A Whole Lifetime with Jamie Demetriou

Sadly, A Whole Lifetime is a really disappointing sketch show. There is only a single funny sketch, Kiss Villa, with the rest being utterly forgettable. Perhaps with a bit more exposure these sketches could develop into something better, but they all feel one-and-done.

The success of Demetriou's previous work comes from the brilliantly developed and instantly endearing characters. Given 5 minutes each, that is not created here. It's silly, no doubting that, but just not enjoyable. Musical elements are thrown in to no great avail, and despite a roster of recognisable actors from the creator's previous shows, no one particularly shines here.

Demetriou's solo debut for Netflix is a mixed bag but so gloriously entertaining and rammed with star quality that I'll happy hold it. The mixed bag, I mean. I'll hold it until someone wants to pick it up. Did the central premise work? Not really. Did some of the sketches go on about 10% too long? Yes they did. Did I regularly release an audible hoot of such intense magnitude that my ceiling partially collapsed? Yes I did. Look at these names: you've got Silcox in there, the lesser-seen Jonny Sweet, the legendary Katy Wix. I could keep going. This is yes, admittedly, a mixed bag that I am still holding for some reason but I like doing it and I don't intend to stop.

Loved Stath, but didn't get series 3 as much as the others, so was unsure if I'd given Jamie and his regulars too much credit. However...

His Comic Relief sketches were inspired, doing his own thing to the max, then a great song by the ensemble.

Wasn't sure about this Netflix special, but stuck the trailer on and was intrigued (the old hospital man needs his own series!). So glad I watched it - I honestly think it's the funniest thing I've watched in the last few years. Some of the sketches were incredibly fresh and unexpected. I've only docked a star for the Best Man sketch, but probably being a bit mean. The only thing similar (to me) is I Think I Should Leave, but both are unique. Want more more more now, but will gladly watch this again, whenever I just want a laugh. Thanks.

Really interesting and refreshing look at comedy, not for boomers I guess. Not perfect but got lots of potential for a follow up. If you like ITYSL I think you'd like this.

Nice observations of social anxiety, crap TV, vulnerable people and parenting. The slapstick in it is great, and Demetriou is a natural at it. He uses his low vocal range in great comedic ways too.

Definitely not perfect, some of it falls flat (some of the music is beyond so-bad-it's good) and it's not quite as deep as the sketches could have been. It's definitely too weird for some people, but really, that's a good thing.

Jamie Demetriou had me in stitches in the wonderful "Stath Lets Flats" but here he barely raised a few smiles amid periods of sheer unfunniness. Some of the ideas were potentially funny and just misfired, others didn't seem to have much purpose at all, and, irritatingly, just once in a while something looked like it might really gel but usually didn't. In other words, this was a big disappointment and I'm wondering why. Maybe it was the format, maybe it was the lack of a truly sympathetic supporting cast (in marked contrast to the spot-on ensemble in "Stath"), maybe it was a result of trying to squeeze too many ideas into too short a time frame. Regardless, this is not the place to see the best of Demetriou.