Los casos de Susan Ryeland: Moonflower Murders

I loved Magpie Murders but was concerned that a similarly complicated mystery involving two timelines and the fictional murder associated with them might prove too difficult to bring to the small screen. I was wrong.

The acting is superb; all the characters seem to be even more at home with their characters than in Magpie Murders.

The set designs are astounding considering the difficulties of the nature of the story. One in the hotel eight years earlier, one current, and one in the fictional hotel.

The cinematography is likewise excellent, and the music is supportive rather than obtrusive.

The story is, as mentioned, exceptionally complicated but was handled very well. I was particularly pleased with the Conway character knowing who murdered Parris and putting clues in his novel. Despite his general unpleasant nature, he did his best to expose the real murderer. His final scene with Susan where he insists on keeping the seemingly superfluous clues is masterful.

One of the things that annoys me in mysteries is too much time spent on character drama outside of the mystery. I thought they did a good job of keeping that to a minimum and tying it to the story.

The various mysteries were logical and reasonably solved without all sorts of twisting events into knots to achieve the ends. A common problem with most mysteries I watch these days.

Just a delight all around. Highly recommend for mystery fans.

This sequel to the 'Magpie Murders' opens at a country hotel where a wedding is taking place. Events are disturbed when the body of a guest is discovered in his room. A member of staff, an ex-offender, is quickly arrested and it appears that the case is closed. Eight years later the bride at that wedding has disappeared shortly after claiming the police got the wrong man... she believed the real killer is identified in an 'Atticus Pünd' novel which was inspired by the original murder. Her parents approach the late author's editor, Susan Ryeland, hoping she will be able to find their missing daughter. As with the 'Magpie Murders' the action is divided between Susan's investigation and a dramatization of the fifties-set novel.

Having really enjoyed the 'Magpie Murders' I was keen to see this... while I don't think this was quite as good it was still a lot of fun. I liked how many cast members appear in dual roles; playing a person in the present mystery and the character they inspired in the novel. The cast does a fine job bringing the various characters to life. Mystery fans should be satisfied by the variety of suspects and motives that should keep people guessing for most of the series. The ending was solid although I preferred the resolution of the Pünd case more than the real world one. The series contains little that might offend; even the original hammer-murder isn't gory or disturbing; a sex scene, that is crucial to the plot, is tame and I didn't recall any overly strong language. Overall I'd certainly recommend this to anybody who liked the 'Magpie Murders' or classic murder mysteries.

A very good beginning to this fresh new series. After Magpie, it finds our heroine in Greece, running a restaurant with her guy. The restaurant is a disaster, in disrepair and close to financial ruin. She has about had enough. While she is trying to figure things out, a man and a woman come to her and tell her that their daughter has been missing and a book written by the man for whom she was an editor, holds the secret. They offer to pay her a huge sum of money to find the daughter. They say the secret lies in the book. We are then introduced to principle figures. We also realize, as with Magpie, we have actors double cast as characters from present and past. As she is trying to make up her mind, the figure of Atticus Pund appears--her alter ego. Things get cooking but we need to wait.

I throughly enjoyed Magpie Murders. Moonflower Murders is living up to the bar that was set. I am looking forward to more of Alan Conway's books, Susan and Pund in the future. Most excellent series I highly recommend. Lots of twists and turns that leave you guessing to the end. I love the characters, the writing and the parallel investigation from the book and real time. Great writing, acting and story. Wonderful series I highly recommend for a light murder mystery. So much today is so dark and depressing. It's nice to watch something that actually makes you think about what's going on. No profanity, sex and very little violence. It engages the mind to figure out who did what when. So looking forward to future series.

I really enjoyed this, but I'm glad I watched it on BBC iPlayer, as it meant I could stop, start and go back a bit to check things I might have missed. You really need your wits about you with the different timelines and actors playing two roles. That was a fun aspect of the series. What wasn't so much fun was Susan's private life and her completely irrelevant sister and nephew. Crete provided some pretty pictures and it meant they got some funding from the Greek government, but it was also unnecessary. This should really have been a four-part serial. There was no need for six episodes. Horowitz is a clever man and the plot - while not totally convincing (others have spotted holes) is full of interesting touches. On a more mundane level, there are some anachronisms, such as "gotten" in the mouth of an 1950s' character. Also the fact that Ireland was used to stand in for England shows through at times - most crassly in the form of a bright yellow "road narrows" sign (Ireland has American-style road signs). The fact that it was Ireland was probably the reason that Susan was mostly seen driving down unmarked single-track roads. Other roads would have had markings and street furniture that gave away the true location.