Malavita

Very few actors into their old age have been able to resist the temptation to play out their end years like the last five overs in a 50 over cricket match- keep featuring in any movie that pays decent money. Of late, industry stalwart Rober De Niro has been guilty of the same, but once in a while he does bring out the old sparkle, and more often than not, that is generally in a mobster themed movie. Ditto for The Family- a zany comedy about a family of criminals, who come in all genders and ages.

Robert De Niro is Giovanni Manzoni, a crime boss on the run from his gang, who he tattled on. Put under witness protection, he and his family have a hard time sticking to their given identities as Giovanni is unable to rein in his sadistic urges, leading to a murder here, and a bashing there. His family is not far behind though- Michelle Pfeiffer is one bad closet pyromaniac of a mother, Dianne Aragon is the beautifully dangerous daughter, and John D'Leo is the young wheeler dealer gun, waiting to make a name in the business. The kids are a chip off the old block - brave and shrewd, with extremely practical, no nonsense attitudes. Tommy Lee Jones is the FBI agent who has to help these lunatics maintain a low profile. But all they keep doing, in different doses of hilarity, is making a war-zone out of a mofussil town.

Luc Besson makes a fine comeback with this funny gangster comedy- the script is witty, the pace is fast, there are sudden scenes of shocking violence, and equal doses of laugh out moments. All the actors do a great job. This is a role meant for De Niro- he is a career don (Goodfellas, The Godfather, Casino) and this is right up his alley, a walk in the park. His interactions with his family are awesome, and at the end i was left wanting more of this family- a sequel on the cards? Michelle Pfeiffer's beauty has not dimmed one bit, and Tommy Lee Jones maintains a straight face throughout the antics.

The Family is as much about a real family as it is about thugs. Growing up pains, romance, responsibility, will to survive- all of it is nicely packaged into a decent entertainer which has loads of laughter, guns, hammers, baseball bats, explosions, and everything else you love about the gangster movie genre- 7/10

When I received the premier passes to see "The Family", I was really expecting with such great actors/actresses, that this movie would be good; but more-so expecting it to fall flat like so many before it. I was greatly surprised.

The Movie is based on the French author Tonino Benacquista's novel Malavita, which is know as Badfellas in America. And "BadFellas" is an interesting way to view this film. It does have all the wonderful elements of the great Mobster movies, but with a touch more humor. The family dynamic is a refreshing one that invokes what a modern mob family would probably be going through. You found yourself "going" for the family as a whole and not singling out one for their idiocy.

The movie starts off fast to quickly usher you thorough the character introductions and development, which is a good thing, because it allows you to experience their personality and growth throughout the film. You watch the stupid mistakes of a teenage girl, a boy who's intuitive yet still flawed. A mother who's trying to do the best she can to hold her family together, and a remorseful (somewhat) father.

If you are wanting Goodfellas or Casino, this isn't it. What this IS is DEFINITELY what "Analyze This" could have been if it was a better movie. There is plenty of action, and the previews don't give away the best of the movie. It is definitely a must see and Smush Approved.

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In New York, the mobster Giovanni Manzoni (Robert De Niro) makes a deal with FBI agent Robert Stansfield (Tommy Lee Jones) and snitches his mafia family. In return, Giovanni is included in the witness protection program and receives a new identity, Fred Blake. Giovanni, together with his wife Maggie (Michelle Pfeiffer) and their teenager children Belle (Dianna Agron) and Warren (John D'Leo), are relocated to the small town Cholong-sur-Avres, in Normandy, under the protection of Stansfield and two other agents. Meanwhile the mafia offers a 20 million-dollar reward to the killer that executes Giovanni and his family. Soon the Blake family uses the mafia methods to improve their lives in the town. But when the mafia accidentally discovers the whereabouts of the Manzoni family, Cholong becomes a no man's land.

"The Family" is a funny black humor comedy by Luc Besson about a family that travels to France under the witness protection program. The story has memorable moments, and my favorite is the reaction of Maggie when she goes to the small supermarket and feels offended. The conclusion uses many clichés and is weak, but watching this movie is worthwhile. It was a great entertainment for a Saturday afternoon without beach in Rio. My vote is seven.

Title (Brazil): "A Família" ("The Family")

"Like Al Capone said, asking polite with a gun in your hand is better than asking polite with nothing." Giovanni

Family values in The Family are not your father's values unless, like me, your grandfather ran a numbers business in the basement of his barbershop. All of Kodak Park enjoyed that true color.

The Giovanni Manzoni/Fred Blake (Robert De Niro) family has a paterfamilias who is a notorious Mafia don in the FBI witness protection plan. (De Niro as a mobster is the fall's most unimaginative casting but he's funny.) His values are ratting on his fellow Mafiosi to save his legal hide, forcing him to hide with a $20 million reward dogging him. The family's love for each other is unconditional and treats challenges with a baseball bat rather than diplomacy. If a Frenchman disrespects Americans, he might find his supermarket in flames.

If this sounds like a story to turn the nuns' heads completely around, don't worry; it's ultra "black comedy," equal parts Italian-American gangster satire and laughable domestic shenanigans. That midway in the film Fred gets to speak on the merits of GoodFellas before a French crowd in Normandy is one of the nice meta-critical-comedic turns followed by carnage we've come to expect from Mob films. It's pretty much territory owned by Scorsese and De Niro. Additionally, the use of the "f" word has never been so deftly played in a comedy.

Besides the joy of seeing De Niro have a good time with the many tough characters he has played in his career, you get to see Tommy Lee Jones play a gruff FBI agent, Robert Stansfield, who can trade barbs with his charge, Fred, who has such a propensity for violence (he beats up the only plumber within 20 miles of town) that Fred is a full time job for Robert. If Jones's face can't scare Fred into being a good boy, then the threat of losing witness protection does the trick.

Directed with wicked tongue in cheek by La Femme Nikita's stylish Luc Besson, The Family sports an accomplished supporting cast: Michelle Pfeiffer as mom Maggie is gritty Brooklyn with her famous beauty well preserved. The two kids played by Diana Argon and John D'Leo are spot on sweetly dangerous as you might expect.

It's all in GoodFellas fun, a mildly amusing and unusual story that beats many mainstream comedies this year.

Mafia boss Giovanni Manzoni (Robert De Niro) and his family are in witness protection, and relocated for the upteempth time to Normandy France. Agent Robert Stansfield (Tommy Lee Jones) tries desperately to keep this crime family in line.

Director Luc Besson is trying to make a black comedy, but it's only mildly amusing occasionally. It's cute to see Dianna Agron smash a guy with a racket. And it's cool to see Michelle Pfeiffer blowing up the convenience store. Of course, Besson is winking at us as Robert De Niro enjoys a showing of Goodfellas. But it's doesn't translate into a funny comedy. At best, there were a couple of chuckle worthy moments.

The movie probably needs a comedian. Looking around, there isn't one known comedian in the bunch. I can't imagine somebody who thinks the pairing of De Niro and Jones would result in hilarity. They could be funny, but only if paired with a great comedian. De Niro needs Ben Stiller for the Meet the Parents movies, and Billy Crystal for 'Analyze This'. And Grumpy face Jones can really only do the straight man. The Tommy Lee Jones role would be better played by somebody funny. Grumpy face is not that somebody.