The Retrieval

Not often does a film focus so strongly on the complexities of one character, especially without seeming contrived or over done. This film has a simple plot, and the dilemma the young boy Will faces is straightforward, but it is played so genuinely and movingly. We learn so little of his past and yet even within the first few minutes of the film you are standing in his shoes. At first unquestioningly accepting his tenuous grip on life as he is surrounded by death and desperation, soon this develops into a profound study of the price of freedom for those who apparently have none, and how relationships with others can give freedom a value greater than life itself. The end is not necessarily a surprise (after all, he can only choose one way or the other) but the point is really the journey he makes and the changes within him as he begins to understand and grapple with his choice. The character Nate was also compelling and believable. The film feels historically authentic and is more original than most others about the plight of slaves. For this reason I preferred it to 12 years a slave. My only criticism is that some of the dialogue is poorly recorded. Outstanding.

Don't care for movies about slavery? Feel that there is nothing new or profound left to be discerned from such a well beaten premise? Would you rather not be blatantly reminded of the horrors of the civil war period of history? Well, dear movie viewer, let me allay your fears and reassure you that there is no need for hesitance in regards to watching this wonderful film. Is there killing in this movie? Yes. However, this is not done so as to pander to the audience. This is not violence for violence's sake. Nor did I get the sense that the intent was to dredge up feelings of guilt in it's viewers. This film is unique in the sense that it is the only movie about slavery which is not centered on the depiction of travesties but is instead a morality play about universal themes such as love, longing, regret, hope, kindness, selfishness, doubt and resolve. The casting is top notch as all the characters, from the young lead to the smallest cameo's, are utterly believable. Period detail and cinematography are also exceptional. There have been many films on this subject and in my opinion The Retrieval stands shoulder to shoulder with classics like Glory and Ride with the Devil. A must see.

This has to be the most beautiful movie I've seen in a long time. It's pitch perfect in almost every way.

I saw this film at the 13th Phoenix Film Festival, where it received much deserved awards for directing and the ensemble acting, as well as being voted the audience favorite.

D'JANGO UNCHAINED was about slavery, its brutality, the violence, the humiliation, and the nightmare. THE RETRIEVAL addresses slavery and allows it to be a thread to its story by neither shying away from it nor allowing it to overwhelm the narrative. It's about the bond between two characters and the sacrifices they make.

Every character is rich and real. There's humor, tragedy, a riveting story and beautiful cinematography.

This film deserves to be seen, and everyone connected to it deserves an opportunity to continue their work.

A young boy struggles with adult dilemma when he is put in a situation where he must choose between his survival and that of a stranger. He comes from and emotionally and physically barren world, treated like chattel, unloved. He accepts his lot because he sees no future for himself. While sent off by a bounty hunter to bring back a gullible freed slave, his sense of morality and kindness is stirred. Will the touch of human kindness by this stranger bring him redemption? No spoilers.

I am surprised that this film has not received a wider audience. I picked it up on line.

It's 1864. Burrell is the harsh leader of a gang of bounty hunters tracking down runaway slaves. Will is a 13-year-old negro who is used as bait and spy to uncover the underground railroad. He relies on his uncle Marcus who is Burrell's slave. Burrell is looking for Nate who is digging graves for the Federals near Petersburg. Marcus and Will set off across the lines and trick Nate by telling him that his brother is dying. He agrees reluctantly to join them back across the lines but he doesn't really trust the two strangers.

This starts with a compelling, murky, complicated relationship between Burrell, Marcus and Will. I would have loved to stay with the three of them together. The road trip offers some interesting complications of its own. However, it's not as great as the opening fifteen minutes. Nevertheless, it's an unusual compelling journey.