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IMDbPro

The Grab

  • 2022
  • 1h 42min
PUNTUACIÓN EN IMDb
7,3/10
642
TU PUNTUACIÓN
The Grab (2022)
An investigative journalist uncovers the money, influence, and alarming rationale behind covert efforts to control the most vital resource on the planet.
Reproducir trailer2:03
2 vídeos
11 imágenes
Documental

Un periodista de investigación descubre el dinero, las influencias y la alarmante lógica que hay detrás de los esfuerzos encubiertos por controlar el recurso más vital del planeta.Un periodista de investigación descubre el dinero, las influencias y la alarmante lógica que hay detrás de los esfuerzos encubiertos por controlar el recurso más vital del planeta.Un periodista de investigación descubre el dinero, las influencias y la alarmante lógica que hay detrás de los esfuerzos encubiertos por controlar el recurso más vital del planeta.

  • Dirección
    • Gabriela Cowperthwaite
  • Guión
    • Gabriela Cowperthwaite
  • Reparto principal
    • Rod Schoonover
    • Nathan Halverson
    • Holly Irwin
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    7,3/10
    642
    TU PUNTUACIÓN
    • Dirección
      • Gabriela Cowperthwaite
    • Guión
      • Gabriela Cowperthwaite
    • Reparto principal
      • Rod Schoonover
      • Nathan Halverson
      • Holly Irwin
    • 10Reseñas de usuarios
    • 26Reseñas de críticos
    • 60Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Premios
      • 13 premios y 15 nominaciones en total

    Vídeos2

    Official Trailer
    Trailer 2:03
    Official Trailer
    The Grab
    Trailer 2:01
    The Grab
    The Grab
    Trailer 2:01
    The Grab

    Imágenes10

    Ver cartel
    Ver cartel
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    + 5
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    Reparto principal55

    Editar
    Rod Schoonover
    Rod Schoonover
    • Self - Former U.S. Senior Intelligence Officer, National Intelligence Council
    Nathan Halverson
    Nathan Halverson
    • Self - Investigative Reporter, The Center for Investigative Reporting
    • (as Nate Halverson)
    Holly Irwin
    Holly Irwin
    • Self - La Paz County, Arizona, County Supervisor
    John Weisser
    John Weisser
    • Self - La Paz County, Arizona, Resident
    Wayne Wade
    Wayne Wade
    • Self - La Paz County, Arizona, Resident
    Todd Lewis
    Todd Lewis
    • Self - Then Ranch Manager, Miratorg
    Victor Linnik
    Victor Linnik
    • Self - President, Miratorg
    Mallory Newman
    Mallory Newman
    • Self - Investigative Reporter
    Emma Schwartz
    Emma Schwartz
    • Self - Investigative Reporter
    Edward Hargroves
    Edward Hargroves
    • Self - Co-Founder, Goldcrest Farm Trust Advisors
    Shane Bray
    Shane Bray
    • Self - Farm Manager and Vice President, Goldcrest Farm Trust
    Robert Mitchell
    Robert Mitchell
    • Self - Former CIA Officer
    Maria Otero
    Maria Otero
    • Self - Former U.S. Undersecretary of State
    Lee Gunn
    Lee Gunn
    • Self - Former Naval Inspector General, U.S. Navy)
    • (as Ret. Vice Admiral Lee Gunn)
    Aaron Salzberg
    Aaron Salzberg
    • Self - Former U.S. State Dept., Global Water Strategy
    Molly Jahn
    Molly Jahn
    • Self - U.S. Department of Defense, Professor, Univ. of Wisconsin
    Thomas Middendorp
    Thomas Middendorp
    • Self - Four-Star General, Former Chief of Defence, Netherlands Ministry of Defence
    • (as Gen. Thomas Middendorp)
    David Gioe
    David Gioe
    • Self - Former CIA Officer, Associate Professor, West Point
    • Dirección
      • Gabriela Cowperthwaite
    • Guión
      • Gabriela Cowperthwaite
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios10

    7,3642
    1
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    5
    6
    7
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    10

    Reseñas destacadas

    2Graffitiwidow

    Erm well...

    Being told this had something related to Blackfish made me think this doc must have some weight. 10 mins in I thought I was missing something. 20mins in I thought I just hadn't quite slotted in to the information being presented. 30 mins in I realise they are presenting a lot of information like a graph, with no explanation of why it is going up or down and what the x or y is. 40 mins in I'm thinking why I have wasted 40mins of my life. I don't even know what this film is trying to tell me because it's so bad. This thing over here is a thing but another thing is doing this and that thing has recorded it. So water is really important but we don't have any. I even tried getting stoned halfway through to see if it made more sense but it didn't. And now I'm 2 hours older.
    4roryontour

    The hypocrisy is staggering.

