Thelma: La venganza nunca ha sido tan dulce

"Thelma" gives June Squibb and the late Richard Roundtree the chance to deliver a couple of fun performances in the rare movie that prominently features elderly characters without patronizing them.

The central relationship in the movie is between a young man and his grandmother, but I saw a lot of my mom in the character of Thelma. She's 81 and in pretty good shape, the usual wear and tear issues of aging aside. She has mobility issues and has said that it would be tempting to sit on the couch all day and watch T. V., but she forces herself to stay active and independent. As a result, she's doing pretty well, and I know that if she had the choice between getting out and about and running the risk of getting injured or overdoing it vs. Wasting slowly away from a sedentary lifestyle, she'd say bring on the risk. I don't blame her, as I think I'll feel the same way.

"Thelma" nails what it's like to be children trying to care for an elderly parent. You want to let them be independent, but you also know that anything that happens to them as a result is going to fall on you to handle, so you do things for them instead and caution them against trying to do too much themselves. But then you're taking away the very thing that is helping them stay sharp and healthy, even though you mean well. It's a crappy position to be in, and it's no wonder that studies show people in their 40s have the least life contentment of any other decade.

On the other hand, I could not relate at all to the helicopter parenting of the characters played by Parker Posey and Clark Gregg in this movie, as that isn't how I parent at all.

Grade: A-

Watched this at the 2024 Sundance Film Festival.

"Thelma" isn't perfect but as a whole, it is a fun and entertaining movie about the lives of elderly people, issues of scam calls and family with fun energy, good direction and a wonderful performance from June Squibb. Director Josh Margolin does a pretty good job on blending comedic and dramatic elements together into the narrative with good humor, fun characters and interesting dynamics between the characters. Squibb's character was highly entertaining to observe and while the other characters were okay, I found each of the characters to have some decent chemistry and energy together.

The production is solid, the camerawork is okay, and the dialogue is pretty good, while some moments could be better. Margolin has a lot of fun references to Tom Cruise's Mission Impossible and he was able to add the jokes and references well into the narrative and action that is occurring in the movie. Although I did found the ending to be slightly anticlimactic and a little unrealistic, as a whole, the heart in the movie is strong and Margolin clearly put a lot of passionate into this project.

Fun movie to watch with friends and it really is sweet.

June Squibb is an interesting actress, today as I write this she is 95, she was 93 when this movie was shot. She started acting in theatrical productions in her 20s, even played a stripper when she was 30. She didn't start her movie career until she was 61. This movie, "Thelma", is built around her.

She is Thelma, living alone in the L. A. area, her family encourages her to always wear her emergency monitor, in case she falls and they will be notified. But she is stubborn, she doesn't always wear it and tells her grandson that is why she is careful and avoids falling.

One day she gets a call, presumably from her grandson who says he was in a car accident, he hit a pregnant lady, then puts "the lawyer" on the phone. He says it is very serious, she needs to go to the bank and take out $10,000 in cash and mail it to the address he provides.

This is a serious crime in real life, almost every day we hear in the news of a man or woman, usually elderly, losing thousands in sophisticated phone scams. The one depicted in this movie is rather amateurish but the caper makes for a funny story.

Richard Roundtree of "Shaft" fame all those years ago is a good addition as old friend Ben. He is in assisted living now (sadly in real life he passed away just last year) and has a three-wheeled two-person electric scooter that comes in handy to look up the P. O. box where the cash was sent.

The first six minutes of the movie are very slow, establishing the characters. The hunt caper on the scooter goes on a bit too long, but the last 15 to 20 minutes are very entertaining.

At home on DVD from our public library, with two short "extras" that aren't very interesting. My wife and I enjoyed the movie as light entertainment. June Squibb is still very energetic in her 90s.

Watched the film at Sundance Film Festival. It's a really great film, super-funny, super-entertaining, but also with a great heart and a very interesting human exploration of the condition of elderly people. It is also very very tender. The writer/director was inspired by his grandma, and you get this love and tenderness towards the limtis and conditions of the elderly people. The action dimension is funny but realistic, and is played in reference and contrast to the Tom Cruise Mission Impossible franchise. I would say a Mission Impossible with a 93 unstoppable protagonist. Great acting, I liked especially Fred Hechinger, the grandson, and obviusly June Squibb, which ia absolutely great. Not surprised if June Squibb gets a nomination to the Oscars, or the Oscar itself.

"Taking from an elderly person is as bad as stealing from a child." The Beekeeper

I liked Jason Statham's exclamation and reason for violence (above) as he seeks revenge on scammers of a kindly old friend. Thelma (June Squibb at 93 years old) in the current titular action/comedy tries to help her grandson Danny (Fred Hechinger) in need of being bailed out of trouble, so the scammers say. Sending them cash was not just a bad move; it also revealed the electronic vulnerability of the elderly.

Josh Margolin, in his debut as a director and the writer who recollects his aging grandmother, has a firm hand on the whimsical adventure as Thelma tracks down the crooks while keeping her dignity and avoiding the cliches of the old-folks drama. We know she's already had a brain tumor, sepsis, edema, hip replacement, double mastectomy, and valve replacement, but we also know she's a survivor, leaving her family less able to handle her aging's infirmity than she.

Margolin gives her no heroic speeches but rather shows by using mostly her point of view a human being of sweet, even temper not ready to give in to the grim reaper. After all, her spirit animal is Mission Impossible.

Pleasantly the film rolls around Thelma's need for independence, which she handles well, as the family considers if it's time to talk assisted living. Because she'll have none of that, she drives a scooter with her friend, Ben (a skilled Richard Roundtree in his final role), to find the malefactor, Harvey (Malcolm McDowell, lending his considerable chops to a film that could well use another seasoned cinema vet). Autonomy rules for Thelma.

Although the film's setup slows its pace, it take its Geritol in the last half with the confrontation and resolution. Thelma shows it's not too late for the aging to use the Internet and to take life by the horns. The virtue of this sometimes-flaccid actioner is its respect for the aging and condemnation of ageism.

No infantilization of the elderly here-just an honest depiction of old bodies, sharp minds, and loving family bonds, the best Geritol ever.