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IMDbPro

Priscilla

  • 2023
  • 12/fig
  • 1h 53min
PUNTUACIÓN EN IMDb
6,5/10
49 mil
TU PUNTUACIÓN
POPULARIDAD
3011
347
Cailee Spaeny and Jacob Elordi in Priscilla (2023)
Already as a teenager, Priscilla Beaulieu meets Elvis Presley, who is already a rock and roll superstar, and in private she becomes a completely unexpected person: a passionate lover, an ally in loneliness, a vulnerable best friend.
Reproducir trailer1:01
13 vídeos
99+ imágenes
DocudramaDrama de épocaDrama del mundo del espectáculoHistorias de iniciación y madurezRomance adolescenteRomance oscuroBiografíaDramaMúsicaRomance

Cuando Priscilla Beaulieu conoce a Elvis Presley, el hombre que ya es una superestrella del rock and roll se convierte en alguien totalmente inesperado: un enamoramiento emocionante, un alia... Leer todoCuando Priscilla Beaulieu conoce a Elvis Presley, el hombre que ya es una superestrella del rock and roll se convierte en alguien totalmente inesperado: un enamoramiento emocionante, un aliado en la soledad, un mejor amigo vulnerable.Cuando Priscilla Beaulieu conoce a Elvis Presley, el hombre que ya es una superestrella del rock and roll se convierte en alguien totalmente inesperado: un enamoramiento emocionante, un aliado en la soledad, un mejor amigo vulnerable.

  • Dirección
    • Sofia Coppola
  • Guión
    • Priscilla Presley
    • Sandra Harmon
    • Sofia Coppola
  • Reparto principal
    • Cailee Spaeny
    • Jacob Elordi
    • Ari Cohen
  • Ver la información de la producción en IMDbPro
  • PUNTUACIÓN EN IMDb
    6,5/10
    49 mil
    TU PUNTUACIÓN
    POPULARIDAD
    3011
    347
    • Dirección
      • Sofia Coppola
    • Guión
      • Priscilla Presley
      • Sandra Harmon
      • Sofia Coppola
    • Reparto principal
      • Cailee Spaeny
      • Jacob Elordi
      • Ari Cohen
    • 295Reseñas de usuarios
    • 237Reseñas de críticos
    • 79Metapuntuación
  • Ver la información de la producción en IMDbPro
    • Premios
      • 6 premios y 33 nominaciones en total

    Vídeos13

    Official Trailer
    Trailer 1:01
    Official Trailer
    Official Trailer
    Trailer 1:39
    Official Trailer
    Official Trailer
    Trailer 1:39
    Official Trailer
    Official Trailer
    Trailer 0:46
    Official Trailer
    Priscilla
    Trailer 1:39
    Priscilla
    Priscilla
    Trailer 0:46
    Priscilla
    The Most Gripping Drama of 2023
    Clip 1:02
    The Most Gripping Drama of 2023

    Imágenes222

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    + 216
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    Reparto principal50

    Editar
    Cailee Spaeny
    Cailee Spaeny
    • Priscilla
    Jacob Elordi
    Jacob Elordi
    • Elvis
    Ari Cohen
    Ari Cohen
    • Captain Beaulieu
    Dagmara Dominczyk
    Dagmara Dominczyk
    • Ann Beaulieu
    Tim Post
    Tim Post
    • Vernon Presley
    Lynne Griffin
    Lynne Griffin
    • Grandma 'Dodger'
    Dan Beirne
    Dan Beirne
    • Joe
    • (as Daniel Beirne)
    Rodrigo Fernandez-Stoll
    Rodrigo Fernandez-Stoll
    • Alan 'Hog Ears'
    Dan Abramovici
    Dan Abramovici
    • Jerry
    Matthew Shaw
    • Charlie
    Tim Dowler-Coltman
    Tim Dowler-Coltman
    • Red
    Austin Ball
    Austin Ball
    • Larry
    • (as R Austin Ball)
    Olivia Barrett
    Olivia Barrett
    • Alberta
    Stephanie Moore
    • Dee
    Luke Humphrey
    Luke Humphrey
    • Terry West
    Deanna Jarvis
    • Carol West
    Jorja Cadence
    Jorja Cadence
    • Patsy
    Josette Halpert
    Josette Halpert
    • Becky
    • Dirección
      • Sofia Coppola
    • Guión
      • Priscilla Presley
      • Sandra Harmon
      • Sofia Coppola
    • Todo el reparto y equipo
    • Producción, taquilla y más en IMDbPro