    If you want to spend an hour and 42 minutes listening to Americans being shocked by capitalism this could be for you. The problem is that these Americans are only really being listen to in this case because it is foreigners doing capitalism to them for once instead of the other way around, which has been the norm for the last 75 years. The whole thing stinks of hypocrisy considering America has forced open markets and its own brand of fake globalism on the rest of the world for 75 years but now when the world does it back to America it has to be painted as something sinister. Of course it is incredibly sinister. Capitalism is one of the major roots of all Modern evil. But to be fine with it when it's American capital sucking the lifeblood from the rest of the world but then to suddenly develop a conscience when it's foreign capital sucking the lifeblood from America, seems beyond hypocritical and as a result the narrative just doesn't hold.
    2criticcoleman-37694

    Educational Doc "The Grab" Fails to Entertain

    A recent problem that has been created by the multitude of generic flavored Netflix and Amazon Prime docs is that flair and panache have gone MIA. In seeking out truths and exposing unflattering wares, filmmakers of today seemed to have forgotten there are two equal and important parts when making a successful documentary - education AND entertainment. Not that Director Gabriela Cowperthwaite isn't one to provide stark reveals (she was behind the ever-so-effective "Blackfish"), but in the case of her latest "The Grab" it simply boils down to being boring. There's so much info, so much minutiae and so much dark detail that there's simply no room for audience engagement. So while it's fascinating to see previously unknown info about why Russia invaded Ukraine (not surprised in the slightest) and joyous to expose those who use the weak and unknowing for their own enrichment simply because they can (up yours Erik Prince!), without a sense of style to elevate such a big bevy of important material nobody is going to see this film. Presenting a lesson of hard and cold facts are only half the course - it's the ability to also grab the audience's attention that's absent from this class.
    6brentsbulletinboard

    A Challenge To Pull Off, Despite Good Intentions

    Sometimes a story is so big and involved that it's difficult to get a handle on it. That can be quite a challenge for even the most adept documentarians and investigative reporters, no matter how eager or adept they may be in taking on such an ambitious project. And that, unfortunately, is the case with the latest offering from director Gabriela Cowperthwaite in her eight-year-long collaboration with journalist Nathan Halverson of The Center for Investigative Reporting. In essence, the film seeks to identify and characterize the new flashpoints underlying emerging geopolitical conflicts. Just as those in recent years have been driven by the compulsion to secure valuable energy supplies, today's budding battlegrounds are once again tied to acquiring access to precious resources - in this case, food and water, along with the aquifers, agricultural land and processing facilities needed to yield these commodities. Evidence of the desperate, growing need for obtaining these materials has already begun to surface - albeit not always overtly - in such incidents as the Arab Spring and even the War in Ukraine. And, because of this developing crisis, those interested in locking down these resources have started scrambling to acquire them, primarily clandestinely, in regions where they're most plentiful. These efforts have been spearheaded by multinational corporations and global financial institutions in cooperation with countries that are experiencing, or have historically experienced, critical food and water shortages, such as China, Russia, Venezuela and the nations of the Middle East. And, to help ensure the success of these ventures, they have enlisted the support of mercenary muscle to achieve their goals. High-profile targets, primarily in Africa and even parts of the US, have come under growing scrutiny, unscrupulously grabbed from their rightful owners and leaving them destitute as a result. Needless to say, this is an incredibly complicated story, one that's difficult to tell, and, regrettably, that's somewhat apparent in the finished product. While the work of Cowperthwaite and Halverson is undoubtedly sincere, having brought a great deal of previously buried information to light, it's nearly impossible to relate this complex narrative in a concise and coherent manner. Given the many story threads involved and the well-camouflaged structures that have been set up to keep the truth and its principal participants concealed, it's a genuine challenge to intelligibly expose the overarching nature of this highly convoluted big picture. Some elements are thus underdeveloped or left incomplete, making this film an often-frustrating watch. That's unfortunate considering the importance of this story, one that has been largely flying below the radar and certainly deserves to be more widely exposed and detailed. With that said, though, "The Grab" represents a valuable start, and one can only hope there will be more releases like this that manage to dig deeper and discover more. It's also heartening that the picture addresses some of the victories that have come about in combatting this issue, particularly those that have benefitted Africans who have been subjected to what is essentially a new form of continental colonization. In an age where increasing social and political volatility is arising due to a failure to effectively address the world's hunger, it's essential that we become aware of this issue before it gets out of hand and leads us down a path we don't dare pursue.
    8tmccray

    Brings an Important Topic to Light

    This is a high quality production with an easy to follow narrative weaving the connective lines between food and water scarcity and those seeking to control it.

    Perhaps one of the reasons that I was so engaged, is because unbeknowst to me before I watched it, a large portion of the story focuses on an issue in my state that I'm very well aware of. Our former Republican governor approved a foreign company to farm land and use unlimited water for free, and send the product back to their home country. This is one of the reasons he was voted out of office. The new Democratic governor cancelled their contract, but in the ensuing years, the foreign country drained the aquifer empty. Amusingly, in the epilogue, Nathan takes credit for the cancellation, without mentioning the change of political power. Everyone in the state was well aware of what happened, it was extensively reported.

    It's a reminder to stay politically aware of the politicians that are aligned with corporations and foreign governments who are selling our food and water security away.

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    Argumento

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    • Banda sonora
      I Will Survive
      written by Dino Fekaris, Frederick J. Perren

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    Preguntas frecuentes17

    • How long is The Grab?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 14 de junio de 2024 (Estados Unidos)
    • País de origen
      • Estados Unidos
    • Sitio oficial
      • Official The Grab
    • Idiomas
      • Inglés
      • Ruso
      • Ucraniano
    • Empresas productoras
      • Center for Investigative Reporting Studios
      • Impact Partners
      • Rocklin/Faust
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Recaudación en Estados Unidos y Canadá
      • 11.984 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 5866 US$
      • 16 jun 2024
    • Recaudación en todo el mundo
      • 11.984 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 42min(102 min)
    • Color
      • Color

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