Cuando un asesino a sueldo sufre una forma de demencia que evoluciona rápidamente, se le ofrece la oportunidad de redimirse salvando la vida del hijo adulto con el que estaba distanciado.Cuando un asesino a sueldo sufre una forma de demencia que evoluciona rápidamente, se le ofrece la oportunidad de redimirse salvando la vida del hijo adulto con el que estaba distanciado.Cuando un asesino a sueldo sufre una forma de demencia que evoluciona rápidamente, se le ofrece la oportunidad de redimirse salvando la vida del hijo adulto con el que estaba distanciado.
- Dirección
- Guión
- Reparto principal
- Premios
- 2 nominaciones en total
Reseñas destacadas
Michael Keaton has demonstrated remarkable visualization in his debut as actor-director. While most actor-directors show competence, Michael Keaton created genuine visual artistry. Although one success does not establish excellence of talent, Keaton appears to have a promising future as a director. Knox Goes Away is on par with actor-director works by Clint Eastwood, Ben Affleck, Kenneth Branagh, Richard Attenborough, Greta Gerwig, etc....
The trend toward actor-producers has been quite beneficial to the quality of product in the industry -- to maintain artistic integrity rather than completely pandering to business profit. It also invites appearances by upper echelon performers, who otherwise would decline working on a particular project. Here, the example is Al Pachino. And the result is analogous to "form follows function."
The trend toward actor-producers has been quite beneficial to the quality of product in the industry -- to maintain artistic integrity rather than completely pandering to business profit. It also invites appearances by upper echelon performers, who otherwise would decline working on a particular project. Here, the example is Al Pachino. And the result is analogous to "form follows function."
When watching movies across many era's, certain actors stand out more than others. It requires excellence across many projects, and due to the rich history of film, there are a lot of names on this list. Some obvious classic names are Bogart, Grant, Steward and Hepburn, Kelly, Bergman - and I think the further one goes back (within reason), the easier it is to identify these exceptional, stand out performers. But they exist in every era, and to finally come around to my point Michael Keaton is one of these great performers in the modern era.
Worth mentioning that the great performance in Knox Goes Away is also Keaton's direction debut - though I'm sure Keaton understands more about direction at this point than many of the film makers he's worked with, just due to his work within the media.
Knox Goes Away is about a hardened, professional criminal at the end of his prime. He would be able to still do his job if it weren't for a rare condition revealing itself as a rapidly deteriorating mind. Knox (Keaton's character) has enough self awareness to see his fate coming, and takes steps to resolve his life the best he can. But surprise! A desperate family situation arrives at his doorstep - making his plan to resolve things even more complex, and ultimately? His last great challenge to perform.
The greatness of this film is all Keaton's performance and his character's context. There's a tragic nature to the main character and his situation that as a viewer? Made me want him to succeed. I also wanted to know more about the main character, his past, and how he ended up choosing his line of work when he is portrayed as having so much intelligence and merit.
It's a really good movie. The lead is a complicated character, who is put in an impossible situation, and chooses to face the situation head on. Side characters are acceptable with Al Pacino probably being the most colorful and interesting in his few scenes. I'd say my favorite part of Knox Goes Away, besides Keaton, is a strong third act and satisfying ending, which so few films seem to have.
My biggest critique would be film pacing, which isn't bad, but would be a signifier of early directorial effort. I'd say the same about the camera work, which isn't Keaton, obviously the DP - but the director leads the DP, and the shots, while useful and fine, lack artistic finesse of a seasoned film maker. Lastly, most of the story elements and characters are cliche, and have a by the numbers scripting approach. I fully respected the straight continuity, and lack of script 'tricks'. It's not a movie that tries to hide anything, but also doesn't take too many chances.
I would say a must watch for fans of Keaton. Also a strong recommendation for fans of crime drama cinema with noir elements.
Worth mentioning that the great performance in Knox Goes Away is also Keaton's direction debut - though I'm sure Keaton understands more about direction at this point than many of the film makers he's worked with, just due to his work within the media.
Knox Goes Away is about a hardened, professional criminal at the end of his prime. He would be able to still do his job if it weren't for a rare condition revealing itself as a rapidly deteriorating mind. Knox (Keaton's character) has enough self awareness to see his fate coming, and takes steps to resolve his life the best he can. But surprise! A desperate family situation arrives at his doorstep - making his plan to resolve things even more complex, and ultimately? His last great challenge to perform.
