J.S.K - Janaki V v/s State of Kerala

Bad screenplay followed by the overacting of SG. Bgm also lacked to feel the audience about the intensity of the scenes. As compared to other courtroom drama it's a below average one. Madhav suresh acting in the serious situation looked like he is acting in a old age drama. I don't understand why some people compare it to lalettans neru!!!!!

That focuses on a strong female protagonist seeking justice. The plot suggests a dramatic and possibly intense courtroom battle, with elements of action and suspense. The dual ratings of 6.9/10 from a wider audience and a perfect 10/10 from a smaller group of users indicate a film that may be polarizing but is highly appreciated by some viewers. The long runtime suggests a detailed and complex storyline.

I watched JSK, a film headlined by none other than the legendary Suresh Gopi. The story and direction are credited to Pravin Narayanan, but unfortunately, the film struggles to deliver on both fronts.

Story and Screenplay

The storyline is weak, and the screenplay is disjointed. The film is cluttered with too many subplots and an overwhelming number of characters, making it difficult to follow the narrative. At times, it's hard to tell which plot thread is being discussed or where the story is headed. To make matters worse, the film includes several unnecessary songs and dance sequences that add no value to the plot-just filler to stretch the runtime to a bloated 2.5 hours.

Performances by the lead characters:

* Anupama Parameswaran, who plays the titular character, was given a grand buildup before the release. But shockingly, she barely appears on screen for more than a few seconds at a time and has virtually no dialogue. Her most notable contribution is a few screams of frustration-perhaps reflecting her own dismay at being cast in such a marginal role.

* Suresh Gopi, as expected, dominates the film. He starts off as a lawyer arguing against the rape victim, gets the case dismissed, then has a change of heart and decides to fight for her. He brings in his sister to argue in the High Court and eventually joins in with a lengthy closing argument. True to form, the film delivers the expected monologues and action sequences, including a moment where Gopi single-handedly subdues a villain the Kerala Police couldn't handle. Classic.

* Madhav Suresh, Suresh Gopi's younger son, makes an appearance but doesn't get a single line of dialogue. He does, however, get a fight scene. His performance lacks expression-perhaps a sign of inexperience.

My Verdict

JSK attempts to tackle a sensitive subject-a rape case and its legal battle while raising the question about her rights including to abort - but fails to do so with coherence or emotional depth. The film leans heavily on Suresh Gopi's star power, but even that can't save it from its structural flaws and poor execution.

The rape victim is an adult, educated, moneyed, unmarried and orphaned, with literally no one to stop her from doing what wants. And yet she decides to wait for 7 months (of the gestation period), before going to court for the right to abort! Has the Director/Writer forgotten that we live in India - and this story also happens here - where every woman has the right to get an abortion - unlike the grand USA where women, including rape victims cannot get an abortion!

**Rating: 3/10**

A disappointing watch, even for die-hard Suresh Gopi fans.

After a long break, BJP MP and Union Minister Suresh Gopi has acted as a lawyer in the film JSK. The movie was originally titled Janaki vs State of Kerala. Later, due to the interests of certain members in the censor board, it was changed to Janaki. V vs State of Kerala. I couldn't understand what difference that change made. But after watching the film, it becomes clear why a ruling party's censor board member worked against it.

There are several dialogues in the film that damage the government's image-references like "Manja Kutty", "Irattachankan", and the news scrolls mentioning "Robin Bus" etc. All these highlight, in the eyes of the public, nothing but the government's failures.

The story revolves around Janaki, a girl who suffers sexual assault, goes to court seeking justice, and eventually wins by relying on the Constitution and its articles. I felt that some of the characters did not fully do justice to their roles. Anupama, who played Janaki, delivered an average performance. But Shruti Ramachandran, who appeared in the final part as the pregnant lawyer Nivedita, was quite disappointing. Her courtroom arguments and counterarguments looked as if she was simply reading them from somewhere. Similarly, Divya Pillai's acting also felt mechanical. Both of them need significant improvement.

Interestingly, no one in the film has a full-fledged role. The one with the maximum screen presence is Askar Ali. Many newcomers were part of JSK-some in their first, second, or third films-and it is undeniable that they all remained loyal to the movie.

Suresh Gopi did not heavy scenes in this film, and most of his screen time is in the first half. Yet, whatever part he had, he executed it gracefully.

Direction maintained a quality that was above average. Editing, cinematography, music, and background score were all fairly good. However, there are several areas that need improvement-especially the background score, which should have been better. The final action scenes were poorly executed, though the art direction of those sequences was excellent. The climax was completely unexpected. I never thought there would be another case and another accused (Ranjith Menon, Venkitt) before even knowing who the villain was.

The director managed to connect many small scenes very well. He also demonstrated a good understanding of laws, constitutional articles, and courtroom procedures, which was evident throughout the film.

The movie talks about the atrocity that happened towards Janaki & how with the help of the judiciary she fights for her justice is all about shown in the film.

Performance wise SG & Anupama had given justice to their roles. In the 1st half we could see the fire brand performance of SG which raised the expectations to watch for 2nd half. Another lead role was of Shruti Ramachandran which came late in the 2nd half but she also gave a notable performance in her screen presence.

Director Pravin Narayanan who also penned the story had done a good research in legalities aspect which made the courtroom sequence interesting but speaking of the content, it's been too old to discuss.

The path at which the 1st half which made it interesting & raised the urge to watch for the 2nd half, but when comes to the 2nd half it was a nose div. It was a mixture of investigation and drama & at one point it became bored as it feels repetitive.

Performance space of SG was not much in 2nd half which further lowered the interest. Climax fight sequence was well choreographed but the excess of drama had overshadowed.

Ghibran's score had given some escalating moments. Cinematography was not captivating.

Another major drawback was of casting of Madhav Suresh. The worst performance in this movie. If given an electric shock, still there would be no expression coming from his face.

Well as a whole JSK is not a movie where we would be forced to leave in mid way but it also doesn't quench the thirst we were looking for a SG Film.