Guruvayoor Ambalanadayil
- 2024
- 2h 12min
PUNTUACIÓN EN IMDb
6,6/10
5,4 mil
TU PUNTUACIÓN
Un joven que está a punto de casarse, pero debido a una serie de mala suerte imprevista y circunstancias, termina casándose con una mujer que lo odia y tiene que sufrir su furia por ello.Un joven que está a punto de casarse, pero debido a una serie de mala suerte imprevista y circunstancias, termina casándose con una mujer que lo odia y tiene que sufrir su furia por ello.Un joven que está a punto de casarse, pero debido a una serie de mala suerte imprevista y circunstancias, termina casándose con una mujer que lo odia y tiene que sufrir su furia por ello.
- Premios
- 1 nominación en total
Nivin Mirror
- Vinus cousin
- (as Nivin Nair)
Reseñas destacadas
Guruvayoorambala Nadayil follows the path of so many great 90s family comedy movies of Malayalam and updated it for the new generation. The bRomance between Basil's and Prithviraj's characters is truly the highlight of the movie. When Basil says "Ente Aanandhettan" that's better than all the romantic movies I've seen recently. The comedy of errors in the last act wasn't perfect but it had enough things going on well, that it worked really great. Guruvayoor in Malayalam cinema couldn't be mentioned without Nandhanam and that part was really nicely executed. Non-Malayalis who started watching Malayalam films recently would totally get confused by some of the things at the end.
The Guruvayoor sets were incredible. If I didn't know it was a set, I would've believed it was the real temple where I've visited so many times. Seeing places near Guruvayoor that I know very well was nice too.
I wasn't really impressed with the songs but the way they were visualized was nice. The really sad thing is how underutilized the female characters are when there is space for them to do things. Both Anaswara and Nikhila could have done way more in so many scenes that felt unfinished. Especially Nikhila Vimal is wasted with showing such potential for the character with that intro and plot points. That intro she got was really awesome and a fan inside me was ready to watch her do something but alas, she got to do nothing. It felt like there might have been more that was shot but they couldn't really coherently put it together, so opted to sideline them instead.
But despite all the flaws it had, it was an entertainer from start to finish in a purely Malayali way. Having a houseful responsive audience really do help with these types of films.
The Guruvayoor sets were incredible. If I didn't know it was a set, I would've believed it was the real temple where I've visited so many times. Seeing places near Guruvayoor that I know very well was nice too.
I wasn't really impressed with the songs but the way they were visualized was nice. The really sad thing is how underutilized the female characters are when there is space for them to do things. Both Anaswara and Nikhila could have done way more in so many scenes that felt unfinished. Especially Nikhila Vimal is wasted with showing such potential for the character with that intro and plot points. That intro she got was really awesome and a fan inside me was ready to watch her do something but alas, she got to do nothing. It felt like there might have been more that was shot but they couldn't really coherently put it together, so opted to sideline them instead.
But despite all the flaws it had, it was an entertainer from start to finish in a purely Malayali way. Having a houseful responsive audience really do help with these types of films.
The film starts off with an incredible bang, delivering a first half that is nothing short of a laugh riot. The initial setup is expertly crafted, replete with sharp writing, well-timed humor, and engaging character dynamics that keep you thoroughly entertained. The direction in this segment is tight, the pacing brisk, and the comedy hits the mark with consistent precision. This is the part of the film that I'd eagerly recommend to anyone looking for a good time at the movies. However, a word of caution is necessary: brace yourself for a noticeable dip in quality as the film progresses into its second half.
After intermission, the movie unfortunately takes a nosedive. The writing loses its earlier sharpness, giving way to a series of poorly constructed scenes that left me cringing in my seat. The once bright and engaging storyline becomes muddled and directionless. It seems as though the writers ran out of steam, resulting in a narrative that drags and feels aimless. The climax, in particular, is disappointingly stretched out, leading to an unsatisfying and gloomy conclusion. What started as a promising journey ends on a sour note, leaving the audience with a sense of unfulfilled potential.
One of the most glaring issues in the second half is the underutilization of Yogi Babu. Known for his impeccable comedic timing and distinctive screen presence, Yogi Babu could have significantly elevated the film had his talents been properly harnessed.
Additionally, the introduction of too many characters mid-way through the film further complicates the narrative. Rather than enriching the story, these characters clutter the plot and detract from the central storyline. The focus shifts erratically, and the film struggles to maintain the coherence and charm that characterized its beginning. This overcrowding dilutes the impact of the main characters, making it hard for the audience to stay invested in their arcs.
In summary, this movie is a textbook example of a tale of two halves. The first half promises a delightful cinematic experience filled with humor and wit, making it a must-watch. However, the second half's weak writing, poor utilization of key talent, and an overabundance of characters derail the film, resulting in a frustrating and lackluster conclusion. If you do decide to watch this film, you might find yourself contemplating leaving at intermission to preserve.
