Un romance alimentado por el ego, el deseo y el sueño americano.Un romance alimentado por el ego, el deseo y el sueño americano.Un romance alimentado por el ego, el deseo y el sueño americano.
- Dirección
- Guión
- Reparto principal
- Nominado a 1 premio BAFTA
- 5 premios y 49 nominaciones en total
Jamie Javier Guerrero
- Henchman
- (as Jamie Javier Guerrero Jr.)
Reseñas destacadas
My first thought was it feels like the gym was depicted in the way someone who doesn't go to the gym imagines the gym is like. Like they watched Pumping Iron instead of visiting the nearest gym. It's like if Pumping Iron was a raunchy, lesbian, blood-soaked psychedelic experience. With a dash of crime family drama.
I found the cinematography of the movies to be quite impressive; it had a captivating aesthetic. Although it's not on an epic scale and mostly unfolds in remote settings, it's mesmerizingly filmed with themes of sex and violence. The characters are pretty good, so were the actors playing them. Kristen Stewart was Kristen Stewart, I think you already know what to expect when you see her in a movie, and I think she was pretty good. It took me a while to realize I recognized Katy O'Brian from The Mandalorian. I loved that she was homeless but still working out; if she can get swole living under a bridge, what's your excuse? Lol.
Theres a huge emphasis on smoking and drugs, it's a pretty big theme and mostly referenced on the radio. The story is alright, there's a love, crime and family drama.
It's quite raunchy. I wasn't expecting that, but I suppose the movie did give off those vibes. I just didn't watch any trailers or anything and went in blind. It also included some other adult/mature content like domestic violence. It's quite gory as well. Initially, it felt like it was penned by a man; I was surprised to learn it was written/directed by a woman afterward. I recall thinking that there will probably be a lot of people commenting on this, expressing their displeasure with how women are portrayed in movies written by men.
The movie had several moments where I thought to myself, well that's taken a weird turn. It gets more weird and weirder the longer in goes. It's really weird that it was common/normal back then to just hit your wife. It was jarring to watch. Franco's character is probably the worst one.
It's also one of those movies where none of the characters are good people, it's just bad people making bad decisions, in the name of love. I didn't really find myself rooting for anyone and l didn't feel particularly attached to the movie as a whole. I feel like it could've been better, and by better I mean more psychedelic, more violent, maybe even disturbing. It's not a movie for everyone, but it's pretty interesting and I enjoyed it. I like it but I don't know if it'll still be on my mind a month from now.
I found the cinematography of the movies to be quite impressive; it had a captivating aesthetic. Although it's not on an epic scale and mostly unfolds in remote settings, it's mesmerizingly filmed with themes of sex and violence. The characters are pretty good, so were the actors playing them. Kristen Stewart was Kristen Stewart, I think you already know what to expect when you see her in a movie, and I think she was pretty good. It took me a while to realize I recognized Katy O'Brian from The Mandalorian. I loved that she was homeless but still working out; if she can get swole living under a bridge, what's your excuse? Lol.
Theres a huge emphasis on smoking and drugs, it's a pretty big theme and mostly referenced on the radio. The story is alright, there's a love, crime and family drama.
It's quite raunchy. I wasn't expecting that, but I suppose the movie did give off those vibes. I just didn't watch any trailers or anything and went in blind. It also included some other adult/mature content like domestic violence. It's quite gory as well. Initially, it felt like it was penned by a man; I was surprised to learn it was written/directed by a woman afterward. I recall thinking that there will probably be a lot of people commenting on this, expressing their displeasure with how women are portrayed in movies written by men.
The movie had several moments where I thought to myself, well that's taken a weird turn. It gets more weird and weirder the longer in goes. It's really weird that it was common/normal back then to just hit your wife. It was jarring to watch. Franco's character is probably the worst one.
It's also one of those movies where none of the characters are good people, it's just bad people making bad decisions, in the name of love. I didn't really find myself rooting for anyone and l didn't feel particularly attached to the movie as a whole. I feel like it could've been better, and by better I mean more psychedelic, more violent, maybe even disturbing. It's not a movie for everyone, but it's pretty interesting and I enjoyed it. I like it but I don't know if it'll still be on my mind a month from now.
