La versión persa

LOVED THIS MOVIE! It is funny- sad and -will make you cry. The entire cast is great. Looking forward to seeing more movies made by Maryum K. Loved this story and the flash back scenes for all of these characters. These strong female characters are well written. You begin to understand why they do and act the way that they do. The generational divide between daughter and mother but the similarities. Music score was great and will get your feet tapping. . Dance scenes were great to watch. You will not be disappointed. Enjoy this film with your mom-sisters or female friends. I do hope it gets recognized at The Oscars. 🏆🏆🏆 Go see this film in the theaters.

The Persian Version centers on a mother-daughter relationship, while walking through Iranian-American culture and history, family secrets, trauma, and love. While engaging, this disjointed movie starts as a comedy and then gradually amps up its depth as a drama. While the comedy and the drama are both worthwhile stories, they sit imperfectly together in this film, effectively two separate movies. And yet, for its two narratives, The Persian Version serves a love letter for the strength and resilience of immigrant women and their daughters, especially the fierce Iranian women still fighting for their rights today.

I quite enjoyed this intergenerational story of an Iranian immigrant family trying to piece together their versions of the American dream and the misunderstandings that happen in between. It is essentially about the uneasy relationship between a mother and daughter; the rest of it often feels like informational dumps on Iranian culture (and heritage), but told through a lighter lens. Even in that regard, the film is fairly fun because it's either showing us vibrant frames, tackling a particular emotion, or making us chuckle. Some of it feels like flab, especially the scandal part of the mother's backstory, and it ideally should've gotten better treatment at the edit desk.

It makes all the sense in the world to appreciate certain performances, especially those of Niousha Noor, Chiara Stella, and Layla Mohammadi. While the two distinct labor room scenes have their significance plotwise, I wondered if there was any other way to put the same emotional messaging across, without them feeling repetitive. The second one comes off a beautiful moment of reconciliation indeed, and that's one reason why I wouldn't dive too deep into it. Also, the fourth-wall-breaking moments go just a tad too far. Regardless of however you perceive all of it, there's some fun to be had!

Based on the trailer, I was expecting this film to be a light, slapstick comedy. But while it had some good laughs and humor, it is actually a very deep and layered emotional story that had me tearing up multiple times. It's an intensely personal story, focused on the tensions in a mother-daughter relationship in a cross-generational/cultural divide. As someone born in American to immigrant parents, one of the things I really appreciated about the story is how it really gives the audience a deep view into the life of the mother as a young person and how she grew up to be the way she is now, shedding much light on why she deals with her daughter the way she does...something that I think a lot of films about immigrant families kind of gloss over. Highly recommended!

I really liked the movie. It made me laugh and cry, and I enjoyed every moment. When it ended, I missed the characters. The story felt familiar, like something from my family. The family parties from the 80s and 90s were spot-on and brought back memories. The way they showed different times in the story was cool, but I got a bit confused when it went back to the 60s. I wanted to know more about how the husband survived. Also, I didn't get why a guy from a village would go all the way to the US. Despite that, the movie had great characters and showed parts of Iranian culture and strong Persian women. It's a perfect example for other movies that women's rights and support doesn't mean picturing all men as evil monsters or negative.