Soof

Totally illogical, nothing de than a mosh mash of hap snap scenes

There is no chemistry, Kasper's character is poorly thought through. Camera work is poor. Thinking more bad stuff is just a waste of time writing a review.

Ending scene is unexpected and not believable

Potentially one of the worst romcoms I've ever seen and pains me to say as it was recorded in a nearby town. Had hoped for at least something half way decent.

I really liked this movie. It's a dutch comedy. The story is simple, but I didn't mind. The acting is good enough to forget that. A lot of Dutch movies aren't very good, but this one really is. It's heartwarming.

I laughed out loud a lot. Lies Visschedijk is very good as Soof. But I was curious to see Dan Karaty, who is a choreograph instead of an actor. He surprised me in a good way. He was actually very good. It's a nice movie and very recognizable. I really loved the last scene. The song is still in my head, but I don't know if that's a good thing or a bad thing.

In short: Not original, but great fun. For the biggest part. Good dialogs. Chemistry between actors Lies Visschedijk and Dan Karaty. Recognizable situations for everyone being part of modern day Dutch life. And a nice feel good ending. But it loses its pace and its wit towards the end.

In Long: This movie is loosely based on the columns of Sylvia Witteman (in a Dutch Newspaper De Volkskrant). Her first writing was only culinary and later on more on her life as housewife and mother. She does this with great humor, making fun of herself as chaotic, plumb, neurotic, over-the-hill woman.

This "spirit" is used as inspiration by Marjolein Beumer to write the scenario for the movie Soof (which short for Sophie). Her sister Antoinette Beumer (Loft, De Gelukkige Huisvrouw) directs this light hearted movie.

In short the plot. Soof (Lies Visschedijk), a housewife, taking care of adolescent daughter and boy twins, next to running s small catering business. Her husband Kasper (Fedja van Huêt) has a very busy business life, from which he suddenly takes a sabbatical. This coincides with the fact that Soof's business takes off. This happens because a celebrity choreograph Jim (Dan Karaty) loves her food and makes sure she gets more jobs... And from there on you probably can guess what starts evolve. And sure it does. It does at a leisurely pace and with great dialogs and funny scenes. This keeps up till two-thirds of the movie and then it loses pace and humor. Until the last five minutes when the second plot twist turn the spirits up again. And of course, the now almost obligatory, dancing by cast and crew over the end-titles. If you are non-Dutch you probably will wonder what a lot characters are doing in the movie. Well basically nothing, but they are for the most part cameos and therewith sometimes cluttering the movie. Keep your critical eyes in your pocket and you enjoy it to fullest, because it is a fun movie. It does not pretend to be more than that and can be appreciated as such.

Far from perfect, but so current and incredible relatable. Must watch

Small minus is the out of date judgy/racial comments. They felt a bit uncomfortable, but truth is that some Dutch people talk like this today.

Soof is a Dutch film that really hits close to home, as my life is pretty similar to the one you see in this film—at least in some ways. Soof is a Dutch caterer who suddenly becomes a super-star caterer—and goes from barely getting by in her business to hosting party after party for the rich and famous. And, much of the film is about the difficulties she and her husband have dealing with this as well as its impact on their long marriage. Well, in our 40s, my wife went from being an unknown small-time author to world-famous and suddenly I was in the same situation as the husband, Kas. I quit my job and was now the house wife…I mean, house husband. However, fortunately, our story is a bit different. I am an excellent cook, we BOTH worked on remodeling our home and we have never been happier—though I could easily see how folks in a similar situation could react much like Soof and Kas! Big change like this is hard on a marriage—especially when you've gotten yourselves into a bit of a rut. So how will this pair get themselves out of this rut or will they? This is the reason to watch the film.

Soof works very well because the script is does a great job of balancing humor, drama and human nature. The way that two middle-aged married people work through this hurdle is what makes me assume the screenwriter, Marjolein Beumer, also must have lived through this sort of upheaval—or at least she really did her homework because she got it right! As a result, folks in their middle years really will enjoy the film and should be able to relate to much of it—such as the routine nature of sex (I loved where she fell asleep during this—that was really funny), the difficulty balancing a career and family as well as temptation—and Soof and Kas both have quite a bit of all these to deal with in the movie.

It is fortunate that in addition to the excellent writing that the actors in the film do a great job of bringing their characters to life. Some of it is due to the writing and some due to the director and some due to just really nice acting.

This is a winning comedy with a very sharp edge. My only complaint, and it's a very minor one, is that they made both Kas and Soof (particularly Kas) a bit too clueless and their characters occasionally too broad. But, on the other hand, if both had their heads on perfectly straight, there really wouldn't have been any reason for the film in the first place! Folks successfully working through such big transitions in their lives would make for a very boring motion picture!! The ones that have to struggle to reinvent themselves—that makes for an interesting film. Well worth your time and a film that sure made me smile—especially with the ridiculous but fun finale.