A Magical Christmas Village

This was not one of Hallmark's better efforts. One issue is the complete lack of chemistry between Alison Sweeney and Luke Macfarlane. First time I have seen Macfarlane not connect with his leading lady. As someone who has always admired Marlo Thomas and enjoyed her performances over the year, I was disappointed that her role was so quirky and off center. I do not know what is happening over at Hallmark, but the quality of the Countdown to Christmas movies this year have been a disappointment. This film was so slowly paced and at no time did I feel the main characters were a match. I just kept hoping the story would develop, but it never did.

Whew! Would have never guessed that was Marlo Thomas. Why are women afraid of wrinkles, she looked very freakish and it looked painful. It was distracting for me to watch the movie. Her character was just absurd, rude, disrespectful. I saw a loving daughter wanting to help her mother, obviously her mom needed help. The whole "you just gotta believe" nonsense. Tell the bill collectors that and see what they say. Alison was of course, wonderful to watch. I'm so glad she didn't jump ship to the other channel like Candace and Danica did. And Luke, I just can't get his role as Scotty on Brothers and Sisters out of my head. Loved him on that show, he's good on Hallmark too. The more the movie went on, the more I disliked that mom. I would have ran away from home as a teenager. Haha.

Allison Sweeney and Luke Macfarlane are better than this forced and fairly empty mess. Too easy to solve issues, too sappy and sugary and disgustingly sweet. Hallmark took an outline and filled it in with fluff and nonsense, but no heart. Why does the network feel it necessary to churn out mediocre junk in great numbers rather than make fewer but much better movies? The magic Christmas village was a wasted element that was tossed into the story to provide Christmas Magic? It didn't. I found Marlo Thomas's dated hippy philosophy and preachy tendencies distracting and annoying. (As was her plastic surgery face, especially as I am old enough to remember That Girl). I couldn't wait for the movie to end. It won't be on many Do Not Miss lists next year.

When I saw Marlo Thomas attached to this movie, I was eager to see it. I'm an original Marlo Thomas fan since That Girl back in the 60s. However, her role in this movie didn't work for me, and I believe that was a failure by the writers.

They went for kind of a zany hippy but wise character who was irresponsible but several times promoted the idea that "the universe will make things right". The dialogue simply sounded contrived and delusional.

I also found it painful to watch her. Marlo has done a lot of great things, including continuing to support and promote her father's effort with St. Jude's hospital, but she's also now a cautionary tale for any older woman considering plastic surgery. It doesn't look good on her ... at all. But with the face lift and died hair, they had her playing a role probably 25 years younger than her actual age, and that didn't work well, either.

More on just the movie. Despite us liking the actors in the romantic lead roles, I wasn't sold there. Again, just writers going through the motions rather than selling the characters and the relationships with something deeper than a magical fake pond causing him to suggest ice skating or some very thin dialogue about architecture.

This movie won't be on our rewatch list.

Summer is an architect and a single mother who is busy busy busy. She is all about fixing things, control, rules and organization. She doesn't have time for a serious relationship, and plus she just hasn't felt that "spark" yet. She is kind of forced to take her hippy dippy mother in, (Marlo Thomas) when her lover leaves town and sells the house she has been living in.

Her mother, Vivian, is the exact opposite of Summer. She believes in living in the moment and letting "the universe" guide her life. Plans Schmlans. Because of her lifelong irresponsibility, she is in a financial mess, without enough money to live on. Luckily Summer and her other daughter, April, provide a safety net. But to my irritation, that does not stop her from nagging Summer about her overly planned out life which has stopped her from living freely, finding love, and stopping to smell the roses. All while living in Summer's home, on her dime, one step away from homelessness.

The irony is that Summer is the way she is because of Vivian's unstable parenting. It is revealed that *16 year-old* Summer had to go to the bank and set up a payment plan after 6 months of living without electricity because Vivian just couldn't be bothered to pay the bills after her husband died. Throughout most of the movie, Vivian thinks she is some kind of wise shaman with all of the answers, which is far far from reality. I was not a fan.

The main story is about how the two women learn from each other and learn to find a happy medium. The charming Luke Macfarlane provides the Love interest and he has great chemistry with Allison Sweeny, which, TBH, I was kind of surprised about.

Their happy ending, and to a lesser extent, the rapprochement between Summer and Vivian is guided by the Magical Christmas Village that Vivian sets up at Summer's house. Summer's daughter starts to move the figurines around and soon figures out that she is also guiding the footsteps of people in real life as she does so. It was a cute concept if you ignore the horror movie aspects to it. This was pretty good, despite the fact that I hated Vivian's guts through most of it.