After intermission, the movie unfortunately takes a nosedive. The writing loses its earlier sharpness, giving way to a series of poorly constructed scenes that left me cringing in my seat. The once bright and engaging storyline becomes muddled and directionless. It seems as though the writers ran out of steam, resulting in a narrative that drags and feels aimless. The climax, in particular, is disappointingly stretched out, leading to an unsatisfying and gloomy conclusion. What started as a promising journey ends on a sour note, leaving the audience with a sense of unfulfilled potential.
One of the most glaring issues in the second half is the underutilization of Yogi Babu. Known for his impeccable comedic timing and distinctive screen presence, Yogi Babu could have significantly elevated the film had his talents been properly harnessed.
Additionally, the introduction of too many characters mid-way through the film further complicates the narrative. Rather than enriching the story, these characters clutter the plot and detract from the central storyline. The focus shifts erratically, and the film struggles to maintain the coherence and charm that characterized its beginning. This overcrowding dilutes the impact of the main characters, making it hard for the audience to stay invested in their arcs.
In summary, this movie is a textbook example of a tale of two halves. The first half promises a delightful cinematic experience filled with humor and wit, making it a must-watch. However, the second half's weak writing, poor utilization of key talent, and an overabundance of characters derail the film, resulting in a frustrating and lackluster conclusion. If you do decide to watch this film, you might find yourself contemplating leaving at intermission to preserve.
Simple story presented in a very very engaging and entertainment manner by vipin das and crew !!
A lot of fresh faces and combo of actors are in it and they done their roles nicely!
Nikhila vimal & anaswara rajan has important characters and they did fine !
Bromance between Prithviraj Sukumaran & Basil Joseph is rollicking and it is very entertaining to watch them in big screen together ,they both rocked and their combo scenes are treat to the audience !
Technical side gave ample support .
Next super hit is loading from Mollywood !
Hilarious entertainment is awaiting near your cinemas !!!
A lot of fresh faces and combo of actors are in it and they done their roles nicely!
Nikhila vimal & anaswara rajan has important characters and they did fine !
Bromance between Prithviraj Sukumaran & Basil Joseph is rollicking and it is very entertaining to watch them in big screen together ,they both rocked and their combo scenes are treat to the audience !
Technical side gave ample support .
Next super hit is loading from Mollywood !
Hilarious entertainment is awaiting near your cinemas !!!
Guruvayoor Ambalanadayil" is a well-blended comedy-drama that delivers a hearty mix of situational humor, family sentiments, and unexpected twists, wrapped in a marriage-themed narrative rooted in Kerala's culture.
Vipin Das (known for Jaya Jaya Jaya Jaya Hey) keeps the tone light but meaningful. The screenplay by Deepu Pradeep is tight, with witty dialogues and engaging sequences.
Humor: The film doesn't rely on slapstick but rather thrives on situational comedy and clever writing. The family drama adds layers to the humor without going overboard.
Music & Visuals: The background score complements the story well, and the temple-town visuals of Guruvayoor add authenticity and charm.
Vipin Das (known for Jaya Jaya Jaya Jaya Hey) keeps the tone light but meaningful. The screenplay by Deepu Pradeep is tight, with witty dialogues and engaging sequences.
Humor: The film doesn't rely on slapstick but rather thrives on situational comedy and clever writing. The family drama adds layers to the humor without going overboard.
Music & Visuals: The background score complements the story well, and the temple-town visuals of Guruvayoor add authenticity and charm.
Although some of the humor in the movie is slapstick or references to viral reels and class movies, the movie mostly evokes genuine comedy. It starts off quite well with a captivating plot and good writing but gets predictable once the plot points fall in place. Prithviraj and Basil are at their comedic bests. Basil excels in such roles where he comes across as a realistic character we meet in our daily lives. He may be naive at heart but is no way overtly pure or innocent. Prithviraj as Anandan feels like a character we have seen him play before and pulls it of with ease. Anaswara and Nikhila play their roles well if you exclude some of over and under acting respectively. Nikhila in particular has very few lines and comes across as stoic despite having a major role in the movies plot. This is not her fault as the character development is lacking for all characters.
Despite some subpar writing and forgettable songs,"Guruvayoor Ambalanadayil" is a good family watch for the weekend.
Despite some subpar writing and forgettable songs,"Guruvayoor Ambalanadayil" is a good family watch for the weekend.
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Detalles
Taquilla
- Recaudación en todo el mundo
- 2.128.793 US$
- Duración2 horas 12 minutos
- Color
- Mezcla de sonido
- Relación de aspecto
- 2.39 : 1
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