PUNTUACIÓN EN IMDb
6,0/10
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TU PUNTUACIÓN
Un diplomático de Corea es enviado a Afganistán cuando un grupo de turistas de Corea del Sur son tomados como rehenes por los talibanes. Cuando uno de los rehenes muere, forma equipo con un ... Leer todoUn diplomático de Corea es enviado a Afganistán cuando un grupo de turistas de Corea del Sur son tomados como rehenes por los talibanes. Cuando uno de los rehenes muere, forma equipo con un agente especial para rescatar a los rehenes.Un diplomático de Corea es enviado a Afganistán cuando un grupo de turistas de Corea del Sur son tomados como rehenes por los talibanes. Cuando uno de los rehenes muere, forma equipo con un agente especial para rescatar a los rehenes.
- Premios
- 2 nominaciones en total
Reseñas destacadas
"The Point Men" unfolds as a riveting and expertly crafted hostage drama, casting an unflinching spotlight on the harrowing realities of a South Korean hostage crisis. In the grand tradition of South Korean cinema, renowned for its adeptness at translating real-life incidents into compelling, no-nonsense narratives, this film stands as a testament to the nation's prowess in storytelling. In a narrative parallel to its predecessor, "Escape from Mogadishu," the film seamlessly weaves urgency into its fabric, ensuring that the audience is gripped by the relentless pace of unfolding events.
A noteworthy strength of "The Point Men" lies in its screenplay, a captivating and realistic tapestry that avoids the pitfalls of forced storytelling. The film navigates the treacherous terrain of a hostage crisis with finesse, never succumbing to contrived plot devices. The infusion of humor, skillfully executed by Kang Ki-young, serves as an additional layer of authenticity, seamlessly integrating moments of levity amidst the gravity of the situation. While the absence of elaborate action set pieces may be perceived as a drawback by some, it is a conscious choice that bolsters the plausibility of the narrative. The filmmakers prioritize the integrity of the premise over gratuitous spectacle, a commendable decision that enhances the film's credibility.
In the realm of performances, "The Point Men" benefits immensely from the formidable talents of Hyun Bin and Hwang Jung-min. Although newcomers to my cinematic purview, their prowess as actors is immediately evident. Their portrayals are marked by authenticity and naturalism, adding a layer of gravitas to the unfolding drama. The chemistry between the leads enhances the film's emotional resonance, making their characters' struggles palpable to the audience. This synergy between compelling performances and a well-crafted narrative elevates the film beyond the trappings of a conventional hostage drama.
As a thrilling exploration of a genuine hostage crisis, "The Point Men" captivates audiences with its honesty and unwavering commitment to true storytelling. Those anticipating elaborate action sequences may find themselves disappointed, as the film deliberately eschews such embellishments in favor of a more grounded depiction of events. However, for aficionados of sincere and gripping narratives, this film emerges as a compelling addition to the genre. It's a testament to South Korean cinema's ability to delve into complex, real-world scenarios, presenting them with authenticity and an engrossing narrative that resonates long after the credits roll.
A noteworthy strength of "The Point Men" lies in its screenplay, a captivating and realistic tapestry that avoids the pitfalls of forced storytelling. The film navigates the treacherous terrain of a hostage crisis with finesse, never succumbing to contrived plot devices. The infusion of humor, skillfully executed by Kang Ki-young, serves as an additional layer of authenticity, seamlessly integrating moments of levity amidst the gravity of the situation. While the absence of elaborate action set pieces may be perceived as a drawback by some, it is a conscious choice that bolsters the plausibility of the narrative. The filmmakers prioritize the integrity of the premise over gratuitous spectacle, a commendable decision that enhances the film's credibility.
In the realm of performances, "The Point Men" benefits immensely from the formidable talents of Hyun Bin and Hwang Jung-min. Although newcomers to my cinematic purview, their prowess as actors is immediately evident. Their portrayals are marked by authenticity and naturalism, adding a layer of gravitas to the unfolding drama. The chemistry between the leads enhances the film's emotional resonance, making their characters' struggles palpable to the audience. This synergy between compelling performances and a well-crafted narrative elevates the film beyond the trappings of a conventional hostage drama.
