El hombre del saco

The Boogeyman is a character known globally with different names and different interpretations depending on the geographic location. El Hombre Del Saco is a movie that focuses on the Spanish version of the Boogeyman with a different folklore. This movie uses the story that gave rise to the version of the Boogeyman that they have in Spain and it is about a real crime that was used as a source for the legend. The case of Francisco Ortega came to be known as El crimen de Gádor and is considered the official source of the legend of El Hombre Del Saco. This movie uses that and takes some of the basics of the Boogeyman. In part it does not do a bad job and it helps that the story takes place in Gádor where the myth supposedly originated. The movie has a good setting, the suspense is decent and there is a good score. This is a movie that on the surface looks good and could be a good movie. What limits it is that it emulates It and Stranger Things a lot. There are moments of comedy that shouldn't have been used or at least should have been done correctly. The teenage characters have what it takes to be good characters at the level of the protagonists of It and Stranger Things. They have some family problems that could have served to give them much more depth, but only half of them were developed. There are good dramatic moments, but they are not enough. The film should have just had Paula and Alicia better written. The lore of El Hombre Del Saco in this film consists mainly of guilt as a source of power. In most versions of the Boogeyman it is the fear of children that gives him power and that also imposes punishment on disobedient children. In this film they modify that by using the psychology of children who feel guilty about the way their parents judge them and that makes them feel like they are bad children. Something that El Hombre Del Saco takes advantage of to hunt his victims. This lore leaves a lot to be desired and felt like an excuse to replicate the final confrontation with Pennywise in It: Chapter 2. That makes there is little coherence in the last moments of the film. The narrative and style bear some resemblance to Guillermo Del Toro's style and that makes me think that this film would have been better directed by that director. Del Toro knows how to tell a dramatic story with monsters or fantasy elements and he should have directed this film. El Hombre Del Saco is only recommended as a curiosity for those who want to know a little about the Spanish version of the Boogeyman, but it doesn't have much to offer. It will probably be an enjoyable film for a younger audience because it seems to be made for them. My final rating for this film is 7/10.

Unfortunately, the movie falls short in a few areas. It tries hard to mimic famous American horror films and even borrows elements from 'Stranger Things,' but it doesn't quite hit the mark. The characters and situations in the movie often feel less genuine and more like attempts to imitate rather than innovate.

One noticeable issue is the excessive use of jump scares accompanied by loud sounds. While jump scares can be effective, their overuse here feels a bit cheap and can leave viewers more startled than genuinely scared.

Additionally, the lack of clear explanations for certain events and phenomena in the film can leave viewers feeling somewhat perplexed. A good horror movie usually strikes a balance between revealing some answers while leaving a few mysteries unsolved. In this case, the absence of explanations can make it challenging for the audience to fully engage with the story.

On a positive note, the film does boast commendable production values and cinematic effects. The visual and technical aspects are well-executed, showcasing the talent of the production team.

In summary, while the movie has its merits in terms of production quality, it struggles to deliver a truly unique and captivating horror experience. The heavy reliance on familiar tropes and the lack of genuine scares might disappoint those looking for a more original and immersive cinematic journey.

The term "Boogeyman" has been widely appropriated to intimidate children into behaving well, fearing the threat of an unknown who will take them away if they don't oblige. Origins features the myth deriving from the Almería (Spain) region, and it's nice to see a local interpretation of the figure.

With children being abducted in regular time patterns, some of the plot points seem quite familiar. In fact, the movie tends to lean heavily on popular influences such as Stranger Things, IT, and Jeepers Creepers. This is a shame because El hombre del saco should have been bathed in Spanish folklore rather than American influences, so it's a bit of missed opportunity.

Origins is however a cut above many straight to VOD horror features, as there are some genuinely creepy scenes and visuals. The production values and effects are also done well enough to provide a creepy atmosphere.

Overall, Origins is a decent entry into the "Boogeyman universe". Plus if you're a Stranger Things fan, you'll probably enjoy this as well.

