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IMDbPro

Paradise

  • 2023
  • 16
  • 1h 57min
PUNTUACIÓN EN IMDb
6,3/10
24 mil
TU PUNTUACIÓN
Corinna Kirchhoff, Kostja Ullmann, and Marlene Tanczik in Paradise (2023)
After his wife is forced to give up 40 years of her life as payment for an insurance debt, a man desperately searches for a way to get them back.
Reproducir trailer2:01
1 vídeo
22 imágenes
AcciónCiencia ficciónCiencia ficción distópicaThrillerThriller cibernético

Un hombre descubre el lado oscuro de la empresa de biotecnología para la que trabaja cuando su esposa se ve obligada a renunciar a 40 años de vida para pagar una deuda.Un hombre descubre el lado oscuro de la empresa de biotecnología para la que trabaja cuando su esposa se ve obligada a renunciar a 40 años de vida para pagar una deuda.Un hombre descubre el lado oscuro de la empresa de biotecnología para la que trabaja cuando su esposa se ve obligada a renunciar a 40 años de vida para pagar una deuda.

  • Dirección
    • Boris Kunz
  • Guión
    • Simon Amberger
    • Peter Kocyla
    • Boris Kunz
  • Reparto principal
    • Kostja Ullmann
    • Corinna Kirchhoff
    • Marlene Tanczik
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,3/10
    24 mil
    TU PUNTUACIÓN
    • Dirección
      • Boris Kunz
    • Guión
      • Simon Amberger
      • Peter Kocyla
      • Boris Kunz
    • Reparto principal
      • Kostja Ullmann
      • Corinna Kirchhoff
      • Marlene Tanczik
    • 119Reseñas de usuarios
    • 42Reseñas de críticos
  • Ver la información de la producción en IMDbPro
    • Premios
      • 3 nominaciones en total

    Vídeos1

    Official Trailer
    Trailer 2:01
    Official Trailer

    Imágenes21

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    + 16
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    Reparto principal55

    Editar
    Kostja Ullmann
    Kostja Ullmann
    • Max
    Corinna Kirchhoff
    Corinna Kirchhoff
    • Elena (alt)
    Marlene Tanczik
    Marlene Tanczik
    • Elena (jung)
    Iris Berben
    Iris Berben
    • Sophie Theissen
    Lisa-Marie Koroll
    Lisa-Marie Koroll
    • Marie Theissen
    Lorna Ishema
    • Kaya
    Numan Acar
    Numan Acar
    • Viktor
    Alina Levshin
    Alina Levshin
    • Sophie Theissen (jung)
    Tom Böttcher
    • Nils
    Gizem Emre
    Gizem Emre
    • Eva (Clinic)
    Lisa Loven Kongsli
    Lisa Loven Kongsli
    • Lilith
    Cornelia Heyse
    • Marion (Elenas Mum)
    Andreas Windhuis
    • Vater von Elena
    Haley Louise Jones
    Haley Louise Jones
    • Luna Ackermann
    Alida Bohnen
    • Erika (AEON)
    Ulrich Wickert
    • Ulrich Wickert
    Matthias Ziesing
    Matthias Ziesing
    • Mr. Steiner
    Egle Lekstutyte
    • Mrs. Steiner
    • (as Eglė Leksuthytė)
    • Dirección
      • Boris Kunz
    • Guión
      • Simon Amberger
      • Peter Kocyla
      • Boris Kunz
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios119

    6,324.4K
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    10

    Reseñas destacadas

    8INTXb

    Unexpectedly very good

    I really wasn't expecting something quite as good based on the putrid 6.3/10 rating on IMDb. The production, acting, premise, are all really good. The sci-fi story is very interesting though pretty linear and mostly predictable. With that said I was fully captivated throughout the entire movie and I'm one that gets antsy easily. I haven't seen any of the actors before but they all played their parts very well and were fully convincing in their parts. I would definitely watch a part 2 of this movie if one is made. The only reason I think this movie didn't get a higher review is the subtitles and the fact that it doesn't have a single A-list actor from Hollywood.
    openyourmind-28366kfiejwkln

    Interesting premise, bad script

    It's hard for me to understand how Netflix can allow complete amateurs write movie scripts.

    They do it again and again. How can this be a sustainable business model? Put 15 million dollars in a movie based on a script that any 16 years old could have written better.

    I mean look at this mess of a script. What is this? Apart from the premise, which is not completely new but interesting, it is just complete garbage. There are no character build ups, there is no interesting dramatic goal, there are not story steps, there isn't even a central conflict, it's just a huge chaos all over the place.

    None of the characters come even close to touching us. The antagonist has one single encounter with the hero, where they both say one sentence, no conflict. We never learn what motivates her.

    The hero saves a woman that doesn't wanna be saved. His wife. Well, it's said that she is his wife, but we never really come to believe it, as there is zero chemistry between them. They tell each other "I love" you three times in a car, but there is no feeling, it's worse than in a soap opera. Two sex scenes (hello Netflix) add nothing to the chemistry. The actress isn't very convincing, but it's not only her fault. Maybe the makers should have watched some love movies to learn how to establish a bond between a loving couple, especially as this is - or rather should have been - the central motivator of the hero, saving his wife's life.