As a thrilling exploration of a genuine hostage crisis, "The Point Men" captivates audiences with its honesty and unwavering commitment to true storytelling. Those anticipating elaborate action sequences may find themselves disappointed, as the film deliberately eschews such embellishments in favor of a more grounded depiction of events. However, for aficionados of sincere and gripping narratives, this film emerges as a compelling addition to the genre. It's a testament to South Korean cinema's ability to delve into complex, real-world scenarios, presenting them with authenticity and an engrossing narrative that resonates long after the credits roll.
This is a must watch for all to understand how the Convertion game is played upon Asians. From China to India converts are spreading the virus to infect other Asians.
The real players like America Europe Arab already inflected few Asians with religion and now these infected people are reaching out to others with greater risk The start is simple a group mission to convert Afgans to church gone wrong and missionary got trapped in a setup which is already converted long back and the price is to bring these missionary people back.
Long and short sequence how afgans wants to live life happily with or without America and how Koreans missionary are behaving American agents to convert people and got caught Well plan and played.
The real players like America Europe Arab already inflected few Asians with religion and now these infected people are reaching out to others with greater risk The start is simple a group mission to convert Afgans to church gone wrong and missionary got trapped in a setup which is already converted long back and the price is to bring these missionary people back.
Long and short sequence how afgans wants to live life happily with or without America and how Koreans missionary are behaving American agents to convert people and got caught Well plan and played.
I have to say the cinematography and landscapes was top-notch in this action drama thriller, however, it certainly was lacking in the action department. In the 108 min runtime, it's all pretty much dramatics with a few thrills and the very little action scenes here and there. The flow of the story was great, and all casting and performances were convincing. The score and direction was also very good. My main let-down was the lack of any real action, especially comparing this to similar films like The Covenant and Kandahar, plus I found the main narrative - the negotiator and the negotiations was a little underwhelming and didn't make much sense. Nevertheless, a decent one-time watch on a historical true-events story.
I'm an egyptian, don't know much about Afghanistan other than what's on the media (which is not true most of the time) but anyway i have that stereotypical image of Afghans and Taliban.
I like that the movie is based on a true story, the makers did not hide the fact that the missionaries were going "to spread Christianity" in a "strict Muslim country" and they showed both sides of Afghanistan, kind people who believe in peace and respect to all humans and extremists who use violence for their own benefits.
Not here to defend my religion or give lectures about Islam, but it breaks my heart that people might think most of us are extreme, but I wanna thank the makers for showing that being extreme has nothing to do with religions.
Also, love the locations and sets, even the editing is fabulous, i felt convinced most of the time. Huge applause for the cast, Hyun Bin sir your dedication to every character never fails to amaze me.
I like that the movie is based on a true story, the makers did not hide the fact that the missionaries were going "to spread Christianity" in a "strict Muslim country" and they showed both sides of Afghanistan, kind people who believe in peace and respect to all humans and extremists who use violence for their own benefits.
Not here to defend my religion or give lectures about Islam, but it breaks my heart that people might think most of us are extreme, but I wanna thank the makers for showing that being extreme has nothing to do with religions.
Also, love the locations and sets, even the editing is fabulous, i felt convinced most of the time. Huge applause for the cast, Hyun Bin sir your dedication to every character never fails to amaze me.
It's not necessary to have lots of action to make a movie a thriller, even though the genre is action-thriller. Before watching, expected lots of action. Even though not many action or fight scene was not involved, the movie made enormous tension throughout. The plot showed, the diplomatic, humanistic points and its clashes. How much trauma can make someone stuck in past is well depicted here. How a small personal debate and reporting can provoke someone or something or some group and what outcome it can bring, is also well depicted. How much courage it takes to go through a negotiation table and how to manage the tension throughout the negotiation is portrayed very cleverly.
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- How long is The Point Men?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idiomas
- Títulos en diferentes países
- The Point Men
- Localizaciones del rodaje
- Jordan(location)
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en todo el mundo
- 13.433.834 US$
- Duración
- 1h 48min(108 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.35 : 1
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