Bone Tomahawk

Bone Tomahawk is about a small group of cowboys who set out in search of a group of cannibals who have kidnapped some of their townspeople, including the wife of one of the rough riders. It may sound similar to a lot of other westerns in the sense that it's a rescue story, which is somewhat true in the beginning. The first half of the movie is a great character drama as it follows the group of four for a few day and nights as they travel to their destination. This is where some people might have a problem with the film and the pacing might become an issue. During this time, we get expanded knowledge about the men involved and I found it rather entertaining because the route to their destination is just as dangerous as the destination itself. Yes, the movie could have been trimmed down by about 10-12 minutes, but it wasn't too slow that I lost interest (like many others I have read did).

It is during this time where acting comes into play and, for the most part, it's all on point, especially Kurt Russell! To no surprise, he is the highlight of the movie and is no one to be trifled with. He gives a very gritty and convincing performance worthy of his filmography. As well as the three other gentlemen that ride along with him, they all hit their marks (even my boy Matthew Fox from LOST).

The only real problem outside of the pacing is Lili Simmons' awkwardly dull performance (mostly during her captivity). Normally I wouldn't point out such a small characters performance but it was seriously lacking. It could be because her character was poorly written for the type of situation she was in. For example, why was she so relaxed and showing barely any emotion in such a frightening situation? Yes she could have broken down mentally but that doesn't let her off the hook. Also her line delivery was highly questionable and her overall performance felt like dead weight.

But it is the final 45 minutes of the movie that will leave everyone talking. Bone Tomahawk explodes into the horror genre with its cannibalistic violence (is this the return of cannibalistic horror movies?). The action is swift, and I mean very swift, it really comes out of nowhere. And this was what I loved most about the movie, you know they are getting closer and closer to unprecedented evil but you aren't quite sure when or where they will strike. It's this trepidation that makes the final third of the movie so thrilling. They're clearly unprepared for the gauntlet that is waiting for them. I won't spoil anything but the movie really doesn't shy away from violence once they get to where they are going. Bone Tomahawk transcends from a slow moving western into a carnage fueled frenzy.

Purvis (David Arquette) and Buddy (Sid Haig) are bandits killing and robbing in the old west. They stumble upon a native site and Buddy is killed by a warrior. Purvis escapes to the town of Bright Hope. Sheriff Franklin Hunt (Kurt Russell) confronts and wounds him. The town is attacked in the dead of night and people go missing. The locals suspect a clan of cannibalistic native cave-dwellers. Hunt leads John Brooder (Matthew Fox), hobbled Arthur O'Dwyer (Patrick Wilson) looking for his taken wife Samantha (Lili Simmons), and deputy Chicory (Richard Jenkins) as a posse of four.

The start is a very intriguing horror western. Then it turns into a slower paced affair. The intensity is lowered but it maintains the interest. The characters are good played by compelling actors. There are some brutal violence although sometimes the camera cuts before the coup de gras. With some of the crazy violence, it's weird that the film does the old fashion look-away. The last act is unforgettable.

I watched this film very tired the other night and found myself sitting up alert immediately !

Pleasantly surprised I found it an entertaining macabre mystery thriller horror with outstanding performances by a quality ensemble of veteran actors working with good dialogue from a competent script.

Normally expect relative unknowns to do this type of film and end up with a B-Movie type of re-working of 'Hills with Eyes', but instead of the atomic bomb test in-bread cannibalistic mutants we are dealing with North American cannibalistic Indian savage troglodytes,

That somehow have avoided being massacred by the U.S Union Calvary Army and take revenge on some trespassers on their Indian burial ground and follow one back to a small town, end up killing and kidnapping some locals including a young woman whose husband, town sheriff, deputy and local gun slinger go in hot pursuit.

There is some elements from Ravenous 2001, Japanese horror film 'The Audition' with hints of blinding and limb amputations. A quality low budget movie with top notch acting from a first time director who wrote the script.

