Sigue la vida de la mayor cantante de ópera del mundo, Maria Callas, durante sus últimos días en el París de los años setenta.Sigue la vida de la mayor cantante de ópera del mundo, Maria Callas, durante sus últimos días en el París de los años setenta.Sigue la vida de la mayor cantante de ópera del mundo, Maria Callas, durante sus últimos días en el París de los años setenta.
- Dirección
- Guión
- Reparto principal
- Nominado para 1 premio Óscar
- 6 premios y 29 nominaciones en total
Erophilie Panagiotarea
- Young Yakinthi
- (as Erofili Panagiotarea)
Lyès Salem
- Waiter
- (as Lyes Salem)
Reseñas destacadas
I am sure this film was made with great care and love, BUT what it lacked the most of, in my opinion is BREATH.
Opera singers learn how to controle their breath so to captivate ours. And I agree with the other less favourable reviews that the opening scene really was a bad example of lip-synching particularly because I could not see ms Jolie breathe!
Of course La Callas lived a glamorous life but to me the focus seemed to be more directed towards the visual in this movie.
This is a film that made me stop watching it to the end, and I am sorry for it. I too had high hopes for these two iconic ladies.
Opera singers learn how to controle their breath so to captivate ours. And I agree with the other less favourable reviews that the opening scene really was a bad example of lip-synching particularly because I could not see ms Jolie breathe!
Of course La Callas lived a glamorous life but to me the focus seemed to be more directed towards the visual in this movie.
This is a film that made me stop watching it to the end, and I am sorry for it. I too had high hopes for these two iconic ladies.
I come at this from a different angle. I was an opera singer for many years, and I did an E! Mysteries and Scandals about Maria Callas.
Though Angelina Jolie is luminous in the role, this was not really representative of the real Maria Callas. This is the fault of the script and the approach of the director.
First, I could have used more music instead of most of it being in the background. We see an audience standing and screaming "Bravo" after "Qui la voce." Except we didn't hear "Qui la voce," just a few bars and none of the coloratura.
This aloof attitude Callas had during her interviews, etc. Was not Maria. The interview she gave John Ardoin, where she asked that the tapes not be played until she was dead, with the most heartbreaking thing you would ever hear in your life. She was miserable, codependent, and never got over her relationship with Onassis. She was a very damaged woman. I really did not get a lot of of that from this film. Just an opinion.
There were also inaccuracies, but that's to be expected in a script that has to telescope a life.
Maria Callas was a great artist and a deeply complicated human being. This film did not come close to who she was.
Though Angelina Jolie is luminous in the role, this was not really representative of the real Maria Callas. This is the fault of the script and the approach of the director.
First, I could have used more music instead of most of it being in the background. We see an audience standing and screaming "Bravo" after "Qui la voce." Except we didn't hear "Qui la voce," just a few bars and none of the coloratura.
This aloof attitude Callas had during her interviews, etc. Was not Maria. The interview she gave John Ardoin, where she asked that the tapes not be played until she was dead, with the most heartbreaking thing you would ever hear in your life. She was miserable, codependent, and never got over her relationship with Onassis. She was a very damaged woman. I really did not get a lot of of that from this film. Just an opinion.
There were also inaccuracies, but that's to be expected in a script that has to telescope a life.
Maria Callas was a great artist and a deeply complicated human being. This film did not come close to who she was.
This movie came as a pleasant surprise to me.
It is not only the great,studied performance by Jolie,an actress that hadn't really convinced me of her ability to act up to now. Nevertheless,in this movie,all the self-admiring,borderline narcissistic traits are absent.
Jolie,immerses herself in Maria's fragile, overall declining character and produces a more than convincing portrait worth accolades.
The representation of the era is quite meticulous too.
The really pleasant surprises are the directorial approach and the screenplay.
Focusing on her last week before dying it has a balanced approach to her memories through few flashbacks,her past and current relations,her adoration of music and opera,her failing health,her feeble attempts for a comeback,her warped perception of reality through the use of a slew of barbiturates,her nostalgia,her need for adulation and love. All in proper doses.
A fine two hours spent getting in touch with Maria..not the Callas!!!
It is not only the great,studied performance by Jolie,an actress that hadn't really convinced me of her ability to act up to now. Nevertheless,in this movie,all the self-admiring,borderline narcissistic traits are absent.
Jolie,immerses herself in Maria's fragile, overall declining character and produces a more than convincing portrait worth accolades.
The representation of the era is quite meticulous too.
The really pleasant surprises are the directorial approach and the screenplay.
Focusing on her last week before dying it has a balanced approach to her memories through few flashbacks,her past and current relations,her adoration of music and opera,her failing health,her feeble attempts for a comeback,her warped perception of reality through the use of a slew of barbiturates,her nostalgia,her need for adulation and love. All in proper doses.
