Naa Saami Ranga

The film's storyline lacks novelty for Telugu audiences, and the screenplay, managed by director Vijay Binni himself, could have been handled more effectively.

Characters played by Raj Tarun, Shabeer, and Rukshar Dhillon could have been developed further. Despite Vijay Binni's neat direction, a more fast-paced screenplay could have elevated the overall impact. Prasanna Kumar's involvement could have infused more heartwarming emotional scenes, particularly in the second half.

The emotional bond between Allari Naresh and Nagarjuna could have been better portrayed in the first half, influencing scenes in the latter half to provide enhanced entertainment for audiences.

Overall, the movie could have been better as they mainly focused on nagarjuna mass than the actual story of the movie.

Kishtayya is an orphan, who is taken care of by Anji's mother. They form a strong bond and after the mother's demise, the village head Peddayya protects them from loan shark Varadaraju. In return Kishtayya and Anji pledge their loyalty to Peddayya. Meanwhile Kishtayya is in love with Varalu but is unable to propose, though she too is in love with him. Things take a drastic turn where Varalu remains unmarried but in love with Kishtayya and Peddayya's youngest son is lusting after Varalu. What havoc does the bad son bring into their lives and how Kishtayya reacts, forms rest of the story.

This is a Malayalam remake, which itself was based on real events and Naa Saami Ranga gets the commercial aspects right but everything else is way too mechanical. The whole revenge story and the bad guy after the heroine as well as subplot involving two lovers facing opposition from the girl's family. The making itself is too outdated and the routine hero elevations doesn't help either. The age difference shows up making it hard to buy the love story of Kishtayya (Nagarjuna) and Varalu (Ashika). Allari Naresh as Anji does the usual.

The film especially in the second half started to test my patience as the writing lacked any sort of freshness. The film's timeline goes through 3 decades and sadly, it doesn't feel that way. The music too was below par and so were the dialogues. Nagarjuna tries his best to save the film but the role itself poses no challenge to him. All the token characters given to the supporting cast, makes Naa Saami Ranga an overall dull watch and it barely entertains.

Dear all, I'm Hindu proud to be Hindu.

This Sankranti is for Hanuman a devotee of our Creator God Vishnu avatar and Telugu vaari Istha Daivam Sri Ramudu lokabhi Ramudu.

2nd winner is Naa Saami Ranga 1. Coming to story of friends and brothers- they laugh together, fight together and share emotions.

2. Their family and all brothers and fiances bound is very good and share emotions.

3. It's all about Hindu culture of village and it's happening Sankranti in movie and in it villages do rituals in doing so there will be egos, greedy, lust people try to disturb village and 2 brothers(nag sir and allsri naresh) and their friend (Raj tarun) love interest and here with starts fights and emotional in movie.

4. Heroine father role and sentiment is good.

5. Allari naresh is excellent in all movies dances, fight and his bound with our nag sir and emotional bound and nag sir, naresh and Ashika raganath scence are super and theater scenes about bits and 👗 secnces and words used without using vulgarity during those episodes.

* Raj Tarun is done well., Ashika is beautiful, Ruksar, mirna menon, all other acted and opted very well to roles.

6. Songs are superb and picturization shows all village side culture and romantic songs Ethukelthane pilla picturization is superb.

Coming to king - Nag is perfect for all roles and only directors and writers need to utilize him with great movies. He is king and he did energetic action in movie.

Finally great movie come to Sankranti to enjoy with family and friends.

So, the story is decent, characters are somewhat intriguing, but the whole plot and character development? Well, let's just say it's nothing to write home about. The screenplay and narration are a bit meh, dialogues are pretty uninspiring, and the director's skills? Well, let's just call them "learning on the job."

Nagarjuna's acting falls into the "meh" category, Naresh and Mirna manage to shine a bit, Raj Tarun is just about okay. Ashika might catch your eye, but her acting? Not so much. The rest of the cast does their job, nothing spectacular. The music? Bad. Cinematography is good.

Considering all this, you might want to save your money. The theaters? Maybe not the best place to appreciate this cinematic masterpiece, if we can call it that.

Naa Saami Ranga is a typical Telugu family drama that attempts to blend emotions, action, and comedy. While it has its moments of charm, the film ultimately falls short of delivering a truly engaging cinematic experience.

Nagarjuna's screen presence commands the screen with his charisma and effortless acting. His portrayal of the elder brother is commendable.

Allari Naresh's comedy brings his usual brand of humor, providing some comic relief in an otherwise predictable narrative.

The film boasts rich production values, with picturesque rural settings and vibrant cinematography.

The plot follows a familiar template, lacking originality and depth. The screenplay is filled with clichés and predictable twists.

The film suffers from inconsistent pacing, with some sequences dragging while others feel rushed.

The age gap between Nagarjuna and his love interest, Ashika Ranganathan, is glaring and uncomfortable.

The music is forgettable and fails to leave a lasting impression.

The visuals are pleasing to the eye, capturing the rural beauty effectively.

The editing could have been tighter, especially in the second half.

Nagarjuna delivers a solid performance, carrying the film on his shoulders.

Allari Naresh provides the much-needed comic relief with his impeccable timing.

Ashika Ranganathan looks beautiful but lacks the depth required for her character.

Naa Saami Ranga is a decent time-pass entertainer that caters primarily to the mass audience. While Nagarjuna's presence and a few entertaining moments keep the film afloat, the predictable storyline and uneven pacing hinder its overall impact. It's a film you can watch with your family during a holiday but don't expect a cinematic masterpiece.