Naturaleza salvaje

A significant Australian made hit in early 2021, The Dry was both a critical and commercial success as the tale of Eric Bana's softly spoken federal agent Aaron Falk returning to his isolated hometown to help solve a murder of an old friend resonated across a wide spanning film going community, with many thankful that author Jane Harper's creation had more coming for them with her book series having multiple Falk entries planned.

A victim of last years Hollywood strike that saw its August 2023 release postponed until recent weeks, Force of Nature: The Dry 2 (an unfortunate title if there ever was one for multiple reasons) finally arrives with Bana and director Robert Connolly on board once more but sadly this time around much of the goodwill and good work that the first Dry entry left us with is gone here on a drab and damp next instalment that makes one wonder if Falk's cinematic adventures are going to be short-lived from here on out.

Far removed from the dusty and dried out surrounds of the first film, Nature finds the sleepwalking Bana and new zombified version of Falk venturing out into the Victorian mountain ranges to help with the search efforts for Anna Torv's Alice, an informant of Falk's who has gone missing in the rugged wilds during a corporate retreat that includes such colleagues as Deborra-Lee Furness's Jill, Robin McLeavy's Lauren and Richard Roxburgh's shady CEO Daniel and while the landscape we and Falk find ourselves in now have a flavour and energy, much of what happens in this wannabe Agatha Christie-lite tale is far from engaging.

Suffering from a central mystery that isn't entirely gripping and a procedural that is like a robotic progression of ticking a few boxes before climaxing in a far from memorable fashion, the core of Nature's problems stem directly from the material it's adapting and Connolly and Bana's inability to infuse that with any extra movie magic that would have made this well-budgeted Australian production anything but a pretty but extremely minor distraction.

The Dry found success in its mix of cinematic qualities rarely found in local productions, interesting main and side characters and a murder mystery that gripped from the first frame, all ingredients that aren't found in Nature, with the film failing to ever engage to a high level as we trudge along our way through mostly dialogue themed interactions with a bunch of fairly unlikeable and undeveloped characters we come to care very little about.

Initially set up to be what could have been an iconic new addition to Australian cinema history it's sad to see Falk the character and Bana the performer with so little to do here and despite some attempts to create more engagement through flashbacks and one of the most bizarre serial killer subplots I can recall, the story of Falk and his future potential don't seem so appealing moving forward after a bright initial start.

Final Say -

Well-filmed and full of possibilities, Force of Nature: The Dry 2 is a nothing more than major step backwards from the original 2021 outing and a mediocre effort from all involved, potentially halting the cinematic universe of Aaron Falk in its tracks.

2 hazardous waterfalls out of 5.

Jordan and Eddie (The Movie Guys)

5 women embark on a company team building exercise, backpacking for 3 days into the forest. However only 4 return and a search is quickly launched for the 5th, Alice, played by the excellent Anna Torv. Enter detective Falk (Eric Bana) who needs to find Alice as she has been working undercover in the company for Falk in an attempt to expose fraud by bad guy Daniel Bailey (Richard Roxburgh).

Sequel to 'The Dry', which whilst not as good as the original is still an enjoyable watch. What director Robert Connolly does is to almost seamlessly intertwine Falk's investigation with flashbacks to what the group did. In most films this is done in large chunks, but here it moves more quickly, neatly shifting from one timeline to the other merging them into one. The 5 women make for a good team playing nicely off each other, mixing truth and lies to Falk and us, with Bana solid and sincere, thinking back to backpacking in his youth which lead to a tragedy and Roxburgh, ideal as the cocky slime ball. Worth catching.

I saw it by accident: its first week.

A noble idea got destroyed by poor scripting and politically-correct casting. Its big merit was the filming, Australian bush landscapes, but even those scenes had to be moody dull. There was far too much intertwining of timelines and unexplained lines. What body was found? Whose son found the body found by someone else. The lone wolf federal investigator was a Hollywood cliche, as were the classic eyeball confrontation scenes with the notional hero vs the police chief.

What stood out? Debra LF as Jill: an incongruous character in the plot, and with a mismatched husband, but still a great performance.

Do what I did: see it at a theatre which lets you brin in wine in a glass.

An example of the inept use of a three-part structure. This is an example of a montage that is a disorderly juggling of the past and the present. The very idea of investigating economic crimes and the disappearance of a key informant is intriguing, but it is implemented and written in the worst traditions of the detective genre: not prescribed characters and, as a result, lackluster roles with superficial dialogues; stupid plot decisions justifying circumstances. The screenwriter "turns off" smartphones and forgets about the compass to justify lost tourists; tourists quarrel over the map like children, and as a result, the map floats downstream, and a girl from the group tries to fish it out of the water, flounders in the water and bruises her head. In the stream! The stream is knee deep! Just think, the girl went with the flow for a few seconds and got a head injury... how? The director did not bother to show it, just put the viewer in front of the fact.

The stupidest thing is how the group navigated on the map - without a compass, visually looking around. Are you serious? Only a schoolboy can come up with such nonsense, but the director seriously continues to confuse with the absurdity of what is happening, straining with alarming notes. I am simply amazed at how much human and material resources have been invested in this ridiculous theater of "forced losses" with empty chatter and women's screams. "Women's screams" is a directorial technique that is used wherever possible and where it is not necessary. I don't like the slang definition of "stuffy", but in this characteristic designation it corresponds to the content - it's shrill, stuffy, boring constructive junk. The director is unable to organize the acting, he does not see falsehood, does not know how to place accents, does not understand the material, and this misunderstanding is reflected in the viewer. It's a pity for Eric Ban, he has the image of an intelligent man, but in this film his virtues have dissolved into directorial incompetence.

3 out of 4 found it useful. Permanent link.

A sequel to 2021's sleeper hit The Dry, Force Of Nature: The Dry 2 once again follows brooding detective Aaron Falk where after his informant (Anna Torov) gets lost in the forest on a work retreat he joins a search and rescue team to help find her. Along the way he's forced to confront more of his childhood trauma.

Unfortunately the title for this movie sets the stage for what is a pretty convoluted and muddled movie and is overall a step down in my opinion compared to the first. There are three competing storylines here, the group of women, Aaron's trauma from his past and a serial killer subplot that literally goes nowhere. All of these storylines compete for attention but in the end they all end up falling flat. Also with the exception of Eric Bana as Falk almost every other character in this movie is unlikable (with maybe the only other exception being Mortal Kombat's Sisi Stringer.) With so much going on here it's surprising how unsatisfying and bland this movie was. Five stars for Bana though who is pretty much the only reason this might be worth your time.

Jane Harper wrote a third and final Aaron Falk book that was published last year so I feel like it's inevitable that it also gets adapted to make a trilogy out of this. Hopefully it's more in line with the first movie compared to this and it can finally give Bana's Aaron Falk some sense of happiness because the amount of past and present trauma he's endured throughout both Dry movies is kind of crazy.