A Real Pain

Two polar-opposite cousins, introverted, responsible, neurotic David and extroverted, seemingly-carefree Benji, fly to Poland as part of a Jewish history tour to visit significant cultural and historic sites, including a WW2 concentration camp. Their beloved, recently-deceased grandmother survived the Holocaust and they want to see where she lived. During the course of the tour their contrasting personalities start to cause friction between the two and past issues are rekindled.

Okay but underwhelming. A film that seems more about the journey than the destination, which is not in itself a bad thing - some great dramas have not had a powerful or profound conclusion but were fantastic in getting there. Unfortunately, here the journey is not entirely enjoyable nor engaging.

The film just seems to meander around for most of its duration. There's a few good moments and there's enough going on to maintain your interest but it never becomes riveting viewing.

Add in the fact that neither cousin is that interesting and Benji (played by Kieran Culkin) is downright annoying and the engagement levels are quite low too.

As mentioned, there are some good moments and passages of play though and the historic and cultural aspects of the tour are quite interesting and edifying. Not a must-see but interesting enough to be watchable.

Jesse Eisenberg's second effort as writer-director sets out to be something unconventional. There's something of Richard Linklater's BEFORE trilogy in the DNA of A REAL PAIN, with some recognizable inheritance from Michael Winterbottom's TRIP series also apparent. The perambulatory pacing, the languorous cinematography that asks you to look beneath the surface of touristy sights, the dialogue that meanders through an unpretentious and unstructured unpacking of the meaning of life, the total absence of any "bad guys," the near total absence of any outright conflict, the barest hint of any goal guiding the plot aside from the completion of a simple itinerary... A Real Pain shares all these realistic features with those earlier, more spirited, life-affirming films. Yet somehow... it doesn't quite work.

I'm not sure what was at fault with why I never really got into this movie. I think a large part of it has to do with all the supporting characters (i.e. Everyone besides the cousins played by Eisenberg and Kieran Culkin). Will Sharpe's non-Jewish tour guide, the Rwandan convert, the old couple, the sexy divorcee... the characters are all very basic, very conventional, very boring. The actors who play them are fine, but there's not much they're given to do, and so they seem unnatural and lifeless, more like set decorations than people. Eisenberg knows how to direct a camera, I think; he knows how to put the proper cinematic elements in place. But perhaps he doesn't know how to direct actors, or maybe he just doesn't know how to write characters. There's never anything to suggest that these people exist beyond the moments we see them in, which perhaps could've been fixed with some more spontaneous improvisation from the actors.

Eisenberg and especially Culkin are better in this regard, but there's still something rather stilted and "written" about a lot of what they say and do. Eisenberg's "workaholic salesman with OCD" is largely one-dimensional, and the few times where his character expands beyond that facade seem more like forced acting than any kind of genuine glimpse into something deeper. Culkin is wonderful--a glimpse perhaps of his Succession character if Roman Roy actually cared about people--but I think that's just a credit to Culkin's talent; he somehow manages to transcend what he's been given to work with.

This is a decent indie film with a few good laughs, a couple of interesting ideas, a memorable tour of Poland, and a solid performance from Culkin. From the trailer and the reviews, I was expecting something much funnier and emotionally impactful, but I'd still recommend the movie to anyone interested in it.

Although the movie explores personal pain, it wnds with no real purpose or resolution. In fact, it could have been fedt out entirely.

No character evolves or learns from the exprience, and the concentration camp sequence is only there for shallow effect.

The McCulken character "Benji"is unbelievble and overplayed, and really just makes you angry. He is so much of a jerk. Eisenberg's character doesn't ring true.

Frankly, the rest of the cast were quite interesting, more than the two lead characters. I wish we had learned a bit more about each of their stories.

So... The movie just played on empty emotion for me.

I saw this film at the AFI film festival in Hollywood last week. By the time I got to this film, I was suffering from a bit of filmgoing overload, and chatting with someone in the audience before the film began, I almost forgot what I was I going to see! But I was so glad I got to see this one! As you know from the synopsis, Jesse Eisenberg wrote, directed and stars in this great film about 2 cousins' journey to Poland to see the land of their beloved grandmother. Eisenberg perfectly plays a role that he seems made for - an uptight, nervous and dedicated family man who always wants to do the right thing. Joining Eisenberg is Kieran Culkin who plays the polar opposite of Eisenberg - he is garrulous, open, and willing to break the rules, much to Eisenberg's chagrin. Culkin's character easily makes friends with his fellow travelers and guide - again much to Eisenberg's amazement (and sometimes annoyance). The story itself is very involving, and you will find yourself wanting to join them on their tour. Culkin may be in the running for an Oscar on this one and Eisenberg may get a nomination for screenwriting and/or direction. So, I highly recommend you check this one out as soon as you can.

I won't cover what others have already said. This isn't a comedy or a road movie and it's not some commentary on the horrors of war.

For me this quaint indie (feeling) flick is really an observation about living with someone with mental illness. If looked upon from this angle it is well observed and touching and uses its three acts to unfold all the different dynamics in the cousins relationships using the backdrop of the road trip and the visit to the concentration camp. It deliberately subverts expectations by not providing a defined ending (often the case in this situation) and the scenes often don't lead to expected outcomes. That's what life can be like when your are dealing with that issue.

For me this made the film an interesting (if flawed) study that was definitely worth the watch. YMMV.