    Reseñas de usuarios295

    6,549K
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    Reseñas destacadas

    6brentsbulletinboard

    A Disappointing Portrait

    When a film seeks to depict the life story of a beloved public figure, it generally works best when it paints a comprehensive portrait of said individual. However, in this biography of the wife of rock icon Elvis Presley, viewers get a picture that seemingly tells only half of the story. Writer-director Sofia Coppola's latest focuses on the years Priscilla Presley (Cailee Spaeny) spent with Elvis (Jacob Elordi). They embark on a sincerely loving relationship that, sadly, falls prey to problems with drugs, firearms, infidelity, prolonged separations and control freak tendencies, conditions - largely initiated by Elvis - that eventually lead to their separation (and at times cause the film to be more about him than her). Regrettably, the choice of this narrative leaves out the many significant personal and professional accomplishments of Priscilla's life on her own, an inspiring story that's completely (and perplexingly) overlooked. As a consequence, viewers are primarily shown a profile of a predominantly subservient character who rarely rebels until she finally somehow musters up the courage to leave (where did that trait come from?), with nothing about the successes that followed. In addition, there are many story threads that feel unresolved or underdeveloped, leaving audiences hanging about what comes from them. To its credit, "Priscilla" is, in several respects, some of the best (though surprisingly most conventional) work that Coppola has produced as a filmmaker, as evidenced in the cinematography and editing and in Elordi's balanced portrayal of Elvis. But, like other of Coppola's efforts, this offering could still use some tidying up in the writing, character development and overall story structure. The wife of a King truly warrants better treatment.
    5reelreviewsandrecommendations

    Moody Blue

    It is 1949, and American teenager Priscilla Beaulieu is in Germany with her parents. At a party one night, she meets Elvis Presley, who is stationed in the same military base as her father. The King is drawn to her, while she is smitten by his down-to-earth charm and seemingly genuine humanity. As time goes on, the two forge a relationship, and by 1963, she is living with him in Memphis. However, being The King's wife proves more difficult than she imagined, and far more lonesome.

    Written and directed by Sofia Coppola, and based on 'Elvis and Me' by Priscilla Presley and Sandra Harmon, 'Priscilla' is a visually evocative drama both striking and flawed. Firstly, the title is something of a misnomer, as this is not the story of Priscilla Presley's life, rather an overview of the years she spent with Elvis (one wonders why the source material's title was not retained). The narrative focuses on her growing isolation, trapped in Graceland, at the beck and call of her controlling husband. However, due to Coppola's cold approach to the themes of agency and control, her examination of same leaves one oddly unmoved.

    Moreover, despite the fact that she is ostensibly the central character, we aren't offered insight into Priscilla's motivations, or aspirations, nor does she have much of a personality. She is a soft-spoken, kind-hearted girl at the beginning and- for all intents and purposes- the very same at the end. Coppola's dialogue lacks wit, while Sarah Flack's ponderous editing leaves proceedings feeling lethargic- all the more so due to the dearth of characterisation and dialogue therein.

    Some critics are quick to state that the film is purposefully superficial, that Coppola is interested only in the surface level. By focusing on the skin, as it were, and not the heart beneath, she re-enforces the idea that everything in Elvis's life was an easily purchasable object, even Priscilla. However, as the title would suggest, this is not meant to be a movie about Elvis. Therefore, the scant character development or depth with regard to Priscilla is alienating. We don't have much reason to root for her, except as a result of the obvious distaste engendered by Elvis's mood swings and controlling behaviour.