A fine two hours spent getting in touch with Maria..not the Callas!!!
Just watched the film at a film festival. Our entire group was disappointed by what we watched.
The story line was paper thin to us, focused on the last part of her life, with major parts of the history around how events tied together left out. We would move from one scene to another without a clear link between sequences.
The focus seemed to center around Jolie posing for us, rather removed of the charm of the real Maria. I get it - Angelina is gorgeous but where was the spark?
I never felt like I connected with the characters and didn't feel bought into the film. There was a hollowness to this version of Maria Callas.
At the end of the film, as the end credits start, there are scenes of the real Maria Callas - full of personality and charisma - which were unfortunately not portrayed in Jolie's performance.
Gorgeous costume designs but that was it for me.
The story line was paper thin to us, focused on the last part of her life, with major parts of the history around how events tied together left out. We would move from one scene to another without a clear link between sequences.
The focus seemed to center around Jolie posing for us, rather removed of the charm of the real Maria. I get it - Angelina is gorgeous but where was the spark?
I never felt like I connected with the characters and didn't feel bought into the film. There was a hollowness to this version of Maria Callas.
At the end of the film, as the end credits start, there are scenes of the real Maria Callas - full of personality and charisma - which were unfortunately not portrayed in Jolie's performance.
Gorgeous costume designs but that was it for me.
What was the point of this movie really?
I learned nothing about Maria. There was zero character development or story. We are quite literally just following this "woman" through the last 5 days of her life and she has these random flashbacks which neither help the story nor serve any meaningful purpose. Those flashbacks are extravagant and long. It's clearly that they were supposed to be the main thing carrying the movie but not only did they not do that, they simply distracted and annoyed me more than anything else.
Angelina was great but her character was completely robbed of any life or emotion. Just a dull shell of someone who "used to be" great. How is someone supposed to like that main character??
I see some people complaining that the music was too little but I think the opposite - it was too much. I didn't want to watch an opera or listen to opera music. Maybe some, sure, but I was here for the drama and I didn't get any of that.
I can tell the script tried to be clever but didn't accomplish that either. Angelina delivers one line after another as if they're the greatest one liners ever but instead they're these boring sentences that even a toddler could have written.
Overall, I have no idea why this movie was made. I gave it an extra star for the effort and the production which was great. But even that is way too generous.
I learned nothing about Maria. There was zero character development or story. We are quite literally just following this "woman" through the last 5 days of her life and she has these random flashbacks which neither help the story nor serve any meaningful purpose. Those flashbacks are extravagant and long. It's clearly that they were supposed to be the main thing carrying the movie but not only did they not do that, they simply distracted and annoyed me more than anything else.
Angelina was great but her character was completely robbed of any life or emotion. Just a dull shell of someone who "used to be" great. How is someone supposed to like that main character??
I see some people complaining that the music was too little but I think the opposite - it was too much. I didn't want to watch an opera or listen to opera music. Maybe some, sure, but I was here for the drama and I didn't get any of that.
I can tell the script tried to be clever but didn't accomplish that either. Angelina delivers one line after another as if they're the greatest one liners ever but instead they're these boring sentences that even a toddler could have written.
Overall, I have no idea why this movie was made. I gave it an extra star for the effort and the production which was great. But even that is way too generous.
¿Sabías que...?
- CuriosidadesAngelina Jolie, refusing to be dubbed and wishing to perform her own singing, took 7 months of opera lessons to prepare for her role. For the scenes set during Callas' heyday, an estimated 90 to 95 percent of Callas' original recordings were used, with Jolie lip-synching along to these songs. However, Jolie's singing comes to the fore during the film's final act.
- PifiasIt is stated that Maria had her first leading role in Venice in 1949, playing the role of Elvira in "I puritani". Actually, it was in Athens in 1942, the part of Marta in "Tiefland".
- Citas
Maria Callas: Book me a table at a café where the waiters know who I am. I'm in the mood for adulation.
- ConexionesFeatured in MsMojo: Top 10 Best Netflix Releases of 2024 (2024)
- Banda sonoraOtello Act 4: 'Ave Maria' (Desdemona)
Performed by Maria Callas, Orchestre de la Société des Concerts du Conservatoire
Conductor: Nicola Rescigno
Written by Giuseppe Verdi, Arrigo Boito
A Warner Classics Release, (p) 1964 Parlophone Records Limited
Remastered 2014 Parlophone Records Limited
Courtesy of Warner Music Group Germany Holding GmbH, a Warner Music Group Company
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idiomas
- Títulos en diferentes países
- María Callas
- Localizaciones del rodaje
- Budapest, Hungría(Opera House, Music Academy, various locations)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en todo el mundo
- 25.354.953 US$
- Duración
- 2h 4min(124 min)
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1
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