PUNTUACIÓN EN IMDb
6,2/10
27 mil
TU PUNTUACIÓN
Las vidas de cuatro estudiantes negros en una universidad de la Ivy League.Las vidas de cuatro estudiantes negros en una universidad de la Ivy League.Las vidas de cuatro estudiantes negros en una universidad de la Ivy League.
- Dirección
- Guión
- Reparto principal
- Premios
- 13 premios y 28 nominaciones en total
Brandon P Bell
- Troy Fairbanks
- (as Brandon Bell)
Kate Gaulke
- Annie
- (as Katie Gaulke)
Bryan Daniel Porter
- Gordon
- (as Bryan Porter)
Reseñas destacadas
I give this movie an 8. It is funny, but can be uncomfortable at times. Its a movie I do not expect everybody to get. Like Spike Lee's do the right thing, It will make some feel uncomfortable and immediately go on the defense- which in turn makes them not appreciate the comedy the writing, the cast or the message.
This movie shows real people, real thoughts, real characters. It not glossed over , sugar coated characters ( nor extremist).
The movie offers different view points on what it is like to be a black person in this suppose to be "post racial" country that we live in.
I would give it a look, I thoroughly enjoyed this movie!
This movie shows real people, real thoughts, real characters. It not glossed over , sugar coated characters ( nor extremist).
The movie offers different view points on what it is like to be a black person in this suppose to be "post racial" country that we live in.
I would give it a look, I thoroughly enjoyed this movie!
I saw this movie after watching the first, brilliant season of the TV series it spawned, and that makes it difficult to review. Because the TV series is so brilliant, so funny, so nuanced, and so well structured, I can't help but see the movie as a dress rehearsal for what was to come. Would I have enjoyed this movie more had I seen it first? Very possibly.
The movie follows a whole bunch of characters as they deal with issues around race, with black characters ranging from revolutionaries to blend-inners and white characters ranging from supportive to racist to really, really racist.
The movie is hugely ambitious, and director Justin Simien wants to squeeze in every idea he's ever had about race into this movie. Unfortunately, the result often feels overstuffed, with too many characters and too many ideas packed into too little space.
Clearly, Simien needed a TV series. In that, he takes the same ideas and is able to fully explore each one and each character, in wonderful detail.
The movie is certainly well worth seeing, but unlike the TV series, I wouldn't call this essential viewing.
The movie follows a whole bunch of characters as they deal with issues around race, with black characters ranging from revolutionaries to blend-inners and white characters ranging from supportive to racist to really, really racist.
The movie is hugely ambitious, and director Justin Simien wants to squeeze in every idea he's ever had about race into this movie. Unfortunately, the result often feels overstuffed, with too many characters and too many ideas packed into too little space.
Clearly, Simien needed a TV series. In that, he takes the same ideas and is able to fully explore each one and each character, in wonderful detail.
The movie is certainly well worth seeing, but unlike the TV series, I wouldn't call this essential viewing.
- I think every generation has a film that touches on race and the inequalities of color. Spike Lee, Do the Right Thing comes to mind as do other countless films. In Dear White People (a take off on a character's name that is White) it explores the state of college campus today. Where the halls are segregated and the division is along social economic lines and on the fringes of race. There is the commentary that Obama is half white, so that makes him half right, touches on the degrees of it means to be black today. Not all a series manner, but sometimes you do become the change you want to bring, but often it is much harder to live the talk than to talk the talk. I saw this movie as part of the 2014 Atlanta Film Festival.
There are plenty of other black films out there that really entertain and sometimes make a point about race perceptions and relations. (see last paragraph)
The filmmakers scripted a real life situation, A racial Halloween Party in Texas...how boring can you get. Whites in black face... zzzzz..huh, oh I fell asleep. Why make a movie about one incidence of jerky white guys.
Then the movie turns into a black Dinner with White People where people chat on and on.
If you are into b/w dialogue just listen to the audio. Nothing to see here except a few very hot sorority girls. The filmmakers must have said, 'let's bring in comments on 'the weave'. Sorry Chris Rock did an entire documentary and it was great.
Was Dear White People a class project? What was the point. "Hey some fraternity dudes can be assholes." Big surprise.
Rent Hollywood Shuffle by Robert Townsend and then check out the reset of his film. He is good.
The filmmakers scripted a real life situation, A racial Halloween Party in Texas...how boring can you get. Whites in black face... zzzzz..huh, oh I fell asleep. Why make a movie about one incidence of jerky white guys.
Then the movie turns into a black Dinner with White People where people chat on and on.
If you are into b/w dialogue just listen to the audio. Nothing to see here except a few very hot sorority girls. The filmmakers must have said, 'let's bring in comments on 'the weave'. Sorry Chris Rock did an entire documentary and it was great.
Was Dear White People a class project? What was the point. "Hey some fraternity dudes can be assholes." Big surprise.
Rent Hollywood Shuffle by Robert Townsend and then check out the reset of his film. He is good.
The first 20min was OK... I thought it was going to be funny. Then it gets laughably silly, campy and pretentious. The actors are caricatures of real people. At first you think in the next scene you'll suddenly find more depth and things will come into focus, but no... In the end it's got this sad "Stick to your own people, stop trying to pretend to be white/black if you're not" message which really makes me feel sad for whomever wrote this. What a dark little world they live in. The bits about colleges throwing black-face parties all the time are even a bit ridiculous. The movies based in some fictional ivy league school, but the examples they give are all of tiny colleges no-ones ever heard of. I'm not saying there isn't a race problem in this country, there is for sure. But what this movie is portraying is wildly exaggerated. This is the kind of movie the real racists watch and say "That doesn't happen! It's all made up!" and they're right.
¿Sabías que...?
- CuriosidadesSam makes a student film that is critical of what she sees as white people's widespread fear of Barack Obama and titles it "Rebirth of a Nation." This is a reference not only to D.W. Griffith's notoriously racist 1915 Civil War movie El nacimiento de una nación (1915) but also to something that filmmaker Spike Lee experienced while he was a first-year student at NYU's graduate film school. After being required to watch Griffith's film and objecting to the fact that his professors taught it only as a milestone in the technical development of cinema with no attention paid to its racism and its legacy of helping to relaunch the KKK, Lee made a student short film titled The Answer (1980) that responded to The Birth of a Nation himself. "The Answer" so offended many of his NYU professors that Lee was nearly expelled from NYU, but was ultimately saved by a faculty vote.
- PifiasWhen Sam is in the dining hall and chastises Kurt for eating in their dining hall - just before she stands up; she closes her Macbook twice.
- Citas
Professor Bodkin: ...Might I also remind you that I read your entire fifteen-page unsolicited treatise on why the Gremlins is actually about suburban white fear of black culture.
Sam White: The Gremlins are loud, talk in slang, are addicted to fried chicken and freak out when you get their hair wet.
- Créditos adicionalesThe end credits include photographs of the real-life blackface (and brownface) college parties that inspired the film's climax.
- ConexionesFeatured in Número uno en los créditos: Black Leading Women in Hollywood (2025)
- Banda sonora45 Drum Break
Performed by The Co-Stars
Written by Neely Dinkins Jr. (as Neely Dinkins)
Vito Colapietro Courtesy of Atom Factory Music Licensing
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- How long is Dear White People?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Dear White People
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 4.404.154 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 347.959 US$
- 19 oct 2014
- Recaudación en todo el mundo
- 4.633.961 US$
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