End of Summer

Ragnarsson was a great anchor for the whole season . Remember her original showing in the stellar " THE BRIDGE " ? It's disturbing in the sense that , there are several , interconnected strands that all contribute to the end game , within a relatively small community, over two generations . It begs the question , is this what rural living is actually like in Scandinavian culture ? Several Scandi Noir series have covered similar ground , or is it that original storylines are simply plagiarised infinitely ? There are a few characters within the plot that are superfluous and unnecessary which slows it down somewhat . Some of the hints are a touch strong , but ultimately the denouement is excellent. However , there is a rather glaring open end which can , in no way , be justification for a second series ?

It is a six-episode Swedish drama that tells a mysterious and emotional story. It begins in 1984 when young Vera sees her mother die by suicide. Years later, Vera is a grief counsellor still haunted by her past. A man named Isak visits her and talks about his adoption and the disappearance of a friend from childhood. Vera starts to wonder if Isak could actually be her missing brother, Billy. She returns to her hometown with him to try and uncover the truth.

The story switches between the present and the past, and this format works really well. The young actress playing Vera in flashbacks is excellent. Julia Ragnarsson, who plays adult Vera, also gives a strong and believable performance. The mystery unfolds slowly, with many twists and surprises. True, one might still guess parts of the ending, but the truth was revealed in a smart and satisfying way.

There are still some flaws: some parts, like how easily people access the investigation or how slow they are to use DNA tests, seem unrealistic-especially in a country like Sweden. A couple of characters feel overplayed or unnecessary. Also, the main character's career choice feels a bit forced. But once the story gets going, it becomes more gripping and emotional.

The show's atmosphere is beautiful, especially the flashback scenes of 1980s summer. It doesn't waste time with side plots or modern "woke" themes. It sticks to the mystery, which makes it more focused and enjoyable.

Overall, this Series is a well-acted, well-written Nordic thriller. It has heart, mystery, and beautiful visuals. If you enjoy Scandinavian crime dramas, this is worth watching - particularly if you have already watched the "classics" starting from The Killing and The Bridge... 😊

Swedish with English subtitles on BBC4.

6 Episodes, just the right amount.

Refreshingly, no Woke storylines or references.

I enjoyed this drama. It kept to the main storyline with no padding subplots.

Yes, there were some flaws, but most dramas suffer in the same way these days.

The one criticism is the overplaying of Harald's character. It was made quite evident throughout that he was complicit in some way, and the way he was allowed to have access to the police investigation and most other things was irritating.

There were no real surprises at the end. My wife and I had worked out after episode three roughly what happened to Billy and Tommy.

Another drama where justice is not seen to be done and lone females going into derelict buildings.

Spookily, Julia Ragnarsson (Vera) is a dead ringer for somebody we know. It was uncanny.

Ida Gyllensten (Magdalena) looks a lot like UK actress Anna Friel. They could easily play sisters.

This is a classy piece of work. Starting right at the top, the writing is superb. Most screenplays slap on big, chunky layers of intrigue, a bit like lasagne, but End of Summer is so much more subtle, creating layers, so quietly introduced you hardly notice, like Filo pastry. Its a guessing game right to the end and no-one will guess in advance, even though they might think they have the answer. The casting is excellent, acting top notch and direction makes the complex screenplay hang together almost effortlessly. This is screen production of the higher order. And of course you need very strong screen talent to carry it, especially in the early episodes when the intrigue hasn't really had a chance to ratchet up yet. This is where Julia Ragnarsson excels as Vera ( and the young actress who plays her child self). Both so very good and totally believable being the same person. To the entire crew and team, thank you for an excellent screen drama.

A family with a dark past lies at the centre of Swedish drama 'End of Summer'. As with many thrillers, the story is somewhat contrived, but actually well put together: given what had happened, it makes broad sense that the characters think and acts as they do at the start of the tale, allowing the revealing of the mystery in a plausible and gripping way. Where it's less strong is how it gets the investigation going: the protagonist is a beautiful, brilliant grief therapist, who has taken up this career, bizarrely, because she has never overcome her own grief at the truamatic events of her youth. This is both hackneyed and ridiculous, and the early episodes feel very contrived. Only as the story moves on, and we can forget how it started, does it start to become compelling.