Inkaar

This film is really a gem. Why? because during its runtime of 2:07:19;not for once will you find yourself distracting to think of something else than what is going on screen. It transported me to the INKAAR conference room table along with the other characters. The story is trimmed out of all excesses and is just right. The acting is more or less good. It keeps you on the edge till the last moment thinking "SO WHO'S WHAT?" So please if you can get your hands on this movie, don't delay watching it; because its worth it! I gave it a 7 because, well, i did not particularly like the ending was hoping for something different than that.

well,I am pretty sure this film doesn't fall in the idiotic and senseless genre that thankfully salman khan akshay kumar brought in the bollywood.

It's quite an intelligent and entertaining film.it shows stories from both sides and not all a sexist film.it remains absolute neutral till the very end. All the struggles to climb the ladder of success and the pressure of the corporate world is wonderfully depicted here.Plus the right amount of human emotions are shown.It fantastically displays the love story and the Ego clashes between two successful individuals. Not to say,it is meant for urban population but still a very good step in right direction.Hardly any nonsensical dance numbers and all the songs go very well with the story-line.(except one where a guy sings in an award ceremony). Nonetheless,it is definitely a one. time watch.

I wasn't much impressed by last week's Matru Ki...'s complex dialogs and the story. So I hopped into a corner with my partner and tried to perceive Sudhir Mishra's latest.

After watching some classics by him and most recently "Yeh Saali Zindagi," I was expecting hell of a lot of things from him and the sexy cast.

Lo and behold, a wonderful topic of sexual harassment (at the wake of Indian dilemma of what to do with harassers, rapists & offenders) to choose for a movie and not-so-bad story but what lacks and probably why it didn't work out for my partner was she thought the topic was taken to a state of hyperbole. While, I enjoyed the intricacy, but hated the characterization and their levels.

"There is something towards the end that makes you hate it" well that is what she said and, "There is something towards the end that makes you love it" was my verdict.

Music is charming, direction is good, story is good and rest all film- making factors are average. But what I had expected and what should have probably worked for INKAAR is its lead actors furnishing a real deal rather than self-absorbing a competitive and bumptious outlook throughout the movie. While we know office politics need that type of arrogance and pompousness, but... all the way till home - they are just actual spoilers and result of bad thinking.

At the end of the day, Inkaar is for "give-it-a-try-we're-rich" type serious cinemaholics and not for the "let's-watch-a-movie-and-have-fun" crowd.

The thing I adore the most is it's brilliant narration and anti-climax induced metaphor. Absolutely stunning lead players! Deepti Naval is better and dynamic.

My partner's rating: 7.5/10 | Mine: 9/10

WATCH OUT FOR: the office kinkiness

Can be watched with a typical Indian family? MAYBE!

Language: Strong | Sex: Mild | Nudity: Mild | Foreplay: Very Strong | Smoking: Mild | Alcohol: Strong | Mouth-Kiss: Mild | Drugs: Very Mild | Violence: Mild

Inkaar (which translates to "Refusal" in English) is a 2013 Hindi film written and directed by renowned Indian filmmaker Sudhir Mishra. Inkaar stars Chitrangada Singh and Arjun Rampal in the lead roles. While this is the third Sudhir Misha film that stars Chitrangada Singh in the lead— the other two being Hazaaron Khwaishein Aisi (2003) and Yeh Saali Zindagi (2011)—it's the first time that Arjun Rampal has teamed up with Mishra.

In Inkaar, Sudhir Mishra puts the spotlight on the highly contentious issue of sexual harassment in corporate circles. The movie tries to define the term "sexual harassment" by highlighting the complexities associated with it. The greatest challenge is to draw the line between flirtation and harassment. Once that is taken care of the next challenge is to fathom the reality that, contrary to the popular belief, both the sexes are equally prone to sexual harassment. And that's where the subjective element comes into the picture. Who's the victim? Who's the accused? Thus, it becomes a real nightmare situation to deal with. As a senior female lawyer aptly describes in the movie, "It's often much easier to prove rape than sexual harassment". The story of Inkaar presents one such case of alleged sexual harassment.

As the hearing progresses, it becomes more and more difficult to discern who is speaking the truth and who is not. While the versions of the accused and the victim only differ slightly there is enough deviation to perplex the most astute of minds. The manner of proceedings, though completely alien to Indian cinema, is strikingly similar to Japanese filmmaker Akira Kurosawa's groundbreaking masterpiece Rashomon (1950), which is widely regarded as a cinematic treatise on the subjectivity of truth.

Overall, Inkaar despite its flaws is a commendable work of cinema that brings to the fore some serious issues concerning the corporate culture. Through the microcosmic world of an advertisement agency, Mishra presents to us the pitiful tale of human detachment that's slowly becoming a reality. Inkaar is brilliant from the technical point of view. The editing is absolutely brilliant and the same can be said about its music. The acting is above average. Mishra elicits a remarkably strong performance from Arjun Rampal. Chitrangada Singh is ever so delightful as the dusky, sensual Maya Luthra. Deepti Naval cameo is a major highlight of the movie. Apparently, Naval replaced Mishra's ex- wife Sushmita Mukherjee who, because of her tight television schedule, failed to spare any dates for the movie. Saurabh Shukla makes his presence felt in an interesting item number that he gets to perform in the movie. The lead actors get good support from the supporting cast. Inkaar with its slow character development, ambiguous themes, and deceptive direction is ought to disappoint an average viewer whose sole purpose is entertainment, but an intelligent viewer who is patient enough to wait for the different layers to slowly get unwrapped will be rewarded. 7.5/10

A more in-depth review can be read at:

http://www.apotpourriofvestiges.com/

Lets start by saying that a script this gutsy and honest comes very rarely. In Bollywood, where most film-makers are trying to sell love-story scripts to general public, this movie defines love more realistically than any other movie I have seen. The sheer pressure you experience when your ego and ambition comes in between you and your love. And in that pressure, some choices are made which cannot be classified as right or wrong. Because, we, as audience see the two lovers trying to solve the complicated maze and we get to see all the right or wrong choices they make. But, we don't know what would happen if we were to solve it ourselves.

I will admit that writing such script takes lot of guts and that is why Sudhir Mishra deserves a bow. I don't really care what its IMDb rating is but I am listening to Sudhir Mishra and he made a fan out of me today. \m/