Nueva luz sobre el infame caso de asesinato de Charles Starkweather y Caril Ann Fugate en 1958, en el que la pareja adolescente fue acusada y condenada por matar brutalmente a 11 víctimas al... Leer todoNueva luz sobre el infame caso de asesinato de Charles Starkweather y Caril Ann Fugate en 1958, en el que la pareja adolescente fue acusada y condenada por matar brutalmente a 11 víctimas al azar.Nueva luz sobre el infame caso de asesinato de Charles Starkweather y Caril Ann Fugate en 1958, en el que la pareja adolescente fue acusada y condenada por matar brutalmente a 11 víctimas al azar.
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As "The 12th Victim" (2023 release; 4 episodes ranging from 47 to 57 min. Each) opens, we are introduced to teenagers Charles Starkweather (18) and Caril Ann Fugate (14), restless and outcasts in Lincoln , Nebraska. We then go to "December 1, 1957", when a gas attendant is shot at close range by Charles. It marks the beginning of a murder spree that shook Nebraska, and indeed the country. At this point we are 10 minutes into Episode 1.
Couple of comments: this is the latest from director Nicola Marsh ("Stay On Board: The Leo Baker Story"). Here she reassesses the events taking place in late 57/early 58, when two teenage kids when on a murder spree. Episode 1 of this mini-series is by far the best, as it paints a good picture of what US society was like at that time, and the enormous shock these events caused. The central question of course is: why did these kids do it? And what role exactly did Carile Ann play in this? In and of itself this could've been a very intriguing true crime documentary. Alas, the series is far too long for its own good and spends an inordinate amount of time on details that are just not all that interesting. Cut the running time in half, if not more, and we'd almost certainly be talking about a far better end product. This is a missed opportunity in my book.
"The 12th Victim" recently started streaming on Showtime. If you are a fan of true crime documentaries, I'd readily suggest you check this out, and draw your own conclusion.
Couple of comments: this is the latest from director Nicola Marsh ("Stay On Board: The Leo Baker Story"). Here she reassesses the events taking place in late 57/early 58, when two teenage kids when on a murder spree. Episode 1 of this mini-series is by far the best, as it paints a good picture of what US society was like at that time, and the enormous shock these events caused. The central question of course is: why did these kids do it? And what role exactly did Carile Ann play in this? In and of itself this could've been a very intriguing true crime documentary. Alas, the series is far too long for its own good and spends an inordinate amount of time on details that are just not all that interesting. Cut the running time in half, if not more, and we'd almost certainly be talking about a far better end product. This is a missed opportunity in my book.
"The 12th Victim" recently started streaming on Showtime. If you are a fan of true crime documentaries, I'd readily suggest you check this out, and draw your own conclusion.
Again I believe its noteworthy to point out that I can not remark upon the actual subject matter (other than it definitely being worthwhile of being told, in terms of human interest), but merely the mechanics and technical aspects of the film ITSELF - {which is wierd because this is only true in cases of documentary films}
Here is my biggest issue, and it's a big one - shortly into episode one, we hear 'the words' of Starkweather read to us as if its the man's voice and inflection and cadance and emphasis, HOWEVER it's not the voice of Starkweather at all, nay, it's a voice actor and that's not fair - that's not kosher - that's BAD BUSINESS - especially considering they never do tell the viewer that it's an audible recreation
Similarly, much of it is filmed in what I like to call 'Confuse-a-Vison', where they smash cut quickly between and thru still photos and images that are circa 1950s but have zero connection to the actual case - mere filler shown under the guise that the viewer might see this and feel that the film maker has all of this never before seen footage - however once again this is NOT the case
Now I'm not saying this is unacceptable, however at no time are we told about these recreations but rather left to either be cowed into believing that we're watching and listening to authentic relics of the case when simply we are not
That all being said, for me, it's a massive detractor.