This film is a great example of what Hollywood is sorely lacking these days: Originality! Like other reviewers have mentioned, this is slow burning western/horror flick that keeps building the suspense until the finale. It's not an edge-of-your-seat thriller that is loaded with action, but it has enough to keep your interest. It has more of a typical western feel to it in terms of character development. The dialogue is spot on for this genre. The acting is superb and plot is genuine. I think that it speaks volumes about the script given the fact that the actors signed on for minimum pay (that means they WANTED to be in this film for the script and plot). The gore is definitely there for the horror fans, although I would say that if you are seeking a lot of gore, you may be disappointed. It does have some that is pretty graphic. I definitely would not let children or even some teenagers watch this, its an adult movie. If you are a fan of westerns, I think you'll like it a lot. If you are a Kurt Russell fan, you will not be disappointed (this was his first western since Tombstone). Patrick Wilson and Matthew Fox make an excellent supporting cast and demonstrate their acting skills well. This is a new cult classic!

In the old American West, a bandit unwittingly leads a troupe of cave-dwelling cannibals to the town of Bright Hope. There, the troglodytes wreak havoc and kidnap a woman. A rescue party is quickly formed, consisting of Bright Hope's aging Sheriff, his aged Deputy, a cocky gunslinger and the kidnappee's husband. Warned of the savages' infamous reputation- and having to contend with the husband's broken leg- the four set out; though their journey proves to be far more dangerous than anyone expected.

Written and directed by S. Craig Zahler, 'Bone Tomahawk' is a brilliant, bloody film that you'd be hard pressed to forget. The story is presented in a typical western style, though is completely original in terms of content and tone. Part-western, part-horror, Zahler's screenplay is full of pulpy, Tarantinoesque dialogue and his characterization is rich. He successfully balances moments of tense violence, introspective quietude and humor in a way that reminds one of Takeshi Kitano. At times playing like a bizarre mixture of 'The Searchers' and 'The Hills Have Eyes,' 'Bone Tomahawk' has a lot to offer.

Lovely visuals, for one. Cinematographer Benji Bakshi's work is assured and epic in scale. Utilizing a variety of wide-angled lenses, he captures the grandeur of the American landscape in a way evocative of John Ford. In moments of action, Bakshi's intuitive Steadicam operation ensures the violence hits as heavy as possible. Additionally, Freddy Naff's production design is highly detailed and textured, lending locations a feeling of authenticity. The striking work of costume designer Chantal Filson also doesn't go unnoticed, contributing greatly to the film's overall visual aesthetic.

In addition to its lush visuals, 'Bone Tomahawk' boasts a fine score from Zahler and Jeff Harriott that is atmospheric and- at times- deeply unsettling. The tracks 'In The Defile' and 'Dragged Along A Course Road' are particularly memorable, and used to great effect, bolstering the ominousness of the villains of the piece. The work of Greg D'Auria and Fred Raskin must also be mentioned, as their tight editing keeps the film from dragging- quite a feat, considering the run time of 132 minutes.

'Bone Tomahawk' finds Kurt Russell headlining as Sherriff Franklin Hunt. Always a commanding presence on screen, Russell plays Hunt as a straightforward fellow wearily dedicated to seeing justice done; a kind of bitter Gary Cooper. Russell shows a great subtlety of style, giving a multifaceted performance that ranks alongside his best. Patrick Wilson co-stars as the husband of the kidnapped woman, the 'straight man' of the bunch, if you will. Though less colorful, Wilson makes the chap engaging, and he has our sympathies throughout.

Matthew Fox plays the gunslinger Brooder- a slick chap fond of blowing his own trumpet- and is marvelous; clearly reveling in the chance to play such a cad. Alongside them, Richard Jenkins delivers a masterclass in comedic acting as Deputy Chicory, all but stealing the film with his good-natured buffoonery. Jenkins, in his inimitable, understated way, makes the character well-rounded and engaging- lending credo to the notion that he is one of his generation's most underappreciated actors.

To cut a long story short, 'Bone Tomahawk' will have you gripped from start to finish. S. Craig Zahler's screenplay is full of unexpected moments, his characterization is strong and his direction is deft. With alluring cinematography and a fine score- as well as commendable performances from all in the cast- this is one you don't want to miss. As a western and as a horror, 'Bone Tomahawk' is frighteningly good.