El pasajero

The first time in a long time that I've been enthralled by a movie from beginning to end. The tense atmosphere is consistent throughout, and the character development is so well done. This is a story about trauma and raw emotion, and I must say that both main actors were exceptional at bringing that emotion to the screen in their own ways. You can feel the pain of both manifest itself in different ways as more of their past and mental states are revealed.

The script is very well done, with no exaggeration and questionable character actions that can be prevalent in similar films. I love discovering indie gems like this in a world of unoriginality and remakes. Top marks!

I didn't know anything about The Passenger when I turned it on. I expected another bland throw-away streaming movie that I either hate or does nothing for me. But it surprised me in more than one way. It hits hard, and it doesn't take long to do it.

The performances by both leads are fantastic. Kyle Gallner is really starting to impress me. I've seen him in other things. But his performances in this and Smile have solidified him as someone who makes me more excited to see a movie.

It does a great job of getting you emotionally invested in the characters and their arcs. And there are numerous intense scenes.

I can't fully explain why I don't love this more. It's good but still feels more like a streaming movie than a theatrical one. And I don't see myself watching it again. But I'm glad I did and I had a good time.

(1 viewing, 3/14/2024)

A young man, who's not living, but merely existing, has his life changed or awaken by a deranged and violent coworker one workday. A shocking incident sends both men on an unpredictable, violent and ultimately inspirational journey to self-discovery for one man and a doomed ending for the other man. Oddly, the deranged violent coworker, played masterfully by the always versatile and great Kyle Gallner, is an effective life coach to his timid coworker. Sure his methods are unorthodox and psychotic, but he gets the job done. Gallner is a perfect balance of uneasy calmness and explosive rage, and his final scene saying what he wanted to be as a child was sadly and beautifully acted. If a critically-acclaimed studio produced this movie or it pushed a certain political agenda, he would have been nominated for the "big" primetime award. Mostly everything behind and in front of the camera works, but something was missing. I don't know if it's in the drawn-out mall scene, but something's missing. I appreciate the ambiguous writing behind what happened to Benson (Gallner) as a child. His emotions when running into his past was enough. A good movie that takes you on a thrill ride, simmers some, thrills a little more, and then it just ends.

This really surprised me. I had no expectations going into it but was hugely impressed by the end.

On reflection, the first thing I think of is how well made it is. The direction, the editing, the plot, the script and the acting are all top drawer.

Special shouts out go to Kyle Gallner who is excellent as the burger boy gone postal.

Johnny Berchtold is great as the wimp you need when Micael Cera is too expensive.

Carter Smith and Jack Stanley, Director and writer respectively, are names i will look out for in the future.

The 2 scenes, one in the burger joint and the diner, are ones that will live with me for a while.

The acting is impressive across the board, with everyone's performance hitting the mark. But with much of the film featuring the two leads alone with each other it's Berchtold and Gallner who really get to shine.

A ride well worth taking, The Passenger is a hard film to watch, but most viewers will find it harder to turn it off. It's brutal both physically and emotionally and becomes increasingly more suspenseful as it builds to a seemingly inevitable climax.

It becomes something more than just the standard Hollywood psycho just as The Passenger is something other than the typical Hollywood thriller.