Spring Breakers

Harmony Korine is a strange one. I've seen 3 of his other films, Gummo, Mister Lonely and Julien Donkey Boy and I thought they were decent to good. I can often see what he's trying to do but its lack of character and substance hurts it. Spring Breakers is perhaps his most mainstream effort given the concept, stars and the slick production but it's probably his least interesting. With MTV style cinematography and editing, a dubstep soundtrack and drama distant from the camera, the result is an unpleasant nightmare. I'm not sure who this film is aiming at, the type of person the film is about or the art-house crowd where the the techs are the furthest to their taste? It wants to be a comment on contemporary party culture but its unrealistic characters make it unbearably tedious. Every time a character starts to becomes sympathetic, they leave the film, and far too easily at that. Why are we even trapped in this nightmare if the characters are deliberately raising the stakes? It's a film that relishes on forced juxtapositions such as singing Britney Spears over robberies and it ends up obvious or pointless, nulling its effect. I still don't really know what to make to Spring Breakers but it definitely isn't my thing.

5/10

This is a strange film. On the one hand, it looks likes an extended music video, filled with mindless scenes of teenagers having one big party. On the other hand, there's clearly more to it. Some characters are so one-dimensional and cartoon-like, that the whole film becomes a sort of mockery of the modern teenage culture. This ambiguity is very clever, because the film appeals to a teenage audience as well as to the art-house audience Harmony Korine is usually associated with.

But at the same time, this ambiguity stands in the way of 'Spring Breakers' being a really good film. Unlike other serious movies about teenage culture, like 'Thirteen', 'Ghost World', Korine's own 'Kids' or the recent 'The Perks of Being a Wallflower', this film looks too easy. The temptation of showing lots of girls in bikini has been stronger than the ambition of trying to tell something meaningful.

Still, there are some nice moments. The hold-up in the restaurant is beautifully filmed from the window of a car slowly passing by. It's nice that, later on in the film, the director shows some short moments of what happened inside the restaurant. I would have liked more ambitious film making like that, and less footage of wild parties.

Harmony Korine created a cult classic for the early 2010s that captures the decade through hazy, atmospheric scenes. The film features a cast including his wife, Rachel Korine, and THREE 'It' girls-Vanessa Hudgens, Selena Gomez, and Ashley Benson-all in the midst of transitioning to R-rated projects. It encapsulates the abrasive yet optimistic tone around the time of its release, full of florescent lights, neon clothes and dubstep music.

While it has the hyper-sexualized party scenes that contemporary films like Project X were built around, Spring Breakers arthouse ambition allows it to stand out from similar-seeming films and allowing it to improve with time. As one of the first films released by A24, it is an important step in the direction that the company would follow: prioritizing artistic decision-making, not shying away from explicit content and having a dope ass lighting/color palette.

Spring Breakers (2012)

* 1/2 (out of 4)

Four college friends don't have the money for spring break so three of them decide to hold up a restaurant. Now with the money they head down to Florida to drink and experience life but soon they run into a gangster (James Franco) and their future hits a bumpy road. I understand SPRING BREAKERS is getting mixed reviews but I'm going to just flat out say that I hated the picture. I thought it was a rather confusing mess with unlikeable and annoying characters, a horrid story and an ending that's so bad that I really wanted to scream at the top of my lungs. Director Harmony Korine makes 90% of the film about style as we get all sorts of strange camera shots, bizarre editing and slow motion shots of bodies giggling and for the life of me I can't understand the point. It certainly doesn't add anything to the story but I will admit it was a "new" way to tell this type of story. With that said, just because it's new doesn't mean it's good and in fact it's just downright annoying. Even worse is the so-called story, which I've heard from some was supposed to be a satire while others appear to be taking it very serious. To me it wasn't clear what the director was trying to do with the material but if we were supposed to like these characters that certainly doesn't happen. I'd say they're all rather hate worthy but at the same time if we were supposed to hate them then the film really lets all of them off easy. The ending was just a downright joke and whatever "meaning" we're supposed to take from it is even worse. The film's selling point seems to be the "Disney Girls Gone Wild" aspect as Selena Gomez, Vanessa Hudgens, Ashley Benson and Heather Morris all tease up the screen. Performance wise they're fine but their characters are just so bad who cares about anything else? Franco chews up the scenery as if he's the son of Max Cady (the Robert DeNiro character in CAPE FEAR) but it's hard to take the character too serious. Again, I understand some are finding deep, haunting meanings to this film but to me it's just a complete joke from start to finish. If you want to see a much better movie about social media and today's culture then check out GOD BLESS America.

I watched this film on Amazon Prime where its genres are listed as "comedy, drama", which does such a huge disservice to what this film is.

It is in no way a comedy at all so get that idea out of your head before you watch this film. In reality it is a dark crime drama which has an incredible tone and vibe to it.

At times tone and vibe are favoured over plot and storytelling, but having digested this film a bit I don't think I mind. There were some wildly good visuals in this film and the direction from Harmony Korine was top notch.

I loved the performances from all of the cast. Franco's character was very out there but it worked in the context of the film.

A wildly underrated film which was probably hampered by the fact that people were expecting a frat bro comedy, when in actuality this is a much more elevated and stylish affair.