Howard.
¿Sabías que...?
- CuriosidadesHow Jim Henson created Kermit The Frog and his Origin Story.
This is the origin story of all of these characters," Howard says of the film. "Kermit started as his mother's coat, the fabric from some old coat she was throwing away. They didn't even know he was a frog for a long time. They didn't know what he was. He just fit Jim's hand, and Jim could create funny reactions, and the character could be an alter ego for Jim. And then, slowly but surely, they decided he was Kermit the Frog."
- Citas
Self - Filmmaker: When we get an idea, we have to look at it from every direction.
- ConexionesFeatured in AniMat's Crazy Cartoon Cast: Scrats, Servants & Sea Beasts (2022)
- Banda sonoraII B.S.
Written by Charles Mingus
Published by Spirit One Music Crescendo (BMI)
The Mingus Music Werkshop (BMI) administered by Kobalt Music Publishing
Performed by Charles Mingus
Courtesy of The Verve Music Group under license from Universal Music Enterprises
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Jim Henson: Idea Man
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
- Duración
- 1h 51min(111 min)
- Color
- Mezcla de sonido
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