As in some American movies, the initial premise is good and full of potential but it goes to waste so soon. However, 5 minutes in and you can predict the rest of the plot. It has chances to be original, but it misses them all.

The scares are visually entertaining but too abundant and loud. It misses the goal of maintaining you tense.

But the most hurtful aspect of the movie is the dedication to look, sound, and happen as in stranger things. I don't deny that a viewer who somehow missed that series can enjoy this movie. But for the rest of the mortals, it's unavoidable to think you are watching a cheap Indian copy of the series. It hurts to watch.

On a more positive note, some of the actors are fairly good, and the effects are good. The only thing that feels professional in this movie.

Spanish cinema has way more to offer than this.

Spanish mystery film with full of thrills, suspense, chiller , eerie intrigue, plot twists , dark atmosphere , and otherworldly happenings. After the death of their father, three brothers move with their mother to a small town. They soon discover that in recent months there have been mysterious disappearances of several children, and they will embark on an adventure against time to discover the truth hidden behind the terrifying legend of what is known as "The Boogeyman". El hombre del saco (2023) explores the Spanish origins of the character's story, where he is a tuberculosis patient from Almeria who will do anything to get well, even consuming the blood of the kids he kidnaps in a sack.

This gloomy terror film contains thrills, intrigue, adventures, chills, and it connects with a dark episode in our history and the style of addressing young audiences. This is an entertaining and fun family film proposal, although it seems prudent to reserve it for somewhat older children, since its effect may be excessive grim on the little ones. Resulting to be a misunderstood adaptation of Stephen King stories with shortcomings and fallures. There is a somewhat uneven mix of genres, so I have been able to detect that it takes parts from other films and styles, swallowing North American references with the children riding their bicycles and while investigating the origins of the monster, of which I would include the following: "Stranger Things", ¨Goonies¨, ¨Stand by me¨, ¨Super 8¨ and even adding the Spanish ¨Verano Azul¨. This is an amusing mess, the goal was to pay homage to horror and adventure movies of the '70s and 80s. Thus the film will not please the general public at all, that's why it is too terrifying for children and has too much protagonism of childish people which will not please the most adults. The result is not entirely satisfactory: it is much less scary than expected. There's a few familiar faces in the cast , such as: Macarena Gómez, Manolo Solo , Ruth Gabriel y the prodigy girl Luna Fulgencio . And special apperance from Javier Botet. The latter often plays supernatural villains as ghosts, monsters, witches, demons, etc. At a special effects workshop , the tutor suggested him that his height and long arms and fingers would be perfect for monster make-up . Javier Botet has a genetic disorder known as Marfan Syndrome, plays an important role in helping the body grow and develop properly, he is very tall and thin and he is reportedly 6 feet 7 inches tall and weighs 123 pounds , that's why he uses to play weird and fantastic secondary roles , such as : Slender Man, Insidious , Alien: Covenant , The conjuring 2 , Rec 1, Rec 2 , Rec 3 Génesis, Rec 4 Apocalypse, The Crucifixion , The mummy, The Invisible Guardian, among others.

Adding a dark and sinister cinematography by Javier Salmones, he's a cameraman expert on dark atmosphere, such as: ¨La posesión de Emma Evans¨, ¨Christmas Tale¨, ¨Blind Alley¨, ¨Rottweiler¨, or ¨Romasanta¨. The motion picture was unevenly directed by Ángel Gómez Hernández, although with not much originality because we have already seen many terrifying situations in other films . His fim debut was 'Voces', he previously made Shorts: ¨Y la muerte lo seguia¨, ¨El perdón¨, ¨Behind¨, ¨Cariño¨, ¨Silent Weeeping¨ , ¨Sed de luz¨ , ¨Lagrimas de papel¨, and he also directed another much better horror film: ¨Voces¨ (2020). ¨El hombre del saco¨ (2023) rating : 5,5/10. Acceptable horror movie. It is a passable but wasted revision of the legend of the child abductor. And the result is too complicated for children, and a little disturbing and strange too.