Una aspirante a fotógrafa desarrolla una íntima relación con una mujer mayor en la Nueva York de los 50.Una aspirante a fotógrafa desarrolla una íntima relación con una mujer mayor en la Nueva York de los 50.Una aspirante a fotógrafa desarrolla una íntima relación con una mujer mayor en la Nueva York de los 50.
- Dirección
- Guión
- Reparto principal
- Nominado para 6 premios Óscar
- 76 premios y 255 nominaciones en total
- Rindy Aird
- (as Kennedy Heim)
- Roberta Walls
- (as Pamela Haynes)
Reseñas destacadas
Even though I loved the movie, I'm aware that it's not for everybody. It's not fast paced, as current films tend to be. It takes its time to carefully construct the characters and to make us root for them. Credit is due to the cast, as Cate Blanchett and Rooney Mara are brilliant, and to the director Todd Haynes, who conducts well the story.
Moreover, the film is visually stunning, with impeccable make-ups and wardrobes, not to mention the beautiful locations covered in snow while they take a road-trip. Finally, the soundtrack is equally wonderful, with songs that correctly set the tone of their relationship.
It probably won't be a box office hit, but I do hope everybody gets a chance to see it eventually.
Full review: http://wp.me/p5Rk4c-f6
The best part of the film is the opening sequence. The credits play over a continuing shot of fifties New York accompanied by Carter Burwell's fantastic piece 'Opening'. This shot brings us to a scene in a restaurant. This is a flash-forward that we revisit later on in the film. Our first sight of the main couple occurs when a man at the bar looks around the restaurant and spots them at a table. In this shot, Therese (Rooney Mara) and Carol (Cate Blanchett) are sitting at a table. Therese is sat facing away from the camera and towards Carol, who we can see clearly. My immediate reaction to this sight was "Wow, Cate Blanchett genuinely looks like she's in love." It felt real.
Unfortunately, I didn't get this feeling from the rest of the film. I couldn't feel any chemistry between Therese and Carol. Mara and Blanchett do their best with what they are given, but they aren't given enough. Their characters don't feel fleshed out. I didn't feel like I knew them as people by the end. The film's technical achievements can only lift a film so high. If you love this film then I'm glad, but I can't love it when I couldn't grow attached to the characters. This is especially a problem as this feels like a film driven more by character than by story.
Despite what I have said, this film didn't bore me. Mara and Blanchett are both engaging actresses who command your attention even if they aren't given enough to work with. The film is on the slow side but it goes at the right pace for what director Todd Haynes and screenwriter Phyllis Nagy were going for. Overall, it was an interesting experience that felt a bit empty.
You can see more reviews at http://letterboxd.com/lloyd_morgan/films/reviews/
It's a great love and life story about one woman fighting for her right to be happy and another trying to figure out how can she really be happy. Each of them is the answer to the other.
The script could feature more insight, but then again, the film is supposed to be subtle and let the images speak for themselves. The cinematography is outstanding and the score is downright superb. There's a feeling, a certain atmosphere that makes the film truly peculiar and one of a kind.
But in the end, i think that it all comes down to Cate Blanchett and Rooney Mara, as they give unforgettable, brilliant performances. They are always perfect of course, but here there's something one of a kind about their performances. Its not only the characters that fall in love with each other, but also you who fall in love with them.
Its charming, important, powerful, resonant, and features two one of kind performances.
¿Sabías que...?
- CuriosidadesThe character of Carol Aird was inspired by Virginia Kent Catherwood (1915-1966), a Philadelphia socialite six years older than Patricia Highsmith with whom the author had a love affair in the 1940s. Catherwood lost custody of her daughter after her homosexuality was used against her with a taped recording of a lesbian liaison she had in a hotel room. ("'Instantly, I love her': the affairs that inspired Carol". The Telegraph, 28 November 2015)
- PifiasWhen Carol and Therese are driving into the tunnel, Carol turns on the radio. This would have been impossible -- in those days radios were AM, and the signal wouldn't have carried. Back before FM was common, AM signals could cut out briefly even just driving under an overpass.
- Citas
Carol Aird: [while driving back to Chicago] What are you thinking? You know how many times a day I ask you that?
Therese Belivet: Sorry. What am I thinking? I'm thinking that I'm utterly selfish.
Carol Aird: Don't do this. You had no idea. How could you have known?
Therese Belivet: And I should have said "No" to you but I never say "No". And it's selfish because... because I just take everything and I don't know anything. And I don't know what I want. How could I when all I ever do is say "Yes" to everything?
[turns head and cries]
Carol Aird: [pulls car to side of road and stops, moves close to Therese and caresses her face] I took what you gave willingly. It's not your fault, Therese.
- Banda sonoraWillow Weep For Me
Performed by Vince Giordano and The Nighthawks
Words and Music by Ann Ronell
© Copyright by Bourne Co.
Copyright Renewed
Rights for the world outside the U.S.A. controlled by Bourne Co.
All rights for the United Kingdom controlled by Bourne Ltd.
All rights reserved international copyright secured
© Copyright 1932. Ann Ronell Music/ASCAP.
All rights reserved. Used by permission.
Master recording licensed courtesy of Starr Score Holdings, LLC
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Detalles
- Fecha de lanzamiento
- Países de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- The Price of Salt
- Localizaciones del rodaje
- Cincinnati, Ohio, Estados Unidos(main location)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 11.800.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 12.711.491 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 253.510 US$
- 22 nov 2015
- Recaudación en todo el mundo
- 44.375.432 US$
- Duración1 hora 58 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 1.85 : 1