Despojado de su derecho de nacimiento, Arturo sale adelante por las malas en los callejones de la ciudad. Pero una vez que saca la espada de la piedra, se ve obligado a asumir su verdadero l... Leer todoDespojado de su derecho de nacimiento, Arturo sale adelante por las malas en los callejones de la ciudad. Pero una vez que saca la espada de la piedra, se ve obligado a asumir su verdadero legado, le guste o no.Despojado de su derecho de nacimiento, Arturo sale adelante por las malas en los callejones de la ciudad. Pero una vez que saca la espada de la piedra, se ve obligado a asumir su verdadero legado, le guste o no.
- Dirección
- Guión
- Reparto principal
- Premios
- 10 nominaciones en total
Reseñas destacadas
'King Arthur: Legend of the Sword' left me somewhat on the fence. It is much better than some critics have said, being nowhere near among the worst films seen so far this year, but it to me doesn't quite warrant the vehement defence it's garnered too.
Guy Ritchie's best? Not by a long shot. His worst? Nowhere near, nothing is worse than 'Swept Away'. 'King Arthur: Legend of the Sword' could have been much better but it's hardly a film with no redeeming qualities and there are far worse films around. Then again this is coming from somebody who tries to observe and talk about redeeming qualities even in really bad films (for instance 1 and 2 out of 10 ratings are pretty rare, and am generally giving out 10/10s a little less).
There are strengths with 'King Arthur: Legend of the Sword'. The costumes, scenery and production design are pretty audacious while never having a fake or too clean look, one does get sucked into the atmosphere and setting of the film and can feel the authenticity. The rousing, rich in energy and thrilling music score is a strong contender for the film's best asset.
Some nice humorous lines, some exciting and innovatively choreographed action and a mix of coarse realism and a mythic touch are further things to like. The story is never dull, actually mostly having a vibrant energy, as such and is just about easy to follow if not perfect in execution, do admire it though for putting a new spin on a timeless but old story sometimes in need of more freshness when adapted.
Charlie Hunnam has an easy-going and steely charisma in the title role, and he is perfectly matched by dignified Dijimon Hounsou and particularly a sinister but surprisingly rootable Jude Law as the villain of the piece.
However, Ritchie's direction has a tendency to be chaotic and overdone, while the shaky camera work is some of the most excessive of any film to use it seen recently and the editing has an awkward jerkiness that can feel nauseating. Special effects are a mixed bag, some are good, others are very artificial looking and reminiscent of a low-budget video game.
While there are good performances here, Astrid Bergès-Frisbey is pretty wasted in an underwritten role and David Beckham is dreadfully out of place with his amateurish acting standing out like a sore thumb. Generally the characters could have been better written, some needed more development and others needed their motivations expanded upon and made much clearer (particularly the titular character). The most interesting in fact is Vortigen.
Parts of the story do work well, but there are other times where the pacing could have slowed down and that there could have been less going on, some of it felt too frenetic and bloated.
In conclusion, better than expected but less than legendary. 6/10 Bethany Cox
Guy Ritchie's best? Not by a long shot. His worst? Nowhere near, nothing is worse than 'Swept Away'. 'King Arthur: Legend of the Sword' could have been much better but it's hardly a film with no redeeming qualities and there are far worse films around. Then again this is coming from somebody who tries to observe and talk about redeeming qualities even in really bad films (for instance 1 and 2 out of 10 ratings are pretty rare, and am generally giving out 10/10s a little less).
There are strengths with 'King Arthur: Legend of the Sword'. The costumes, scenery and production design are pretty audacious while never having a fake or too clean look, one does get sucked into the atmosphere and setting of the film and can feel the authenticity. The rousing, rich in energy and thrilling music score is a strong contender for the film's best asset.
Some nice humorous lines, some exciting and innovatively choreographed action and a mix of coarse realism and a mythic touch are further things to like. The story is never dull, actually mostly having a vibrant energy, as such and is just about easy to follow if not perfect in execution, do admire it though for putting a new spin on a timeless but old story sometimes in need of more freshness when adapted.
Charlie Hunnam has an easy-going and steely charisma in the title role, and he is perfectly matched by dignified Dijimon Hounsou and particularly a sinister but surprisingly rootable Jude Law as the villain of the piece.