The greatness of this film is all Keaton's performance and his character's context. There's a tragic nature to the main character and his situation that as a viewer? Made me want him to succeed. I also wanted to know more about the main character, his past, and how he ended up choosing his line of work when he is portrayed as having so much intelligence and merit.
It's a really good movie. The lead is a complicated character, who is put in an impossible situation, and chooses to face the situation head on. Side characters are acceptable with Al Pacino probably being the most colorful and interesting in his few scenes. I'd say my favorite part of Knox Goes Away, besides Keaton, is a strong third act and satisfying ending, which so few films seem to have.
My biggest critique would be film pacing, which isn't bad, but would be a signifier of early directorial effort. I'd say the same about the camera work, which isn't Keaton, obviously the DP - but the director leads the DP, and the shots, while useful and fine, lack artistic finesse of a seasoned film maker. Lastly, most of the story elements and characters are cliche, and have a by the numbers scripting approach. I fully respected the straight continuity, and lack of script 'tricks'. It's not a movie that tries to hide anything, but also doesn't take too many chances.
I would say a must watch for fans of Keaton. Also a strong recommendation for fans of crime drama cinema with noir elements.
Only knowing Keaton from Spiderman: Homecoming, I don't he's so talented that he can direct too. He put out an incredible performance in the film. The movie deals well with both the suspense and the emotional aspects of the story, two emotions I rarely see come together, that too successfully. I misunderstood the film to an action from the trailer but I gave it a chance 10 minutes into the film and it didn't let me down.
And the best part of it all, the father role portrayed in the film, stirred so much emotion in me that I've added this to my favorite's list.
Everyone performed to their best including the son, detective, and Keaton.
And the best part of it all, the father role portrayed in the film, stirred so much emotion in me that I've added this to my favorite's list.
Everyone performed to their best including the son, detective, and Keaton.
What a sharp movie! I really enjoyed this film! Michael Keaton really does great directing this film as well as acting in this film. Al Pacino really was fun as well. Very interesting character. The movie takes place around a contract killer that is diagnosed with a very fast movie type of dementia. Very fast moving. But he is given the opportunity to redeem himself. Which is a very crazy situation within its self. The opportunity that he is given is after his son shows up at his front door covered in blood because he kills the man who impregnate his teenage daughter he can make things right by helping is son get out of this mess he has put himself in. The film is great. It is very dark, gritty, and just overall great!
1.) Michael Keaton and if you know him, Ray McKinnon who produced the 'Rectify' series, one of the best series I have ever seen on 'TV'. Michael Keaton stars and directs the film and let me tell you think you know where the plot is taking you and you see what you think are some obvious inconsistencies. You will be stunned by how well the plot is actually thought out. The contradictions in the main characters , father, son and how their lives become parallel in most unlikely of ways and all because of , what ? Contingency. The script or story is absolutely brilliant and it is executed in the most artistic way possible and ,as always you will find yourself haunted by Keaton's character and delivery. The movie is truly special and FEW movies produced today rise to this level of excellence, Story, concept and narrative and you don't know where you're going to till you get there, ironic, poignant and above all a wholly satisfying movie experience. Eight Stars and I rarely give more than seven and that's for movies I think are really good, this is a cut above.
¿Sabías que...?
- CuriosidadesPrincipal photography took place from October to December 2022 in Los Angeles.
- PifiasAfter John Knox is arrested he is seen wearing a D,O,C, (Dept of Corrections) jumpsuit. It is shown to be week 7. D.O.C. would mean State prison. Knox never could have gotten through a trial, conviction and sentencing in that short period. He would have been held in jail, not prison, until trial.
- Citas
John Knox: Did you bury this guy?
Miles Knox: Did I bury him?
John Knox: Yeah.
Miles Knox: No. Why?
John Knox: 'Cause if you did, I was going to dig him up and kill him again.
- ConexionesReferenced in Late Night with Seth Meyers: Michael Keaton/Connor O'Malley (2024)
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- How long is Knox Goes Away?Con tecnología de Alexa
Detalles
Taquilla
- Recaudación en todo el mundo
- 951.489 US$
- Duración
- 1h 54min(114 min)
- Color
- Relación de aspecto
- 2.00 : 1
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