PUNTUACIÓN EN IMDb
5,8/10
757
TU PUNTUACIÓN
La historia de Lady Oscar, una comandante militar que sirvió durante la Revolución Francesa.La historia de Lady Oscar, una comandante militar que sirvió durante la Revolución Francesa.La historia de Lady Oscar, una comandante militar que sirvió durante la Revolución Francesa.
- Dirección
- Guión
- Reparto principal
Caitlin Glass
- Oscar françois de jarjayes
- (English version)
- (voz)
Barbara Goodson
- Maron Glacé Mont Blanc
- (English version)
- (voz)
Damien C. Haas
- Louis XVI
- (English version)
- (voz)
- (as Damien Hass)
Jon Robert Hall
- Bernard Chatelet
- (English version)
- (doblaje en canto)
- (as Jon Hall)
Hironori Kondo
- Launay
- (voz)
Ryan Colt Levy
- Hans Axel von Fersen
- (English version)
- (voz)
Reseñas destacadas
Such a wasted opportunity to do something memorable because of the music used. The music is unoriginal, tacky and just out of place. If the style of the music resembled a bit the style of the music of the era could have been a GREAT musical to watch. Instead, the story runs too fast and waste so much time in music that isn't memorable and it's just out of context.
Those musical moments are supposed to fill up parts of the story, but they don't because they stay in the shallow end.
The relationship between characters isn't understood at all; it all seems too fast in the end, and we don't get to see the guillotine or the moment when the monarchs are taken into custody.
The designs, costumes, and all the aesthetic side area gorgeous reinterpretation of an old classic, but that's it.
Those musical moments are supposed to fill up parts of the story, but they don't because they stay in the shallow end.
The relationship between characters isn't understood at all; it all seems too fast in the end, and we don't get to see the guillotine or the moment when the monarchs are taken into custody.
The designs, costumes, and all the aesthetic side area gorgeous reinterpretation of an old classic, but that's it.
The character development is nonexistent, and they made a terrible musical. It has time jumps of years in seconds, and the story as it was told generates no interest.
The love story between the characters is incongruous.
The story of Marie Antoinette and King Louis XVI is almost nonexistent; it loses all the context that the original series had and that made it interesting.
On the other hand, the songs are neither adequate nor of high quality, which causes a feeling of discomfort when you realize they've transformed the story into a musical. This, in my personal opinion, is the most negative aspect.
Don't watch it; just keep the memories of the original series.
The art is very detailed, but it doesn't make up for the poorly developed film.
The love story between the characters is incongruous.
The story of Marie Antoinette and King Louis XVI is almost nonexistent; it loses all the context that the original series had and that made it interesting.
On the other hand, the songs are neither adequate nor of high quality, which causes a feeling of discomfort when you realize they've transformed the story into a musical. This, in my personal opinion, is the most negative aspect.
Don't watch it; just keep the memories of the original series.
The art is very detailed, but it doesn't make up for the poorly developed film.
When I was a child, this story moved and shocked me deeply. I had high hopes for MAPPA's theatrical version, but to my dismay, not even 20 minutes in, I was already thinking, "What am I watching?" and "Did I open the wrong movie?" I barely lasted an hour before giving up. Throughout the viewing, I couldn't connect with the characters' emotions at all. The story, which should have resonated deeply with the audience, felt completely hollow. The scene transitions were jarring, and even the use of music felt off and disconnected from the narrative-as if they just wanted to rush through the story.
This was originally a story rich with a strong sense of its era. I still remember how heartbreaking it was to see André die when I watched it as a kid. Oscar was such a stunningly cool woman. But the 2025 theatrical version had none of that! It tried to compress a story that originally took many episodes to tell into just two hours. Naturally, the screenplay should've carefully chosen which parts to keep or cut, and there was no way the original pacing could be copied wholesale. After about an hour, I just felt the pacing was all over the place, and I had no idea what the storytelling was trying to convey. Many scenes were delivered in such awkward ways that I found myself constantly thinking, "Uhh... what?"-completely speechless.
Three stars: one for Hiroyuki Sawano's music, one for the voice actors who clearly understood their roles, and one for the beautiful visuals. That's it. Regardless of the medium-anime, novel, manga, live-action TV, or film-the story and writing are absolutely critical. But in this film, I saw no evidence of thoughtful screenwriting or post-production effort.
