PUNTUACIÓN EN IMDb
5,3/10
1,6 mil
TU PUNTUACIÓN
Tres hermanos se reúnen cuando su madre se niega a moverse del sofá de una tienda de muebles.Tres hermanos se reúnen cuando su madre se niega a moverse del sofá de una tienda de muebles.Tres hermanos se reúnen cuando su madre se niega a moverse del sofá de una tienda de muebles.
- Dirección
- Guión
- Reparto principal
- Premios
- 1 premio y 2 nominaciones en total
Penelope Young
- Bree
- (as Penelope Jane Young)
Shelby Lee Parks
- Concerned Woman
- (as Shelby Lee)
Asher Beverly
- Kid with Man
- (sin acreditar)
Dillon Brady
- Husband
- (sin acreditar)
Brent Moorer Gaskins
- Family Friend
- (sin acreditar)
- …
Madison Geiger
- Funeral Guest
- (sin acreditar)
Reseñas destacadas
I have no idea what this film was about and neither will you. The storyline goes like this, three children who go and find their mother sitting on a couch in a furniture store and tries to get her to leave the store but she doesn't want to leave. And from there, you're left to think that the story is actually going to lead up to something spectacular or tragic to unfold and it literally does neither. From the beginning to the very end, you don't know what the message in the film is actually relaying. It's just a bunch of incoherent scenes meshed together leading up to a climax that leaves you pondering wtf did I just watch, I kid you not. Excellent cast but a very incoherent story that literally made no sense.
OK so here's what happens. Mother (Ellen Burstyn) is in a store and sits down on a couch and refuses to move. Her 3 children Gruffud (Rhys Ifans), David (Ewan McGregor) and Linda (Lara Flynn Boyle) all meet up at the store to chat to their mother. They are perturbed at her not telling them why she won't move from the couch. There's lots of chat, but it is inane and banal chat which doesn't mean anything and doesn't tell us anything except all 3 of them seem slightly inept at life. This continues, until the end of the film. There are no redeeming factors. Ewan McGregor is his usual low grade self, quite how he gets jobs I have no idea. The dialogue is awful, there's no explanation of development of any characters, it really is appalling.
There does not seem to be a coherent story here, the score appears to match that of a farcical comedy, the acting is well below par except for Ellen Burstyn, and the dialogue is confusing and irritating in it's banal nonsensical way.
I honestly can't tell you what it's about because it doesn't seem to be about anything. I gave it a 2 and that's solely for Ellen Burstyn's part in it.
There does not seem to be a coherent story here, the score appears to match that of a farcical comedy, the acting is well below par except for Ellen Burstyn, and the dialogue is confusing and irritating in it's banal nonsensical way.
I honestly can't tell you what it's about because it doesn't seem to be about anything. I gave it a 2 and that's solely for Ellen Burstyn's part in it.
Ewan McGregor's mother Ellen Burstyn visits a furniture store and doesn't want to leave. Ever.
That's the basic plot of "Mother, Couch", a small and very odd film with an all-star cast.
Is the film supposed to be taken at face value or is it an allegory? Is Ellen Burstyn's titular mother in God's Waiting Room, or simply a lady who doesn't want to get off the couch?
I will say that the film sits a little better now having slept on it than it did when I was actually watching it. It clocked in at only 1hr 36 min but felt way longer. There are no big moments or cinematic fireworks but rather a sober and somewhat off-beat exploration of the human condition.
McGregor plays David, a harried and anxiety-prone family man whose unhappy life gets weirder when his elderly mother sits down on a couch at Oakbeds Furniture store and decides that she's not going anywhere, come hell or high water. (We get a little bit of both).
David's two adult siblings are of little use during this family crisis. There's the forgetful slacker Gruffeld (Rhys Ifans) and the bitter and put-upon Linda (Lara Flynn Boyle). The film exposes their toxic relationship as they try to bring their mother home. Or as Linda suggests, should they just leave her there?
The store is about to close, but an employee has at least a temporary solution: there's a bed near the couch and David can stay the night. Taylor Russell plays the pretty employee Bella and is a ray of sunshine in this dark film. There's a hint that there might be a sexual spark between she and David, but he should be so lucky.
Burstyn at 91 is one tough-as-nails broad in the central role playing a less less than sympathetic character. She's a mean mother but we can see where she's coming from.