This isn't some jam down your throat gay movie. It's a movie with characters that happen to be gay. As someone who typically gets annoyed by movies that attempt this over the last decade now, I would say it wasn't overwhelming or assertive at all. Straight forward plot, but never getting too predictable. It does a wonderful job of showing fresh exciting love being deconstructed by the realities of life very well.
It was also the perfect length. It never feels like it's dragging on or being rushed.
Acting was above average for today's standards. Nobodies acting got in the way of the plot. Overall decent way to spend an early afternoon.
Expect of heavy sex scenes in the first third or so btw.
It was also the perfect length. It never feels like it's dragging on or being rushed.
Acting was above average for today's standards. Nobodies acting got in the way of the plot. Overall decent way to spend an early afternoon.
Expect of heavy sex scenes in the first third or so btw.
Love Lies Bleeding tells the story of Lou(Kristen Stewart), who works in a gym. Lou falls in love with Jackie(Katy O'Brian), an aspiring bodybuilder who is passing through town, before competing in a bodybuilding competition in Las Vegas.
Love Lies Bleeding is a good film. Director Rose Glass has given us a movie that is unique, gripping, has plenty of shock value & keeps the audience on the edge of their seats, throughout. However, one major flaw is that it tries to mix too many genres & themes. The ending of the film is quite bad & is unintentionally funny, too. The performances are the highlight of the movie. Kristen Stewart is spectacular as Lou. Katy O'Brian is awe-inspiring as Jackie. Stewart & O'Brian share electrifying chemistry, in all their scenes together. Anna Baryshnikov is outstanding as Daisy. Dave Franco is unforgettable as JJ. Jenna Malone is brilliant as Beth. Ed Harris is outstanding as Lou Sr. The supporting cast is excellent. Love Lies Bleeding is worth a watch if you want to watch an original story. Just be prepared for a rollercoaster of a ride!
Love Lies Bleeding is a good film. Director Rose Glass has given us a movie that is unique, gripping, has plenty of shock value & keeps the audience on the edge of their seats, throughout. However, one major flaw is that it tries to mix too many genres & themes. The ending of the film is quite bad & is unintentionally funny, too. The performances are the highlight of the movie. Kristen Stewart is spectacular as Lou. Katy O'Brian is awe-inspiring as Jackie. Stewart & O'Brian share electrifying chemistry, in all their scenes together. Anna Baryshnikov is outstanding as Daisy. Dave Franco is unforgettable as JJ. Jenna Malone is brilliant as Beth. Ed Harris is outstanding as Lou Sr. The supporting cast is excellent. Love Lies Bleeding is worth a watch if you want to watch an original story. Just be prepared for a rollercoaster of a ride!
'Love Lies Bleeding (2024)' is a sweaty, grimy, bloody romantic crime thriller about a disillusioned woman who falls in love with a bodybuilding hitchhiker whose steroid-infused rage soon lands both of them in big trouble. It unashamedly - proudly, even - takes the often explicitly cishet, masculine revenge/crime-gone-wrong genre and tells it from a distinctly LGBT+, feminine angle that doesn't feel exploitative despite its graphic nature. It also doesn't box itself in with that 'feminine' label, allowing its female characters to exist with all the complexities and imperfections usually afforded to their male counterparts. It's refreshing to see a story like this be told from a creative team of primarily women, and director Rose Glass continues to impress with her sophomore feature. Filled with palpable texture and peppered with moments of stark surrealism, the feature typically avoids convention despite telling a fairly conventional tale. It's the kind of film you can almost smell, a dirty and down-to-earth representation of small-town America that's the opposite of 'Hollywood' (whatever that term is typically associated with). Its moments of shocking violence punctuate the interpersonal drama at its core and inherently raise its stakes. Kristen Stewart is really good a Lou, with a non-showy performance that feels tactile and real. She's able to hide a real darkness just beneath her shy yet brash exterior, and her initially meek interactions with Katy O'Brian believably bubble into the full-blown immersion associated with head-over-heels love. O'Brian turns in similarly impressive work, portraying a dangerous but vulnerable person whose inner life is layered and messy and likely not all that much more stable prior to her experiments with steroids. She's so ripped she could easily play She-Hulk without the aid of CGI (which, incidentally, I'd love to see), but it isn't her stunning physique that leaves the strongest impression and that's no easy feat. The supporting cast do a good job at making the world feel palpable, with Ed Harris' hair extensions always threatening to outact everyone they share a frame with (Harris himself is good too, of course) and Dave Franco channeling his brother to convincingly play a real creep (and somehow garner a hint of sympathy with a single word in his most memorable scene). Although it's not always as exciting or intense as I'd like, the piece has a strong atmosphere throughout and its world really does feel tangible. Its complex characters constantly reveal darker and darker aspects of themselves, all while its heroes fall deeper and deeper into an all consuming romance that might just doom them both. Its infrequent violence is as shocking as it is affecting, and its confident surrealism gives it a slightly ambiguous air that adds to its overall effect. It's a strong example of female and LGBT+ representation, too. It's not as good as Glass' previous picture, 'Saint Maude (2019)', but it's a really solid follow-up that's effective pretty much across the board.
