Eyecatcher

Late , at a launderry , a yooung woman has a phone conversation with jer mother. The older lady says about long time remaining in Korea ; so, the venerable father remains the responsability of his daughter.

In the way to home, the father, at the first sight touched by dementia, and the young woman discovers a car. Inside it , the voice of a man calling help.

The mistake of woman. The vigilence of old man, saving situation.

A film interesting, first, for details and for inspired image of mind altering entity .

And, sure, for the impecable instincts of father , inspired saving the situation before becoming, again, the ailing old man.

Jun Shimizu's "Eyecatcher" is a brief yet deeply unsettling supernatural horror short, one that lingers long after the screen fades to black. More than just a showcase of eerie visuals and well-crafted tension, it's a film rooted in real, human fears-the burden of care, the fragility of the mind, and the terrifying uncertainty of what lurks beyond comprehension.

Set in Koreatown, Los Angeles, the film thrives on atmosphere. The empty streets, drenched in neon and shadow, create an unsettling contrast-a place that should feel alive but instead feels unnervingly hollow. There's a sense of unease from the very first frame, a quiet tension that builds without relying on the usual horror tricks. The sound design, too, is masterful, layering the ordinary hum of city life with something imperceptibly off, making even the most mundane moments feel laden with dread.

At its core, "Eyecatcher" isn't just about supernatural horror; it's about the weight of responsibility and the unpredictable nature of fate. It explores what happens when reality itself begins to unravel, when the mind-whether through illness or something far more sinister-becomes an unreliable vessel. The film raises a chilling question: What happens when something beyond understanding takes hold of a mind already fractured?

While the short's brief runtime leaves some emotional beats only partially explored, its ambition is undeniable. A standout sequence involving a uniquely disorienting possession scene hints at the film's larger potential, showcasing inventive cinematography that heightens both the fear and the mystery. If this is just a proof of concept, it leaves a strong impression-one that suggests a feature-length expansion could be something truly special.

With Eyecatcher, Shimizu doesn't just present a horror story-he offers a glimpse into a world where fear is not just external, but internal, where losing oneself is just as terrifying as any supernatural force. And if this short is anything to go by, that world is well worth exploring further.