El motín del Caine

As a fan of Humphrey Bogart's portrayal of Captain Queeg in the 1954 version of "The Caine Mutiny", I approached this movie with some measure of trepidation. That being said, it is an engaging portrayal of a military court-martial, that benefits from lack of flashbacks to incidents that occurred on the ship.

If you are expecting a clone of "A Few Good Men" you will be disappointed. However this is a story of the trial as a stand-alone event, that benefits from a solid ensemble cast. The late Lance Reddick in one of his last roles, was particularly memorable as the chief justice, and Kiefer Sutherland deftly navigates both Queeg's power and vulnerability on the stand.

I strongly, I strongly encourage you to mute the movie at the start of the credits to maintain the tension of the final scene, and I encourage you to see both this and the 1954 version of this story.

Without revealing spoilers (the ending spoils things quite well enough all on its own), let's just say you'd be much better off reading the 1954 novel "The Caine Mutiny" instead...

This film adaptation attempts to modernize the book's story, which was originally set in WWII era, Pacific Theater, whereas the film is current time, Middle Eastern seas. The modernization itself wasn't really the problem per se, but it definitely didn't help that some of the events differed too much to properly illustrate the characters' mental states and reasonings behind their actions/behaviors.

The main problem with the adaptation arises from the fact that it only covers the court martial trial, cutting out huge chunks of the story both before and after the trial in the book...

This robs the film of the contextual explanations necessary to fully make sense of the ending; which, in the novel, are revealed by the cut story sections, as the reader is led to compare and contrast the different events that occur for the key characters (Queeg, Keefer, Maryk, etc).

Without the rest of the book's story, the conclusions drawn by and the actions of defense attorney Greenwald (in the film's ending) seem way out of line with what appears to have been the truth, as is revealed to viewers during the film version's trial-only storyline.

The result, in my opinion, is an ending that feels confused and disjointed; and ultimately stains an otherwise great courtroom procedural drama...

I love the echoey, stark sound of the set....masterful. It shows how these things actually are on occasion. As a former military officer who sat on two courts martial, one was held in a small office, one was held in an actual courtroom that echoed eerily like this set.

It was refreshingly taut, and my gut was taut as well during the entire production.....bravo on that point. When these types of proceedings occur, people's lives are irretrievably altered...whether for good or ill.

And the lack of music was awesome! Real life has no soundtrack......

I thought the lighting was accurate, and the whole atmosphere felt like something large was going to happen....whether that was going to be good...or bad....we don't know....

As a lawyer, I was pleased that the objections and decisions by the court were pretty accurate.

Final verdict? We could all benefit from more productions in this sphere...well done.

Having recently watched the original Caine Mutiny, I was excited to see how such a strong cast and director could retell the story for a modern audience.

Right out of the gate, the pace of the movie was off. Cut scene to each witness, no time spend on any transition between them.

Then there's the scene with Lt Keefer. The original movie provided a clear understanding of his motives. In this one the Keefer and Maryk dynamic during the trial is not explored. No dots connected for the viewer, just a simple glazed over opportunity to develop the story.

The final scene left me puzzled. The message it sends is diminished from the takeaway of the original. Moral courage and fortitude are nowhere to be found. Maryk is made to be a one dimensional buffoon.

9/10 for the actors, 4/10 for the message and muddled delivery.

William Friedkin's final film is an updated to the present adaptation of Herman Wouk's famous tale. It's based more on the Stage play version rather than the novel and Friedkin (who did the adaptation) doesn't 'open it up' for the screen; Rather, he keeps the focus on the text and the performers.

It's a strong cast with Jake Lacy as the accused, Maryk, Monica Raymund as the Prosecutor and Kiefer Sutherland as Commander Queeg. Sutherland occasionally overplays the neurosis, but it's a good performance. Jason Clarke as the Defense counsel, Greenwald, is superb.

The late Lance Reddick plays Blakely the head Judge. It was nice to see Reddick get a full card dedication at the end of the picture*. A double dedication in this case, along with Friedkin, certainly. It's appropriate in a way that Friedkin would finish with a legal thriller, as his breakthrough was a hard-hitting 1962 crime Documentary The People Vs. Paul Crump.

I feel privileged to have met both men. A hearty RIP to each of them.

* Apparently, there are a couple of more performances by Reddick still to be released.