The film was inspired, at least in part, by a Swedish novel called 'Mamma i soffa'. The film's writer and director Niclas Larsson making his first full-length feature said at a screening I attended that he read the first 10 pages of the book when he paused and wrote his own script. It's allowed, he said, as this is art. True; just don't look for an accurate page-to-screen adaptation.
Larsson did assemble an absolutely stellar cast with F. Murray Abraham and Lake Bell in supporting roles.
That's the basic plot of "Mother, Couch", a small and very odd film with an all-star cast.
Is the film supposed to be taken at face value or is it an allegory? Is Ellen Burstyn's titular mother in God's Waiting Room, or simply a lady who doesn't want to get off the couch?
I will say that the film sits a little better now having slept on it than it did when I was actually watching it. It clocked in at only 1hr 36 min but felt way longer. There are no big moments or cinematic fireworks but rather a sober and somewhat off-beat exploration of the human condition.
McGregor plays David, a harried and anxiety-prone family man whose unhappy life gets weirder when his elderly mother sits down on a couch at Oakbeds Furniture store and decides that she's not going anywhere, come hell or high water. (We get a little bit of both).
David's two adult siblings are of little use during this family crisis. There's the forgetful slacker Gruffeld (Rhys Ifans) and the bitter and put-upon Linda (Lara Flynn Boyle). The film exposes their toxic relationship as they try to bring their mother home. Or as Linda suggests, should they just leave her there?
The store is about to close, but an employee has at least a temporary solution: there's a bed near the couch and David can stay the night. Taylor Russell plays the pretty employee Bella and is a ray of sunshine in this dark film. There's a hint that there might be a sexual spark between she and David, but he should be so lucky.
Burstyn at 91 is one tough-as-nails broad in the central role playing a less less than sympathetic character. She's a mean mother but we can see where she's coming from.
The film was inspired, at least in part, by a Swedish novel called 'Mamma i soffa'. The film's writer and director Niclas Larsson making his first full-length feature said at a screening I attended that he read the first 10 pages of the book when he paused and wrote his own script. It's allowed, he said, as this is art. True; just don't look for an accurate page-to-screen adaptation.
Larsson did assemble an absolutely stellar cast with F. Murray Abraham and Lake Bell in supporting roles.
I think this film deserves a review even though I'm still processing some of the scenes.
This is not an easy story to describe. So I understand some negative reviews that may be posted.
Much of the investment is with McGregor's character and his relationship with his mother. This unfolds initially as a straight-forward affair of a son whose mom refuses to leave a furniture store (staking her claim on a specific couch in the store).
As the story progresses, you begin to realize not everything is as it seems. Once you realize this, the film takes on a different light and the focus on McGregor's character becomes a bit more justified.
Still, I think the brother and sister deserved a little more substance of character than what was provided. Kudos to Lara Flynn Boyle for making the most out of something less.
This is not an easy story to describe. So I understand some negative reviews that may be posted.
Much of the investment is with McGregor's character and his relationship with his mother. This unfolds initially as a straight-forward affair of a son whose mom refuses to leave a furniture store (staking her claim on a specific couch in the store).
As the story progresses, you begin to realize not everything is as it seems. Once you realize this, the film takes on a different light and the focus on McGregor's character becomes a bit more justified.
Still, I think the brother and sister deserved a little more substance of character than what was provided. Kudos to Lara Flynn Boyle for making the most out of something less.
Surreal yet drab drama "Mother Couch" is another pretentious art-house bore that tries so hard to be clever with its analogies & hidden meanings that it ends up as incomprehensible tosh... wasting in this case a fine & under-rated cast. When bitter old Ellen Burstyn refuses to leave a run-down warehouse-like furniture store run by Taylor Russell (terrific) & F Murray Abraham, her kids Ewan MacGregor (with wife Lake Bell), Rhys Ifans & Lara Flynn Boyle get involved... resulting in old (and new!) wounds opening. This debut of writer (adapting Jirker Virdborg's novel 'Mamma I Soffa') / director Niclas Larsson won't have many hungering to see what he serves up next. Hard pass.
¿Sabías que...?
- CuriosidadesIt is based on the 2020 Swedish novel Mamma i soffa by Jerker Virdborg.
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitio oficial
- Idioma
- Títulos en diferentes países
- Mother Couch
- Localizaciones del rodaje
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Recaudación en Estados Unidos y Canadá
- 27.332 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 9150 US$
- 7 jul 2024
- Recaudación en todo el mundo
- 50.163 US$
- Duración
- 1h 36min(96 min)
- Color
- Relación de aspecto
- 2.39 : 1
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