Joan

Well, I certainly enjoyed the trip down memory lane back to the 80s. I served in the Met Police back in the 80s and it reminded me of some of the ne'er-do-wells I had to deal with back then.

It was interesting to see Sophie Turner going blue collar and embracing her inner Cockney. I thought she handled the role quite well and showed some versatility in a change from the stuff I've seen her in before.

The supporting cast were quite good, too. It was well-paced, good locations and nicely shot. The script was a bit weak at times, but not to the extent it made it less enjoyable.

The excellent 80s soundtrack was a joy, too. I hope they release the original song from the end credits, as they'd have a hit on their hands!

Well worth your time and, as they have set a second series, I hope they make it!

I was quite engaged with Joan in the first couple of episodes and Turner and Dillane were excellent and had chemistry but unfortunately it lost its way as it progressed. It was essentially TV crime by the numbers with cliched characters and situations and from what I've read is not very accurate in regards the real Joan Hannington. I'm not saying it has to be as I accept it was just based on the actual person but I was a bit disappointed how it all panned out and it all fell flat, especially in the final episode. It was a shame as both Sophie Turner and Frank Dillane demonstrated they can act well and I hope to see them again in perhaps a better vehicle.

I am writing this after series 1. The story is left open.

This had been hyped in advance for many weeks so I just had to bingewatch it.

Perhaps the hype was greater than thd show but, for those of us of a certs in age, there was plenty of nostalgia to see. The clothes, the music, the styles and the vehicles brought back there era so well.

I am not sure why The Wicked Game by Chris Izaak from 1989 was featured in a early 80s drama but it's not my biggest gripe.

Despite all the dressing up the show, the story is very modern being full of feminism, me too and all men are either weak or evil while it's OK for a woman to do illegal things as long as it is in a honourable cause.

Sophie Turner throws herself into the story well and there are some great songs but did we really need Bucks Fizz twice?

They could have included ELO and Ticket To The Moon which starts with the lines "Remember the good old 1980s when things were so uncomplicated? ... I wish I could go back there and everything could be the same"

Joan has no choice but to leave her violent partner, with nowhere to go she places her daughter in temporary care. In a pub Joan encounters a man named Boisie, who recognises a talent Joan has, for stealing.

Joan is an interesting subject, I'm not sure she comes across as a particularly good or likeable person, her motives throughout seemed totally selfish.

It's a very watchable, beautifully made series, it truly looks so good, the fashions, sets and cars all bring the 1980's back to life.

It may be a little on the slow side to start, but it opens up well, episode six is particularly good, it's a very dramatic conclusion. It could have worked better over four episodes.

Sophie Turner delivers a terrific performance as the title character, you really do see Joan develop from a woman escaping an abusive partner, to a sophisticated jewel thief. Turner's transformations are terrific, effortless almost.

7/10.

Sophie Turner delivers a remarkable performance, transporting viewers back to the vibrant 80s with its iconic hair, music, and cars. The show begins with a captivating story that pulls you in, creating a sense of deep involvement. However, as the narrative unfolds, it becomes increasingly implausible that an ordinary woman, with no criminal background, quickly evolves into a mastermind thief, manipulating seasoned criminals within days. One particularly frustrating element is Joan's tendency to gaslight others, despite her own flawed ideas. Overall, the series serves as a commentary on the shortcomings of weak men.