PUNTUACIÓN EN IMDb
6,6/10
4,6 mil
TU PUNTUACIÓN
Cuando Abel se entera de que su madre se va a casar con un hombre que está en la cárcel, se pone loco. Con la ayuda de su amigo, hará lo que sea necesario para protegerla. Pero al conocer a ... Leer todoCuando Abel se entera de que su madre se va a casar con un hombre que está en la cárcel, se pone loco. Con la ayuda de su amigo, hará lo que sea necesario para protegerla. Pero al conocer a su nuevo padre, le ofrece una nueva perspectiva.Cuando Abel se entera de que su madre se va a casar con un hombre que está en la cárcel, se pone loco. Con la ayuda de su amigo, hará lo que sea necesario para protegerla. Pero al conocer a su nuevo padre, le ofrece una nueva perspectiva.
- Dirección
- Guión
- Reparto principal
- Premios
- 4 premios y 16 nominaciones en total
Véronique Kapoyan
- Une invitée à l'inauguration du magasin de fleurs
- (as Véronique Kapoian Favel)
Reseñas destacadas
I really don't know what to think about it. What's this, a comedy, a thriller, a drama? It hesitates between all of those elements and that mixes me up. Good directing, good acting, but you always wonder what are you going to see, but this time in the not so good way. Because, I know, that most of time when you don't know what to deal with, it may be exciting. Not here. Sorry. But honestly, it is a good entertainment, it's impossible to get bored and that's the most important, no matter my sensitiviy and taste. After all, there is no rule in story telling, nothing at all prevents a story to be a mix up between comedy, horror, drama, crime, science fiction.... Nothing.
I read critics lauding this film using superlatives like 'amazing', 'hysterically funny' and 'a delight'. With great hopes we handed over our money and went in. I enjoy French comedies but they have proven to be hit and miss over the years. This one is a big MISS. It's also a mess. The acting was fine, as was the plot, so what was it? I can only put it down to the script, direction and editing, which is pretty much most of how a film is made. Apart from not being even mildly humorous it was just so disjointed. Some scenes made little sense. I do give it points for the scene in the diner. That was quite well made and hinted at a completely other film the director might be more proficient at.
An excellent crime comedy with elements of drama, which keeps the viewer's attention throughout the movie. It is interesting to watch how the relationships of different characters develop and what it all leads to.
This movie is quite funny and at the same time serious. It skillfully mixes these parts and it turns out pretty seamlessly. I also liked the romantic and criminal parts. It all comes together into one plot as well. What's interesting is that all these genres appear in the right places.
With good music in context and some pretty good acting, I have faith in this movie. It's really not bad at all.
This movie is quite funny and at the same time serious. It skillfully mixes these parts and it turns out pretty seamlessly. I also liked the romantic and criminal parts. It all comes together into one plot as well. What's interesting is that all these genres appear in the right places.
With good music in context and some pretty good acting, I have faith in this movie. It's really not bad at all.
A lighthearted effort that manages to work as a comedy, romance, and heist film, which isn't easy to do. There are absurd moments but the plot is cohesive, flows well, and has no wasted action. What won me over were scenes like the acting lessons given by ex-convicts, which was funny, and the distraction ploy that suddenly got very real, which was unexpected and emotional. Anouk Grinberg is a delight and has a fine scene during a confrontation at the hospital too. And my goodness, there's Noemie Merlant again being amazing. Isn't she one to keep an eye on? Entertaining stuff from Louis Garrel.
... and then I discovered he was the Director as well! It probably explains why he got the job, but not really why he'd want to come across so badly in this. He was so awful that I nearly gave up about 20 minutes in, but stayed around for Noemie Merlant - who really makes this film - and Roschdy Zem, who I'd not seen before but does a very nice turn as the errant (but convincingly loving) husband.
As a variant on the "heist caper" it's quite nicely done, with some humorous moments, but because I didn't empathise at all with Garrel's character it was hard to see the ending as "happy" - as I'm sure was intended.
If you can cope with Garrel, I'm sure it's fine.
As a variant on the "heist caper" it's quite nicely done, with some humorous moments, but because I didn't empathise at all with Garrel's character it was hard to see the ending as "happy" - as I'm sure was intended.
If you can cope with Garrel, I'm sure it's fine.
¿Sabías que...?
- CuriosidadesWriter/director Louis Garrel's mother, Brigitte Sy, worked 20 years in prisons for theater workshops.
- Banda sonoraPour le Plaisir
Music by Julien Lepers
Lyrics by Vline Buggy and Arlette Tabart
Performed by Herbert Léonard
(1981)
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Detalles
Taquilla
- Presupuesto
- 3.660.000 € (estimación)
- Recaudación en Estados Unidos y Canadá
- 34.822 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 12.079 US$
- 19 mar 2023
- Recaudación en todo el mundo
- 5.319.113 US$
- Duración
- 1h 39min(99 min)
- Color
- Relación de aspecto
- 2.39 : 1
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