Marmalade

Despite clearly having a low budget, this movie made up for it with great actors, snappy writing and breathtaking twists. I have given the movie higher marks purely because the tools that they were provided to create this movie, lowly as they were, were used with such precise artistry, that a 10/10 score is more than well deserved. All three leads are fantastic actors, it's well paced, and most of all, it feels like an indie movie born from a sordid affair between Tarantino and the Coens, and this is the highest praise a movie like this could expect.

I cannot express how much I enjoyed every well-used second of this movie, this will be in the rotation of movies to watch when I want to spend roughly an hour and a half just... Enjoying cinema.

Keir O'Donnell's charming debut film "Marmalade" is a delightful rollercoaster of comedy, throwing unexpected twists and turns that keep you on your toes. It's a tale of love, crime, and betrayal, yet it feels refreshingly new and exhilarating from the get-go.

Initially, I was skeptical, bracing myself for a cliché "boy meets bad girl, boy gets into trouble" storyline. But as the movie unfolds, it defies expectations at every corner, never ceasing to surprise until the very end.

The dynamic duo of Baron and Marmalade, portrayed by Keery and Morrone, electrify the screen. Keery's Baron starts off as a simple guy, content with his routine until Marmalade shakes up his world. Morrone embodies Marmalade with infectious energy, leading Baron into a whirlwind of excitement and danger. Yet beneath her playful facade lies a darker motive, adding depth to her character.

So, sit back, buckle up, and enjoy the wild ride of "Marmalade." It may not be what you anticipated, but that's all part of its charm.

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This one was definitely a fun watch from start to finish. I really don't get surprised by movies very often, however I genuinely thrown off the trail of the true tale of the film, and every time I thought I had it figured out I'd be proven wrong.

It draws a lot of inspiration from a few very famous films, and gives you a few blatant tropes that at first make you roll your eyes a bit, but it all feels so deliberately just enough to make you confident in how wrong you are about the plot.

I am looking forward to watching this one again, for sure. All of the acting is fabulous, better than it might seem at first glance. It's a deceptively fabulous film. Don't judge this one on the surface alone, it's a great ride.

This is the kind of movie that relies heavily on the story and its twists. Unfortunately, the story, while shiny on the outside, falls apart upon the slightest inspection. It is not original, and it is not nearly as clever as it thinks it is.

When the movie has such gaping plot holes, and requires such enormous suspension of disbelief, then it needs to be extremely fun in order to make up for it. But this movie is not fun. The pacing is uneven, sometimes it drags slower that the terrible southern drawl of the main character, and other times it tries to rush too many things into a few minutes. Despite being billed as a comedy too, all you get form it are just a few chuckles.

The acting is perhaps the best part of it, but that goes only for some of the supporting characters. Camila Morrone was excellent and Aldis Hodge did a solid job, although his acting is uneven - some moments he is excellent, some moments downright bad. Unfortunately, Joe Keery wasn't good, although his character was supposed to carry the movie. In keeping with the aforementioned lack of originality, two characters from two famous movies immediately jump out as the inspiration (to put it politely) for the main character, but the actors in those movies are light years ahead of Keery (I won't go into any details in order to avoid spoilers).

Overall not a terrible movie, but not a good one.

It was definitely refreshing and amazing to have watched this sort of a movie nowadays when we get scarcity of thrilling and unexpected comedies. The plot was outstanding because it was flexible open to interpretation and easy to manipulate like what the director and writer just did. The protagonist's performance was so smart and clever die to his ability to portray such complex character that initially seemed innocent and unsuspecting to someone more sinister and clever. The scenes were also intelligently edited because there were no plotholes and the twist was satisfying in the end. The whole anagram thing was a bit corny though.