    That's his mission. Unfortunately, she doesn't rally wanna be saved and seems to have given in to her fate. Then she changes her mind and wants to be saved. Then she changes her mind again, because it would mean to harm an innocent person. Then she changes her mind again and almost kills the innocent girl, sleeps with her husband, and finally decides to betray her husband and take the lifetime of the girl, and also break up with the guy who sacrificed his life for her and get pregnant from another guy that appeared out of nowhere (is this the new "female empowerment"?). Frustrated, her now ex-husband joins the terrorist to kill some more people. Why? We never really learn.

    It's so bizarre, that it's almost funny. The script actually reminded me of Tommy Wiseau's 2003 film The Room, widely considered the worst film ever made. In this film the actor changes his mind sometimes twice within a scene.

    I wonder if the producers come to Netflix with a script so bad, or if the script is okay but Netflix ruins it with their developer team, because they want it to fit their algorithm or whatever.

    It's depressing, because the premise would have offered so much potential. For example, only the rich can afford the costly life-time transfer process, and they take it from the poor. Was that too political for Netflix? Why was this huge potential theme never harvested in the movie? Isn't that what's happening right now on this planet, that only the rich can afford top medical care?

    Well, but ignoring reality and promoting escapism seems to be the new thing on Netflix, so I guess the filmmakers ran into heavy resistance there. Sad.

    Netflix used to be cool, now it's more and more turning into a drug to numb down the oppressed workforce.
    6jabandrade

    It's OK, but it could have been so much better.

    This movie had everything to be great. The premise was good, to say the least, the beginning was exciting, the performances committed and the course chosen pointed in the direction of something really prosperous.

    In addition, the ethical issues raised by a group called Adam, which violently opposes the shady methods of manipulating the life span of the poor in exchange for money , run by the AEON company, are extremely valid and provide material for a realistic reflection on a possible future that lies ahead of our time. In fact, this discussion would have been the best thing in the movie if the script had gone down this road.

    But halfway through the movie the script becomes a seesaw with so many ups and downs. The story loses its breath and becomes a little lame. It improves a little with the reappearance of the terrorist core Adam, adding some action to the lukewarm script, but it falls off again with poor script choices as the film nears its climax.

    When personal moral dilemmas that don't quite fit appear out of nowhere, things turn lukewarm again and the movie goes downhill again. And so it goes until the end. It's not bad and keeps the interest, but good wasted characters and an undefined script about where it wants to go, partially spoil what could have been great. In the end, it leaves a slight hook for a possible continuation.
    7deloudelouvain

    Decent German sci-fi.

    I see there are a lot of mixed reviews for this German sci-fi, from people that didn't get it to people that found it clever. Count me in the people that enjoyed this movie, and so did my wife. I thought the plot was interesting, certainly food for thought. The only thing that could have been a bit better was the acting from certain actors but overall it was all pretty decent. I didn't think the plot was complicated at all so I don't get what others didn't understand about the story. The lesson of the movie is don't do to others what you don't want others do to you. If everybody would think about that a bit more, life on earth would be so much better.
    6rileyyjayy

    It was almost good

    I have to say the start of this movie really catches you, it definitely caught me, the German film style is really unique and enjoyable. I love the idea of this movie and the plot is strong. But the problem is there wasn't much context, maybe it was the English/German language misunderstanding, I just thought they came up with a really good idea for a movie but ruined it slightly with the 2nd half of the movie. I wish they gave more information on it as a whole Instead of just an individual chase. I think I'd definitely watch it again, great acting I thought so anyway, and the cinematography was top tier.

    Más del estilo

    En las profundidades del Sena
    5,2
    En las profundidades del Sena
    Juego limpio
    6,4
    Juego limpio
    Reptiles
    6,8
    Reptiles
    Bird Box: A ciegas
    6,6
    Bird Box: A ciegas
    Paradise
    6,5
    Paradise
    El asesino
    6,7
    El asesino
    Paradise
    7,9
    Paradise
    Paradise
    4,9
    Paradise
    Nowhere
    6,3
    Nowhere
    Oxígeno
    6,5
    Oxígeno
    Los feos
    4,7
    Los feos
    I Am Mother
    6,7
    I Am Mother

    Argumento

    Editar

    ¿Sabías que...?

    Editar
    • Curiosidades
      The difference between the ages of the actresses that played the role of Sophie is the same that of the actresses that played the role of Elena: 35 years old.
    • Pifias
      Max is talking to Erika by phone after he leaves Denys Bondar. He removes his ear bud after talking to her and puts it in his pocket. A few seconds later, the ear bud is back in his ear.

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    Preguntas frecuentes15

    • How long is Paradise?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 27 de julio de 2023 (España)
    • País de origen
      • Alemania
    • Sitio oficial
      • Official Netflix
    • Idiomas
      • Alemán
      • Inglés
    • Títulos en diferentes países
      • Рай
    • Localizaciones del rodaje
      • Lithuania
    • Empresa productora
      • NEUESUPER
    • Ver más compañías en los créditos en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 57min(117 min)
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 2.35 : 1

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