    As a result, the audience feels detached from proceedings, disconnected from the characters both emotionally and psychologically. Although Coppola creates a more human version of The King than viewers saw in Baz Luhrman's 'Elvis' or Liza Johnson's 'Elvis & Nixon', by demythologizing and bringing him down to earth, much of his charisma is diluted. The film's version of the man is a brooding, volatile control freak, without much magnetism or charm. Furthermore, secondary characters are barely more than shadows in darkness; you can hardly make them out at all.

    Conversely, Coppola - and frequent collaborator Philippe Le Sourd's - cinematography is stunning. Their composition makes Priscilla appear small and out of place compared to Elvis, like a China doll discarded in a playground. Their use of juxtaposing colours adds to the luxury of Graceland, as well as to Priscilla's isolation, while the soft lighting throughout lends the film an air of romance and intimacy. Everything in the film drips with textural richness, immersing the viewer in a lavish, decadent world, where every surface glistens with silk, velvet and gold.

    In addition, Stacey Battat's costume design contributes to the personalities of the characters astutely (perhaps more so than Coppola's screenwriting), heightening the visual contrast between Elvis and Priscilla. Her costume, makeup and hairstyle changes, in particular, mirror her evolution from a shy girl to an independent woman- even if Coppola's screenplay doesn't detail that journey; Priscilla's varying appearance does. Additionally, Tamara Deverell's intricate production design- as well as the set decoration from Patricia Cuccia- lends the film authenticity and realism.

    Moreover, the soundtrack is stirring, utilising both modern and period pieces. Although Elvis's estate refused permission for any of his songs to be used, Coppola makes excellent use of tracks by the likes of Dolly Parton and The Ronettes, bolstering the narrative's themes. Contemporary music is interwoven cleverly into proceedings, never feeling as jarring and out of place as it does in the aforementioned Luhrman's efforts, complementing things nicely.

    Cailee Spaeny stars as Priscilla, opposite Jacob Elordi as Elvis. Spaeny displays Priscilla's innocence subtly, being nuanced and understated. Although there really isn't much for her to work with, she overcomes the limited characterisation of the role, while handling dull dialogue with ease. Similarly, Elordi makes Coppola's angsty, moody version of Elvis an interesting, multifaceted character. He might not really look like The King, but he shares a good chemistry with Spaeny. Unfortunately, a parade of supporting actors- notably Dagmara Dominczyk and Ari Cohen as Priscilla's parents- are largely wasted, given little to do.

    In conclusion, Sofia Coppola's 'Priscilla' is trying to say some interesting things about fame, agency and control, but never gets around to saying them. Coppola's narrative is too cold and calculated, while her characterisation and dialogue are too minimalist to make much impact. Conversely, the cinematography and production design are striking, while the stirring score complements proceedings cleverly. Cailee Spaeny does fine work as the titular character, as does her co-star Jacob Elordi as Elvis. Although it has its moments, it's a moody blue film that suspicious minds might want to return to sender.
    6cutie7

    Uncomfortable reality coupled with a one-dimensional narrative

    Wow, this was an uncomfortable movie to watch. Priscilla invites inevitable comparisons to last year's "Elvis," portraying an exact opposite narrative. Helmed by the talented Sophia Coppola, who commands great respect, and featuring Jacob Elordi, an actor I admire, the film falls short of expectations. Unfortunately, it presents a one-dimensional, flat perspective that left me somewhat disappointed.

    While the performances are strong, and the direction commendable, Priscilla's narrative feels tedious and slow at times. The harrowing depiction of power imbalances in the central relationship adds a layer of discomfort that makes the film hard to watch. Sophia Coppola's artistic choices unveil a side of the characters that, while impactful, renders the viewing experience challenging. Priscilla sheds light on the vulnerability of a young protagonist, emphasizing the discomfort of witnessing a story where she is just a child.
    6dianewds-638-498121

