Los casos de Susan Ryeland: Moonflower Murders

I loved Magpie Murders but was concerned that a similarly complicated mystery involving two timelines and the fictional murder associated with them might prove too difficult to bring to the small screen. I was wrong.

The acting is superb; all the characters seem to be even more at home with their characters than in Magpie Murders.

The set designs are astounding considering the difficulties of the nature of the story. One in the hotel eight years earlier, one current, and one in the fictional hotel.

The cinematography is likewise excellent, and the music is supportive rather than obtrusive.

The story is, as mentioned, exceptionally complicated but was handled very well. I was particularly pleased with the Conway character knowing who murdered Parris and putting clues in his novel. Despite his general unpleasant nature, he did his best to expose the real murderer. His final scene with Susan where he insists on keeping the seemingly superfluous clues is masterful.

One of the things that annoys me in mysteries is too much time spent on character drama outside of the mystery. I thought they did a good job of keeping that to a minimum and tying it to the story.

The various mysteries were logical and reasonably solved without all sorts of twisting events into knots to achieve the ends. A common problem with most mysteries I watch these days.

Just a delight all around. Highly recommend for mystery fans.

A pleasant, albeit complicated, murder mystery that juggles three timelines, three murders, and unnecessary personal drama of the protagonist, "Moonflower Murders" is a show that lays the plot(s) on thick, to the detriment of developing characters that are fleshed out, dimensional, or likeable. The plot drags halfway through the season, and I found myself forgetting what the characters' motivations were (and, frankly, who everybody was) thanks to excessive time jumping and the sheer amount of characters we're supposed to keep track of. Susan's personal drama was annoying this time around. And I found the Atticus Pund storyline much more interesting than the present day one. Wish they had time to develop that world a bit more. Great acting, but I expect nothing less from the Brits (and why I enjoy consuming so much British television even though I'm American). I hear Horowitz is releasing a third Ryland/Pund novel this spring, so we'll surely get another one of these seasons in due course. Let's just hope it's less overwrought than this one.

I enjoyed Moonflower Murders even more than the PBS production of Magpie Murders, probably because I've been to all the locales where the film was made. Both are mysteries-within-mysteries but the Moonflower series had so many enjoyable features I love: excellent cast, beautiful settings, glorious Greek Islands, 3 hotels (wonderful armchair getaways), clever plotting, even humor. I watched the first 4 of 6 episodes in all seriousness but I started laughing during Ep 5 and 6; sorry! I'm reading the novel now, very nice. I especially enjoy author Horowitz's comments on PBS after each episode - aspiring novelists would do well to listen to what he has to say. I detected one of two killers in record time: the first scene in which that character appeared; also, I detected a flaw that would never happen in real life, but I can't include those details without spoiling the conclusion for you. Moonflower is escapist fun, with clever puzzles, endearing Atticus Pund and a 2d charming "detective" - OPA!

This sequel to the 'Magpie Murders' opens at a country hotel where a wedding is taking place. Events are disturbed when the body of a guest is discovered in his room. A member of staff, an ex-offender, is quickly arrested and it appears that the case is closed. Eight years later the bride at that wedding has disappeared shortly after claiming the police got the wrong man... she believed the real killer is identified in an 'Atticus Pünd' novel which was inspired by the original murder. Her parents approach the late author's editor, Susan Ryeland, hoping she will be able to find their missing daughter. As with the 'Magpie Murders' the action is divided between Susan's investigation and a dramatization of the fifties-set novel.

Having really enjoyed the 'Magpie Murders' I was keen to see this... while I don't think this was quite as good it was still a lot of fun. I liked how many cast members appear in dual roles; playing a person in the present mystery and the character they inspired in the novel. The cast does a fine job bringing the various characters to life. Mystery fans should be satisfied by the variety of suspects and motives that should keep people guessing for most of the series. The ending was solid although I preferred the resolution of the Pünd case more than the real world one. The series contains little that might offend; even the original hammer-murder isn't gory or disturbing; a sex scene, that is crucial to the plot, is tame and I didn't recall any overly strong language. Overall I'd certainly recommend this to anybody who liked the 'Magpie Murders' or classic murder mysteries.

I throughly enjoyed Magpie Murders. Moonflower Murders is living up to the bar that was set. I am looking forward to more of Alan Conway's books, Susan and Pund in the future. Most excellent series I highly recommend. Lots of twists and turns that leave you guessing to the end. I love the characters, the writing and the parallel investigation from the book and real time. Great writing, acting and story. Wonderful series I highly recommend for a light murder mystery. So much today is so dark and depressing. It's nice to watch something that actually makes you think about what's going on. No profanity, sex and very little violence. It engages the mind to figure out who did what when. So looking forward to future series.