Dead Mail

Dead Mail (2024): Another Neo-Noir thriller which trespasses on horror territory. Shot in grainy slightly faded colour it gives us the feel of it's 1980's setting. Though the actors play their roles straight, a Coenesque line of humour runs through the film, just about strong enough to leaven the dark horror and violence which also permeates Dead Mail. Jasper (Tomas Boykin) is a dead mail agent, he can track down correct addresses from arcane pieces of information, checking with the weather bureau or if all else fails an overseas hacker friend. Coming across a blood stained scrap of paper supposedly from a kidnapped man Jasper gets cracking. We already know from the opening scene that the "letter" is genuine. The kidnapper breaks into the post office and attacks Jasper. We then flashback to how the kidnapper met up with his victim. A tale of compering synthesizer designers. Unrequited love and a touch of Killing for Company as the kidnapper does have a Dennis Nilsen vibe about him. The dark comedy of the film is what sets it apart from more mundane thrillers along with taut direction and a clever script which makes all the twists and turns make sense. You'll gasp, laugh and maybe cry but I reckon in the end you'll agree that this is a good Noir/Psychological Horror movie. Directed and Written by Kyle McConaghy and Joe DeBoer. 8/10.

Slow-burn thriller. It reminds me a little bit of the movie Misery. Minus the Misery's whit and lively dialogue. It's just dark and gritty. I liked it.

It has a dark, gritty film like look, uses synth sounds to create a creepy atmosphere...I'm sure I'm not artsy enough to get all the nuances in a casual watch but all of it together kept me watching.

The cast is small, sparse dialogue but that's part of its charm. It was fun to see them show their work a little with how they obtained info. Whereas today we have hackers and the internet to get us what we need.

The villain is an odd duck and I can't quite figure out his why but this movie has a beginning, a middle, a complete and satisfying end.

I recently watched Dead Mail (2024) on Shudder. The story centers on a mysterious piece of mail with no address that arrives at a small-town post office for investigation. A strange man soon shows up, determined to retrieve the letter-by any means necessary. The plot then rewinds, tracing the origins of the message and revealing why it's so important to him.

Co-written and co-directed by Joe DeBoer and Kyle McConaghy-who previously collaborated on Bab-the film stars Sterling Macer Jr. (Dragon: The Bruce Lee Story), John Fleck (Waterworld), Micki Jackson (Drumline: A New Beat), and Tomas Boykin (The Munsters).

I really enjoyed watching this concept unfold. The premise felt fresh, and the cinematography had a gritty, grindhouse quality at times. The acting was excellent, with strong and authentic performances throughout. The villain is particularly well-crafted-menacing and manipulative in just the right ways. The violence is sharp, sudden, and suits the characters' motivations. In some ways, it reminded me of The Gift.

Overall, Dead Mail is a solid addition to the horror genre, with enough originality to keep you engaged. I'd rate it a 6.5-7/10 and recommend checking it out at least once.

I enjoyed this movie despite the absurdity of the plot. Some people have complained about the acting but I saw nothing wrong with it. The actors playing Trent and Jasper were especially strong. This is one of those plots where seemingly insignificant details come together at the climax, and no loose ends were left dangling. The cinematography and look of the film fit the vibe perfectly, giving it a retro 80's feel. I understand that a lot of people will find this movie slow and boring, but I was interested throughout. Give it a shot, you'll know in the first 20 minutes if you want to consider watching or not.

This 2024 Shudder original called Dead Mail, with a rather interesting-looking poster and a decently intriguing plot synopsis on IMDb, was shot in slightly faded color with grainy visuals, really giving it those 80s retro vibes. Sadly, that's about the only thing this movie does to make itself entertaining or stand out from most other releases nowadays. It's a style choice that can work and mostly does in this film but the narrative needs to be more than a rather dull kidnapping story like the one we get here.

We follow different characters after an ominous help note finds its way into a post office. The movie presents various perspectives; from the victim, the abuser, and other side characters while also incorporating a few time jumps, which are easy enough to follow. And even though the story has some interesting elements and brings a bit of uniqueness to the table, it's overall really dull. It reminded me a bit of 2021's Censor, which had similar problems in my opinion, though it featured stronger pacing and a more engaging narrative.

In this film, I kept finding myself bored and unable to immerse myself in the story or connect with the character arcs. The acting from the main cast is pretty solid, and there's definitely talent involved both in front of and behind the camera. The movie features several scenes that feel unnecessarily drawn out, seemingly only to show off some aesthetically pleasing visuals. That being said, this is definitely a slow burn, and people who don't enjoy that kind of horror should stay away from this one.

If you're a fan of slow-burn horror, this might be worth a watch. However, I personally didn't find anything particularly compelling here and will probably forget about this movie soon. [4.9/10]