Ballabhpurer Roopkotha

Horror-comedy is probably one of those niche subgenres that the Bengali film industry has traditionally disparaged! As is readily apparent by scrutinizing their history and the films they have produced up until the present day. Now, I am not suggesting that there have been no previous attempts; in fact, there have been a few, but the number is tiny.

It's quite an uncharted territory, scarcely explored, so I'd want to personally thank the actor-director Anirban Bhattacharya for taking this audacious initiative and for providing us such a delightfully entertaining journey.

Not only did he accomplish an almost perfect balance between two separate filmmaking styles (Horror & Comedy), but he also exuded this rare technical competence that seems to cater to both the elite and the ordinary. A rare quality indeed.

Thanks Anirban Bhattacharya, for taking us back to the Golden years of 60's & 70's Bengali Wholesome comedies. Adapted from a play of Badal Sarkar, this movie boasts of fantastic performances with impeccable comic timing, especially Satyam Bhattacharya and Shyamal Chakraborty as Bhupati & Monohar. The dialogues are well written and the laughs are less reliant on slapstick and more on irony and sarcasm. The most special part of this film is the Cinematography by Soumik Haldar, the shot selection, lighting and color grading, everything was world class. Music also contributes a lot to set up the mood. The retro vibe of the film fills us with nostalgia. A great Family entertainer.

Another top notch quality work by Anirban and team after Mandaar. Screenplay, cinematography, sound design, acting was really emersive. The way they portraied the landscapes of Bengal, I'v only heard those in my grandpa's stories and not many films have actually shown that in recent times.

Badal Sarkar's story needs no further praise. The way they presented it on the big screen was brilliant as the story was revolving in a single courtroom but it never felt monotonous.

Every scene is visually very asthetic and makers made sure that you will never get the same experience in a small screen. Its one of those films which youll miss, not watching in the cinema hall.

The songs in this movie are really purposefull and well written. They do get stuck in your mind for days and you'll keep humming "Shajo sajao" or "Charsho bochor periye ajo dariye ache" unknowingly.

The actors did a really good job. Everyone really pulled of their charecters well.

The comedy sometimes missed the mark but 90% of it hit the mark really well.

Overall its a complete film and a must watch if you want a light hearted comedy-horror experience.

It has been a long while since I have watched a cinema in a theatre, that kept me entertained and engaged thoroughly, throughout its run; like this one did. The acting was spot on, the pacing was legit, the story felt like a good 60s Bengali comedy film, and the humour.... I can't remember the last time I laughed so much in a theatre. The only film I think I have watched that can be compared to this film tonally and thematically, is Bhooter Bhobishot... I would definitely recommend anyone looking for a good, hearty laugh; that can be enjoyed with family, to check it out. This film merits attraction, exploring the rich sides of Bengali theatre, that is nowhere used enough in cinemas.

This film is about a man Raja bhallav who's desperately wanting to sell his ancestors Rajbari but is unable to do so because of its poor condition and the existence of a ghost with a past. Fun begins when a genuine buyer turns up and Bhallav needs to act well in order to sell the house.

It's not a howlarious film but the fun and comedy are light and so naturally pulled off that it instantly brings a grin or smile on your face. There's no shouting screaming like comedy , just pure conversations and sometimes hilarious confusions especially when Chanda keeps questioning Bhallav and his friend Sanjib .

If you are looking for a nice light hearted comedy , this is one film for you.