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I really did want to give this movie a honest chance because I like Joakim but it really was terrible.

The character development didn't exist what so ever, for all I care all of them could die and I would've forgotten about them the next scene.

The sound effect were so over the top that I almost thought some I've them were a joke. For example why would you add a jump scare sound to a small drone flying by?

The over all cheapness and lazyness it so apparent that I actually laughed at times. For example when a character almost drowns and. Lies on the bridge, why is her hair completely dry? And in the first scene, you can see the shadow of the Serbian girl when she jumps down in the grass.

The plot was so predictable that I said out loud what was going to happen next and 9/10 I was right.

My final judgement is that this is more of a YouTube video that a movie and it does not belong on the big screen. I prefer Wicca over this.

I have more character development in my turds! This movie was a huge dissapointment, I expected more from Joakim. It passed the first generations bechdel test but did not pass the second generation! Hugely dissapointed in the lack of differing ethnicitys. I've watched Joakims "spökjakt" and those videos actually provides scary jump scares which this movie fails at horribly. The ending with the twist doesn't deliever any message of any kind. Would rather buy 4 beers at Tullen then watch this misery buissnes. Joakim needs to work on his character development and atmosphere in his movies. Strong three out of ten<3.

This movie is quite bad. I gave it a 4 (which is probably too high) due to the fact that I actually made it through all the way, albeit close to giving up a few times. Basically, it does nothing right: it's not scary, the story is not original or intriguing; it's very predictable; there are many irrational decisions being made by the characters; the psychology of the characters doesn't feel authentic. Sometimes the scenery was quite good, and the fact that it was so bad made it a little bit charming in a weird way. There might or might not be some talented folks involved in the making of this movie - probably not - but it's likely one of those cases where too many people submitted ideas (taken from other movies) and the actual creator(s) threw too much in there, creating a mess. I don't recommend this to anyone with the slightest ability of critical thinking - it will torture you. However, if you're an oblivious man or woman, this might be just for you.

I liked the content and the plot. Were a few jump scares but the adrenalin wasn't through the roof like I want it to be on a horror movie. For the low budget you seem to have squished every penny which is a good thing. Love the plot twist, wouldn't see that coming at all. The actors were amazing. I love Joel Lützow since before but all of them were great. So all in all , I give the movie a 7 which is because I think it miss a few details. I want to be scared when I walk out of the movie theater which I wasn't. But I look forward so bad to see what you come up with next. And for the producer, such a good work. I praise you.

One of the most annoiying and boring movie. I have ever watched the plot is just.ad Move barely bothers to disguise its pilferings from the DNA of other comedies. The self-sufficient neighbours are descended from the Goods of The Good Life. The grouchy shopkeeper who barks questions at an invisible husband out back is a straight lift from Little Britain. There are Tykeish traces of Last of the Summer Wine. The main joke of the recent sitcom This Country was that the countryside is a moral and intellectual cul-de-sac. But the show's main ancestor is Lead Balloon. Bad Move is Lead Balloon in wellies.

It's hard to tell yet whether Dee's grouchy web designer will be as good company as his perpetually thwarted writer in Lead Balloon, and whether rural Yorkshire's cast of supporting players can supply anything other than sketchy gargoyles. No one's exactly stretching themselves - Miles Jupp as the smug paterfamilias next door in particular feels like he's phoned one in he did earlier, and Seann Walsh as the overgrown rock star next door is a wild card with limited appeal.

At the moment it looks as if the script has sent away its knives for sharpening and not got them back yet. But Dee's miserablism is a gift that keeps on giving. "We can't even take the easy way out and slash our wrists," he concludes. Might have to see how this one pans out.