Here is my biggest issue, and it's a big one - shortly into episode one, we hear 'the words' of Starkweather read to us as if its the man's voice and inflection and cadance and emphasis, HOWEVER it's not the voice of Starkweather at all, nay, it's a voice actor and that's not fair - that's not kosher - that's BAD BUSINESS - especially considering they never do tell the viewer that it's an audible recreation
Similarly, much of it is filmed in what I like to call 'Confuse-a-Vison', where they smash cut quickly between and thru still photos and images that are circa 1950s but have zero connection to the actual case - mere filler shown under the guise that the viewer might see this and feel that the film maker has all of this never before seen footage - however once again this is NOT the case
Now I'm not saying this is unacceptable, however at no time are we told about these recreations but rather left to either be cowed into believing that we're watching and listening to authentic relics of the case when simply we are not
That all being said, for me, it's a massive detractor.
As far as the filmmaking style went it could have been better and more focused. But the actual story is good and it's about time that Carol got fair treatment! The system convicted her before she even went down trial. She has passed numerous lie detector tests and passed all of them and never once in all the years since 1958 has she ever changed her story. Most investigators will tell you that people are lying will change their story a lot. Furthermore, I knew Carol when I worked at the same hospital with her in Lansing and she was a sweet and loving person and everyone absolutely loved her. I have seen her cry many times over what happened to her and cried for the people who lost their lives, including her own family. I hope that she will get the part in that she deserves. I love you Caril and I was very proud to call you my friend.
I cried out loud all by myself, clapped out loud to an empty room, jumped off my couch like a teenage cheerleader (im actually a 46 yr old exhausted woman who works 10.5hr nightshifts at Amazon), and dropped to my knees and prayed while watching this documentary. Caril..I left home at 11yrs old and watching this made me think of all the times i went with or stayed with an older, possibly slightly dangerous man because I was either terrified of him, cold, hungry, or just so tired i needed a warm soft bed. Therefore, there is no doubt in my mind that i would've followed any crazy idiot ANYWHERE if my siblings or my parents lives were threatened in ANY way and hearing your story has made me look back to what i've went through and made me see how easily something like this could've happened to me. And terrifies me to think of how many other women this has happened to. I am so sorry for what you went through but it sure has made me awful Damn proud to be a woman because you have reinforced my belief in the fact that WOMEN WILL NEVER STAND FOR BEING HELD DOWN!!!! When we live the truth, stand for the truth, and speak the truth.... WE WILL BE HEARD...and your vindication in the form of a pardon is at the top of my daily prayer list. May the balance of right and wrong be in your favor because girl....you certainly deserve it. I am so sorry for the shittiness of society and I wish for you the seat at the front gate of heaven cause i dont about you but, instead of getting in, i think it'll be a whole lot funner to see who gets kicked outta line!
The fable of young outlaw lovers lives on -
at least in Lincoln, Nebraska.
As the story is passed on, each new generation has to put its imprint on the chronicle.
From pulp fiction to celluloid and VHS, the folktale develops from murks of desperate, illicit underage sex filled rampage to the essence of digital #metoo era.
The law is as it is interpreted. Charles was lucky enough not to be made a political exhibit of and fried fairly promptly, while luckless Caril was discerned too young and innocent to get the chair and too wicked to let go free, interpretations varying from a fire breathing termagant to a scared little orphan Annie.
Somehow, I can't make connection between Charles and James Dean, he has more like the air of James Cagney in 1937 "Angels with Dirty Faces".
Oh yeah, the Establishment has got its pound of flesh, alright.
As the story is passed on, each new generation has to put its imprint on the chronicle.
From pulp fiction to celluloid and VHS, the folktale develops from murks of desperate, illicit underage sex filled rampage to the essence of digital #metoo era.
The law is as it is interpreted. Charles was lucky enough not to be made a political exhibit of and fried fairly promptly, while luckless Caril was discerned too young and innocent to get the chair and too wicked to let go free, interpretations varying from a fire breathing termagant to a scared little orphan Annie.
Somehow, I can't make connection between Charles and James Dean, he has more like the air of James Cagney in 1937 "Angels with Dirty Faces".
Oh yeah, the Establishment has got its pound of flesh, alright.
¿Sabías que...?
- CuriosidadesSpringsteen's chilling 1982 title song "Nebraska" is based on the true story of Starkweather and Fugate.
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