Kinds of Kindness

Weird, awkward, oldschool Lanthimos is back! His latest movies were extremely commercial, and now he's back to his roots with this low budget anthology of a movie. Three extremely crazy episodes that feel like Black Mirror episodes, "Kinds of Kindness" is a movie that explores human relationships with a significant other, with a boss and employer, different power dynamics of each relationship and the power that sex has in our lives and in the formation of our relationships. It's an absurd movie, very weird, and you vibe along with it realising that nothing is gonna ever make total sense and that's fine. I liked it a lot but it surely is not meant for a wide audience.

I fell asleep watching this film which is extremely rare for me. I was so glad once it was over and the credits rolled.

I am a fan of weird films and I loved "Poor Things", "The Lobster" and other movies Lanthimos has made. This one however was completely random and terribly boring - no consistent storyline, just random scenes playing on screen.

The first third of the movie was the strongest part but even this section of the movie was slow and even though I liked the message it wasn't as thought provoking as it could have been. The script was simply lacking.

Don't watch it in a cinema - watch it at home as second screen content while you do something more interesting.

The real Yorgos Lanthimos seen in films like The Lobster returns to leave us completely disheveled in a film disguised as a miniseries composed of three parts, which contain different stories, but are equally raw, dark, bizarre and confusing. Maybe too much. If you don't share the same sense of black humor as the Greek filmmaker, you'll have a hard time getting into these stories. Even more so now that Lanthimos fills us with sequences that may well be metaphors, crude satires and exhibitions of the weakest human being in the face of another full of power.

The script is risky, it's arrogant, petulant, narcissistic and dangerously funny. Now, if we abandon the truth of objectivity to go to the path of subjectivity, I didn't like the plots at all. It looks at you with unnecessary superiority over its shoulder, leaving you confused and disgusted.

It's undeniable that the film is well made, because the technical aspects are spectacular. It has wonderful photography despite how simplistic the film turns out to be. The soundtrack is disturbing and makes us undo the button on our shirt collar. The directing and editing are also wonderful. But the story itself leaves me with a taste in my mouth that is more bitter than sweet.

I will pay close attention to the rest of the reviews, because I'm very curious about the reaction of others to this strange work.

It was 3 hours of nonsense that could've been cut down into a Netflix short, although it was more watchable when it didn't take itself so seriously and had more humour like in the first segment. Emma Stone sank the whole thing in the final 2 hours.

The movie works when it's approaching the surrealism of a Buñuel film, e.g. Exterminating Angel, but then in the final couple segments it devolved into long scenes of Emma Stone randomly talking to people about dogs on an island, or trying to raise the dead, with stiff line delivery.

The director punctuates the boredom with random acts of violence, orgies, nudity, and animal abuse.

It was at the 2 hour mark where I wondered if this is really what the Hollywood elite does on their off-time, and they made a home movie about their debauchery as a tax write-off for Fox Searchlight. We did get to see a very nice yacht and some houses that probably belonged to one of the producers.

We all know that Yorgos Lanthimos can make great movies, and he has proven this several times in the past. While his films are often uniquely creative and explore fascinating themes, they are also vastly different from the majority of other movies and therefore not for everyone. The best example might be Kinds of Kindness, which is so bizarre and radically different from most other films that it's almost unbearable.

There might be people who enjoy this type of movie, and I can certainly appreciate its unique perspective, which results in a one-of-a-kind piece with many intriguing elements. However, the overall experience was not entertaining for me at all. The production is undeniably stellar, featuring a stacked cast, all of whom deliver great performances.

The movie is structured as an anthology, split into three stories, with the main actors appearing in each story as different characters. While this approach has been done before, it remains a risky choice because it can easily confuse the audience or weaken the overall narrative. The themes explored are interesting and yet, paradoxically, not engaging at all. Each of the three unique, distinctive stories has an intriguing premise, but none of them truly deliver.

In the end, not one of the three stories was satisfying, and all concluded rather uneventfully. While there may be viewers who genuinely enjoy this movie, it is certainly not for everyone. If the first 30 minutes don't appeal to you, it's unlikely the rest will either. Additionally, there was no justification for this film to be stretched to almost three hours, as much of it could have been cut. Ultimately, the final result felt boring, pretentious, and frustrating. [5,1/10]