However, Ritchie's direction has a tendency to be chaotic and overdone, while the shaky camera work is some of the most excessive of any film to use it seen recently and the editing has an awkward jerkiness that can feel nauseating. Special effects are a mixed bag, some are good, others are very artificial looking and reminiscent of a low-budget video game.
While there are good performances here, Astrid Bergès-Frisbey is pretty wasted in an underwritten role and David Beckham is dreadfully out of place with his amateurish acting standing out like a sore thumb. Generally the characters could have been better written, some needed more development and others needed their motivations expanded upon and made much clearer (particularly the titular character). The most interesting in fact is Vortigen.
Parts of the story do work well, but there are other times where the pacing could have slowed down and that there could have been less going on, some of it felt too frenetic and bloated.
In conclusion, better than expected but less than legendary. 6/10 Bethany Cox
I believe this movie would have been a master piece of a series due to
the huge amount of event packed into 2 hours, but this is no criticism
on how great the movie is and how the numbers of this site doesn't do
it justice. 90% of the negative reviews comes under the lame excuse of
"that's not how king Arthur is supposed to be". If you actually want a
movie where you know everything already starting from the story,
characters and twists then I'd call you the stupidest ever. Yes this
isn't your typical king Arthur movie, and that adds even more to the
awesomeness of it.amnt saying the movie is flawless, no movie is, but
it was great starting from acting, animation, story, music tracks,
everything. Again would have been better off it was a series and I
hope there would be a sequel including the knights of the round table,
sure Lancelot and some dramatic betrayal or even Arthur's betrayal
himself to the kingdom.
This Movie was so much better than everybody told me. The fight scenes, the shots and the music was gorgeous. I really don't now why this movie receives that much hate. For me it was just Guy Ritchie at his best. Give this movie a try, its worth it! No joke, it was the best movie in this year, just stunning and epic. I loved it and i think that a lot of people will love this movie too! 7/10.
This is Guy Ritchie all day long. Guy doesn't do subtle. What he does do, is more often or not, deliver a visually entertaining feast for the eyes sprinkled with action and humour.
Charlie Hunnam was an interesting choice for Arthur. I became a fan of his during Sons of Anarchy but some of his other work has been a little hit and miss. Initially I wasn't enjoying him but as the film moved forward I took to his portrayal of the character.
For me Excalibur is the bench mark telling of this tale in film, David Gemmel has a series of novels that offer a great version of the story as well. The point being is that this movie has a lot to compete with and to be fair it does a pretty good job, its lots of fun :)
Charlie Hunnam was an interesting choice for Arthur. I became a fan of his during Sons of Anarchy but some of his other work has been a little hit and miss. Initially I wasn't enjoying him but as the film moved forward I took to his portrayal of the character.
For me Excalibur is the bench mark telling of this tale in film, David Gemmel has a series of novels that offer a great version of the story as well. The point being is that this movie has a lot to compete with and to be fair it does a pretty good job, its lots of fun :)
King Arthur: Legend of the Sword is a great fantasy adventure that's stylish and funny with a fresh and interesting take on the King Arthur mythos. Charlie Hunnam gives an incredible and extremely charismatic lead performance. Djimon Hounsou and Aidan Gillen are both great and Jude Law is a terrific villiain. Guy Richtie's direction is fantastic, combining his classic trademarks and style with a grander scale. The music by Daniel Pemberton is amazing. However, it's brought down by some poor CG but it's impressive for the most part.
¿Sabías que...?
- CuriosidadesThis was supposed to be the first installment of a planned six-film series. Those plans were scrapped after it bombed at the box office.
- PifiasSeveral times the country was called England. Arthur was King of Britain and the Britons. England was formed by the invading Anglo Saxons several centuries later.
- Citas
King Arthur: Why have enemies when you can have friends?
- Créditos adicionalesThe Warner Bros, Village Roadshow, Ratpac Entertainment and Weed Road Pictures logos are made of newly-forged metal and appear in reverse.
- ConexionesFeatured in Talking with Chris Hardwick: Charlie Hunnam (2017)
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- How long is King Arthur: Legend of the Sword?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- El rei Artús: La llegenda d'Excalibur
- Localizaciones del rodaje
- Capel Curig, Conwy, Gales, Reino Unido(Gwern Gof Isaf)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 175.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 39.175.066 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 15.371.270 US$
- 14 may 2017
- Recaudación en todo el mundo
- 149.175.066 US$
- Duración2 horas 6 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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