    Uninspiring

    The movie fails to provide a closer look at the real Priscilla -- most of the movie's portrayal is already known to the world-wide Elvis audiences. Worse is that it portrays Elvis in such a negative light -- again, much of which; the drug addiction and its obvious ills, the audience already knows. The actors did what they could to this uninspiring script, especially Elordi but it was really the visuals that were, if anything, at all interesting and beautiful. That said, I could not get past the height difference between the key actors which was an obvious mismatch nor a more in-depth understanding of the main character herself. As I drove home from the theatre I just kept asking myself, "But...why? Why make this movie?" What good comes from it? For me, the portrayal did no good to Priscilla necessarily; as mentioned it taught little of her; her parents or their parenting, it lacked an emotional fullness to the real life story of this romance (if you will), and other than the bedroom scenes, very little of Priscilla's thinking, the relationship of Elvis and she. Lastly, and importantly, it does little good to the real-life extended Presley family, not to mention, the legacy of Elvis.
    ivantheeditor

    Utterly forgettable

    I saw this 2 weeks ago and completely forgot that I had. Even watching the trailer right now doesn't bring memories of me watching this movie. It's like a bland meal with zero spices. Totally unoriginal. Utterly boring and predictable. It's sad because this is a story worth telling and I'm sure that it was an epic ride for Priscilla but this movie barely made any impact. It lacked something major and I can't even put my finger on it. Don't get me wrong, it wasn't terrible but it was nothing to rave about.

    My main issue with this movie is how Priscilla is portrayed. She is totally character-less. Almost no emotion. Very slow. Lifeless. As if she never even lived. Even the party scenes in Vegas were slow and lifeless. It may have been the editing or maybe the low budget (?) but this movie did not portray the grand-ness and epic-ness of the life that Elvis' girl must have had.

    Watch if you're bored and have nothing better to do. Otherwise, skip.

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    Argumento

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    ¿Sabías que...?

    Editar
    • Curiosidades
      Elvis Presley Enterprises declined both their approval for Sofia Coppola's film and their permission to use Elvis Presley's songs in the film. Coppola then took to creative alternatives, including contemporary music by her husband's band, Phoenix, and cover versions of songs from the film's era.
    • Pifias
      The title superimposed over the opening scene is "US Air Force Base West Germany 1959" over an image of a 50 star flag. This should have been a 48 or 49 star flag. Although Hawaii had been admitted to the union on August 21, 1959, the new flag was not officially raised until July 4, 1960.
    • Citas

      Elvis: Have I lost you to another man?

      Priscilla: You're losing me to a life of my own.

    • Créditos adicionales
      A photo of the crew is shown after the end credits.
    • Conexiones
      Featured in The Making of Priscilla (2023)
    • Banda sonora
      Going Home
      Written by Alice Coltrane and Carlos Santana

      Performed by Alice Coltrane

      Courtesy of Verve Records under license from Universal Music Enterprises

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    Seen On Screen: Elvis and Priscilla Presley

    Seen On Screen: Elvis and Priscilla Presley

    IMDb looks back at when both Elvis and Priscilla Presley have been portrayed by actors on screen, plus a few times the King and his wife played their own parts.
    Watch the video
    Elvis & Priscilla Presley in Film & TV
    2:03

    Preguntas frecuentes19

    • How long is Priscilla?Con tecnología de Alexa

    Detalles

    Editar
    • Fecha de lanzamiento
      • 14 de febrero de 2024 (España)
    • Países de origen
      • Italia
      • Estados Unidos
      • Reino Unido
    • Sitio oficial
      • a24films
    • Idiomas
      • Inglés
      • Francés
    • Títulos en diferentes países
      • Прісцилла
    • Localizaciones del rodaje
      • Toronto, Ontario, Canadá
    • Empresas productoras
      • American Zoetrope
      • The Apartment
      • Fremantle
    • Ver más compañías en los créditos en IMDbPro

    Taquilla

    Editar
    • Presupuesto
      • 20.000.000 US$ (estimación)
    • Recaudación en Estados Unidos y Canadá
      • 20.960.939 US$
    • Fin de semana de estreno en EE. UU. y Canadá
      • 132.139 US$
      • 29 oct 2023
    • Recaudación en todo el mundo
      • 33.113.832 US$
    Ver información detallada de taquilla en IMDbPro

    Especificaciones técnicas

    Editar
    • Duración
      • 1h 53min(113 min)
    • Color
      • Color
    • Mezcla de sonido
      • Dolby Digital
    • Relación de aspecto
      • 1.85 : 1

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