Mala conducta

My first solo film of 2024. Just me in a cinema and after half an hour I was beginning to understand why! "Lucy" (Jennifer Connelly) is trying to have a phone conversation with her daughter "Dylan" (auteur Alice Englert) whilst en route to a remote Oregon retreat. She's thousands of miles away in New Zealand and we get the distinct impression that she's not especially interested. That's a feeling that's quite contagious as we all now endure her experience at the spiritual "Loveranch". A supposedly tech-free place run by "Elon" (Ben Whishaw) that encourages people to open their hearts, their souls and their brains to meaningless waffle about finding yourself. Now insofar as this is supposed to be a parody of this kind of rip-off facility, it sort of works - especially with the arrival of model and DJ "Beverly" (Dasha Nekrasova) to whom "Lucy" takes not just an instant dislike but also the leg of a chair! Meantime the daughter has an incident of her own on the whacky film set where she is stunt artist. That results in her losing her job and racing home to be by the side of her now incarcerated mother. If you weren't bored already, then the best is yet to come - a positively nauseating tale of family discord, a suicide attempt involving some pills and the shallow end of a swimming pool and, finally, some meaningful conversations amidst the forest with running water gently trickling a-foot! Can they salvage the relationship? Does it need savaging? Do we care? Perhaps this read better as a script, and there are times when I felt the wrath of "Lucy" emanating from the screen, but for the most part this is the stuff of a really poor stage play that reminded me again that Ben Whishaw is no great shakes at all on the big screen - indeed, I wonder if he was actually acting at all! As "Yoda" might have said - one fun scene does not a movie make.

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"Bad Behaviour boasts an all-in, powerful performance from Jennifer Connelly, but it's too messy, tonally unbalanced, and narratively all-over-the-place to connect with. It wastes too much time being nonsensical before the mother-daughter relationship gets interesting. Disappointing.

I'm unaware of how much of a personal project this is or even if it's personal at all. Still, Bad Behaviour is one of those films I just couldn't connect with in any shape or form. There's a layer of exaggeration and overdramatization that makes it all feel fictional and less grounded. And that, to me, turns into a massive obstacle to overcome. I hope others can feel the opposite."

Rating: D+

How can a movie be this bad? Especially with Jennifer Connelly and Ben Whishaw as two of its leads.

The movie starts off with a woman, played by JCon, calling her daughter as she's about to go to a retreat with limited ability to contact the outside world. The leader of the retreat is played by Whishaw, who - as far as I can tell - has never given a bad performance in his life, and isn't about to start now.

Visually, it's a decent enough film. Some of the color grading (like in a hotel scene) can get a bit rough, but it's mostly at least competent, and some shots are very well done.

Where the film fails is in literally everything else. The characters are shallow nonsense; Connelly's character just kind of does things to move the plot forward, Whishaw's character is basically a big bag of nothingness, etc. The story veers off in a strange way that doesn't add to or advance anything that came before. The film has nothing going on upstairs and nothing to say beyond, "Influencers bad".

Add to that the complete lack of anything interesting going on... it's not just a bad movie; it's a painfully bad movie. Something like The Room or Birdemic can at least provide some entertainment while being bad; this doesn't even have that. It drags and drags and drags. It feels like it should end wayyy before it does. It's truly a terrible movie. Easily one of the worst I've seen.

'Lucy' takes herself off to an enlightenment weekend and we see how she navigates that and her relationship with her stunt performer daughter.

I struggled really to see what this film was actually about. There was very little about the mother/daughter relationship in the film, except for bad feeling and rushed messages and each not really caring for or listening to the other. But there's no context for that or explanation or resolution.

At the retreat the dialogue is stilted, meaningless, bizarre at times and completely empty in terms of narrative or story context.

The acting now and again was fairly good, but I don't think that was as a result of good direction: I think it was sheer luck that the actors had found something to bite on. Other times it was almost painful to watch as they floundered around not really knowing where the film was going, nor what their part in it was.

Not one single character in the entire film was likeable. Most weren't even pitiable. So the film left me throughout it's excruciatingly long run time feeling bereft of any order, or value, or context, or humanity. It was just a boiling pot of mish mashed emotions and nothingness disconnected form anything else and to be very truthful, I hated it.

It had some really funny and heartwarming moments. There were a couple of scenes, towards the end, that felt very authentic and emotional. I think that the script brought up some lesser explored themes that I connected with. Jennifer Connelly is superb as always. I felt like the story could have been told a little bit more cohesively. But I think that Alice Englert, who also wrote and co-starred in it, did a great job for her directorial debut. Jennifer's clothing aesthetic comforted me and I will love her character for a long time. She has great comedic abilities even if she's often been typecasted to darker roles. There were some beautiful shots, especially the one at the end... that was absolutely stunning.