The Catch

I'm a big fan of Jason Watkins, he's a very watchable actor in my opinion. He's very safe and dependable with what I would describe as a raw vulnerability. He really carries the weight of this show although the other actors are decent too. Okay it's not the most surprising murder mystery drama I've ever seen but I found myself happy to coast along and watch to the end. A few more twists would have been good and the final episode is perhaps the weakest which is a shame but it's a solid seven out of ten. If you want to pick holes this is going to provide a few but otherwise just go for the ride.

You know that thing where you can't concentrate on what someone is saying because you're struggling to place their accent? This whole thing is like that. I don't just mean the actor's accents (real or imagined). The whole thing lacks a clear sense of place which I suspect will drive a lot of British viewers round the bend, while viewers from other countries might not notice anything strange. It starts off feeling like Cornwall - then you realise that's just your own assumption because it's a popular setting for films, and some of the accents certainly could be Cornish ... or maybe we're in Devon ... or is it Dorset? Ultimately, this made it difficult for me to suspend my disbelief and enjoy the ride.

Moving on - the main character Ed and his wife, daughter and mother in law were all well acted and believable. The boyfriend actor, with his confusingly Welsh accent (wait! Where are we?) not so much. He was seriously wooden and, I felt, poorly directed.

I personally liked the way the film looked and was constructed, with longish scenes (by today's standards) with significant dialogue. That's a win, in my book. The first couple of episodes were a lot of fun, as things got weirder and weirder, but the massive spoiler at the end of episode 2 was disappointing. It turned the final two episodes into a standard "pretty young woman in danger/desperate man falsely accused" piece of schlock, which I've seen enough of in the past twenty years. Can we please have something else? And an ordinance survey map?

Yet another long drawn out non-thriller. As 90 minute TV movie it might have worked but I was bored by the end of the first episode. The plot was predictable with no surprises along the way and the ending was nothing but a series of pure cinematic cliches. We know what is going on, the protagonist knows it as well, but we have to endure four hours of mediocre acting and dialogue drowned out by the over loud incidental music.

Jason Watkins' talent is wasted as the protagonist whom no one believes, Aneurin Barnard is too lightweight for the role and the two main female characters were little more than set dressing. And as for the granny; is dementia the new stick to beat us with as it seems to be popping up everywhere lately.

This series passes the time, but is full of predictable, and implausible things. The last half hour, in particular, is a ticklist of bad film/TV cliches. It is set in Cornwall but filmed in Ireland, and the makers are careless with background detail and accents that betray that fact. Characterisation is mostly two dimensional, and acting mediocre. Actions taken by several characters are often some combination of stupid, implausible or self-contradictory as to their motives. Channel 5 have commissioned several series like this, and they all suffer from the same faults. For all this, it's watchable if your expectations are not high.

I had no choice but to put on the subtitles, as the music background was swamping 50% of the dialogue.

And there was no need for the foul language. Are scriptwriters so lacking in vocabulary that they need to add such contamination?

The scenery and locations added much to the plot, and the general presentation was well above standard. Brenda did well as the dementia-stricken grandmother.

I'd say that the origination of Ryan was rather too obvious, and his story, once revealed as the plot unfolded, was no surprise.

Well done to the production team in concealing the location - carefully not showing any boats' sterns, where the harbour 'home' would have been visible.