Take NieR, for example-originally a game adapted into an anime. You could tell the writers put in real effort to weave the entire story together. Even though they changed the order of events or tweaked some scenes, they still managed to faithfully recreate the narrative and evoke genuine emotion in the audience. That's something the 2025 Rose of Versailles movie completely failed to do.
This was originally a story rich with a strong sense of its era. I still remember how heartbreaking it was to see André die when I watched it as a kid. Oscar was such a stunningly cool woman. But the 2025 theatrical version had none of that! It tried to compress a story that originally took many episodes to tell into just two hours. Naturally, the screenplay should've carefully chosen which parts to keep or cut, and there was no way the original pacing could be copied wholesale. After about an hour, I just felt the pacing was all over the place, and I had no idea what the storytelling was trying to convey. Many scenes were delivered in such awkward ways that I found myself constantly thinking, "Uhh... what?"-completely speechless.
Three stars: one for Hiroyuki Sawano's music, one for the voice actors who clearly understood their roles, and one for the beautiful visuals. That's it. Regardless of the medium-anime, novel, manga, live-action TV, or film-the story and writing are absolutely critical. But in this film, I saw no evidence of thoughtful screenwriting or post-production effort.
Take NieR, for example-originally a game adapted into an anime. You could tell the writers put in real effort to weave the entire story together. Even though they changed the order of events or tweaked some scenes, they still managed to faithfully recreate the narrative and evoke genuine emotion in the audience. That's something the 2025 Rose of Versailles movie completely failed to do.
With barely 2 hours, it was clear that the feature film would cut many things present in the manga and the old anime from which this film is based, but the things absent are really too many.
They have sacrificed many elements in this film that are fundamental to fully understanding this work, starting with the most obvious one: having a female protagonist forced to grow up and act as a man, which is more prominently introduced here at more than 30 minutes after the incipit, but still coming across as always oversimplified in the overall. Even the other events that are more closely linked to actual history, and which should have a greater impact on Marie Antoinette's growth, are treated with extreme speed; everything is oversimplified in this film, in a decidedly negative way.
Unfortunately all expectations were confirmed: redundant, cloying film, forced musical interludes, little pathos and unfortunately the characters are without charisma.
They have sacrificed many elements in this film that are fundamental to fully understanding this work, starting with the most obvious one: having a female protagonist forced to grow up and act as a man, which is more prominently introduced here at more than 30 minutes after the incipit, but still coming across as always oversimplified in the overall. Even the other events that are more closely linked to actual history, and which should have a greater impact on Marie Antoinette's growth, are treated with extreme speed; everything is oversimplified in this film, in a decidedly negative way.
Unfortunately all expectations were confirmed: redundant, cloying film, forced musical interludes, little pathos and unfortunately the characters are without charisma.
I saw this movie on Netflix, overall I didn't like it.
It's a strange movie, which mixes: French history, then songs, then a love story, then you don't understand anything anymore.
I don't know how to judge this movie well but the right word is "strange".
The only decent thing is the graphics, very interesting, but the rest is really strange. There is a story with Marie Antoinette but then it moves on to Oscar, then there is a jumble of confusing things, with various boring songs, in short in the end I understood little, and it gave me the feeling of confusion and things not well developed, that's all. I don't think I'll ever see it a second time.
It's a strange movie, which mixes: French history, then songs, then a love story, then you don't understand anything anymore.
I don't know how to judge this movie well but the right word is "strange".
The only decent thing is the graphics, very interesting, but the rest is really strange. There is a story with Marie Antoinette but then it moves on to Oscar, then there is a jumble of confusing things, with various boring songs, in short in the end I understood little, and it gave me the feeling of confusion and things not well developed, that's all. I don't think I'll ever see it a second time.
¿Sabías que...?
- CuriosidadesWhile the 2025 anime film is dubbed in English, The Rose of Versailles (1979) was not.
- ConexionesRemake of The Rose of Versailles (1979)
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Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- The Rose of Versailles
- Empresa productora
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en todo el mundo
- 1.489.577 US$
- Duración
- 1h 53min(113 min)
- Color
- Mezcla de sonido
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