Kristen Stewart is a talented performer known for making both good and dreary movies better. Her restlessness and unquiet presence draw audiences in, making her a captivating character. In her latest film, "Love Lies Bleeding," Stewart plays Lou, a small-town loner in New Mexico, who yearns to escape a classic dead end. In the '80s, Lou works in a gym, where she spends her time fixing jalopies and slipping steroids. A beautiful stranger named Jackie (played by Katy O'Brian) catches Lou's eye, setting the movie on an incendiary path. The movie features violence, guns, spooky flashbacks, and a classic villain played by Ed Harris. The film is filled with extravagantly bad hair, rotten teeth, and souls, making it an exciting and captivating experience for viewers. The film also features a classic villain, played by Ed Harris, who delivers a sneer and an epically terrible wig. Overall, "Love Lies Bleeding" is a thrilling and captivating film that showcases Stewart's talent in making movies better and more enjoyable. "Love Lies Bleeding" is a thriller directed by Rose Glass, who has a background in James M. Cain and Jim Thompson novels. The film follows Jackie, a bodybuilder, and Lou, a drifter who meets his kismet at the gym. They connect after the gym closes, and their relationship is marked by a violent confrontation between Jackie and a gym rat. The story quickly heats up as Jackie drifts into town, landing a job to earn money. She crashes with Lou, who is eager for Jackie to stay. Lou remains super-jumpy and wary, and Stewart gives her character a tremulous energy that vibrates in her every look, gesture, and head bob. Glass borrows liberally but not mindlessly, taking familiar themes and clichés like romantic doom and family trauma and playfully bending them to her purposes. She upends the heterosexual coupling that powers many movies, including gun-crazed noirs where violence is sex (and vice versa). Glass deploys her allusions and, with her two beautifully synchronized leads, distills what's pleasurable from them while leaving behind old ugly ideas about women. The film is enjoyable because it uses dark and oh-so-sweet elements, with the greatest danger and thrill being finally love. Glass looks back and she looks forward, going dark and oh-so-sweet in a thriller where the greatest danger and thrill is finally love.
¿Sabías que...?
- CuriosidadesEd Harris originally wore very long hair extensions as a joke, but Rose Glass decided to keep them in the film.
- PifiasThe close-up of the $100 bill reveals a design introduced in 1996.
- Versiones alternativasThe film is cut for content in Vietnam where it runs for 98 minutes.
- ConexionesFeatured in The 7PM Project: Episodio fechado 22 marzo 2024 (2024)
- Banda sonora1847 - Earth
Written by Harald Großkopf
Performed by Harald Großkopf
Courtesy of (p) 1980/2014 Bureau B
Published by Copyright Control
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- How long is Love Lies Bleeding?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Amor, Mentiras Y Sangre
- Localizaciones del rodaje
- Crowne Plaza Hotel - 1901 University Boulevard NE, Albuquerque, Nuevo México, Estados Unidos(Bodybuilding Competition scenes)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 8.335.797 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 150.765 US$
- 10 mar 2024
- Recaudación en todo el mundo
- 12.779.549 US$
- Duración1 hora 44 minutos
- Color
- Relación de aspecto
- 2.39 : 1
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