Count Magnus

As a lover of the annual English Christmas ghost story tradition, I was hoping for a lot more than what was actually served up to us with this 2022 Christmas ghost story treat.

Zero atmosphere, poor casting, dull predictable cinematography which lacked subtly and imagination, the Director stomps his way through this tale with as much presence as the omnipresent smoke machine which loyally pumps away in the background throughout most of the shots in this poor visual effort of a film. Please Mr Gatiss allow someone else to take on the next Christmas ghost story installment, or unfortunately this wonderful christmas tradition will die a unremarkable death. M. R. James will never forgive you.

Another disappointing M. R. James Christmas ghost story adaptation from Mark Gatiss, who is by now chalking up more misses than hits. This one's an adaptation of a rarer story, which is commendable in itself, but it completely misses the mark and turns half an hour into a very dull experience indeed. It's cheap-looking throughout, with producers simply raiding the BBC costume department and filming in a couple of rooms in a stately mansion, and the chills are diluted in favour of absolutely endless exposition. Yes, it's a boring talkathon with one good scare in a flashback and absolutely nothing else going on. There's no atmosphere or suspense, the actors are crying out for direction, and I wish Gatiss would call it a day now.

Englishman Mr Wraxhall travels to Scandinavia, to the home of the widow Froken de la Gardie, who's home was formerly owned by the cruel Count Magnus.

It was a quite enjoyable thirty minutes, half an hour of atmosphere and folklore, slightly lacking in scares maybe, but for me, this was one of the better episodes, it's a good one.

I liked the story, it has a definite appeal, just like The Mezzotint did, I liked the idea of a bumbling Englishman inquisitively poking around in matters that didn't concern him, his quiet curiosity ultimately proving costly. There's something particularly appealing about Scandinavian horror stories.

Jason Watkins was excellent as Wraxhall, he's such a talent, he had the right balance of inquisitive and bumbling, MyAnna Buring was great as The pale Widow, I believed that she'd been living a secluded life.

Perfectly narrated by Krister Henriksson.

Visually pretty good, I particularly liked the scenes inside the house, and at the mausoleum, it was a nice production.

Overall, pretty good, 7/10.

This adaptation did not have the tone or atmosphere of an M. R. James ghost story. It's very disappointing from Mark Gatiss.

I like Jason Watkins as an actor and have been impressed with him in other things, but his performance here is mostly phoned in. I also thought he gave too much of a comedic performance. Whilst in the original story Mr Wraxall does sing to himself, I never thought the story was meant to be light-hearted.

There was a complete lack of suspense or danger due to the way this was written and directed, and it also did not evoke the appropriate feeling of the time it was set in. The characters seem like people playing dress up for fun.

There was one character invented - a mute black man. Why on earth? He looks so conically out of place. In fact he looks ridiculous, and it completely ruins any immersion, but there was barely any to begin with. His role added nothing to the story, but I suspect the BBC required it.

I would give this a miss, it really is a waste of time and not even remotely scary or eerie. Better to watch one of the original run of A Ghost Story for Christmas from the 1970s.

Gatiss's trek through the MR James back catalogue for fresh Christmas scares continues apace in Count Magnus. In essence the whole thing is built around the undoing of the pompous Herr Wraxhall, here played with glorious panache by the brilliant Jason Watkins. It's a role made for him really and his increasing consternation is a thing of serious wonder. There's a nicely Hammeresque vibe to the foreign "otherness" of the Swedish locale and the gothic atmosphere and local character feel spectacularly camp. As with all of these Gatiss seasonal spooks the big shocks feel a little underdone and the end a little flat, but the journey and the casting is more than half the fun here. Long may the format continue!