Cuando todos los niños de una misma clase, salvo uno, desaparecen misteriosamente en la misma noche y a la misma hora, la comunidad se pregunta quién o qué está detrás de su desaparición.Cuando todos los niños de una misma clase, salvo uno, desaparecen misteriosamente en la misma noche y a la misma hora, la comunidad se pregunta quién o qué está detrás de su desaparición.Cuando todos los niños de una misma clase, salvo uno, desaparecen misteriosamente en la misma noche y a la misma hora, la comunidad se pregunta quién o qué está detrás de su desaparición.
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- 10 nominaciones en total
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Resumen
Reviewers say 'Weapons' blends mystery, horror, and dark humor through an innovative narrative with multiple perspectives and non-linear storytelling. The suspenseful atmosphere, jump scares, and supernatural elements are commonly praised. Lead actors' performances are noted for their depth and authenticity. However, some criticize the film's pacing, plot inconsistencies, and horror effectiveness. Cinematography and sound design contribute significantly to the unsettling mood. Despite mixed opinions on the ending, many appreciate its unique approach within the horror genre.
Reseñas destacadas
Why?
I'm tired, so I'll make this brief. I was entranced for the first and second act of this movie. Like, I was really into it. And that's rare these days, as I often find myself checking out in a lot of movies because the writing is just awful, and it's obvious that the director and producers don't care about half the crud they make anymore. But this was different. This was something special. I was actually really enjoying myself-pretty much all the way until the end. But then something changed. And it changed fast. It suddenly switched to a comedy. I was jolted out of my entrancement and was suddenly reminded that people who make movies nowadays just can't help themselves. Do they hate their audience? Do they just not understand their audience anymore? Or does the audience just love crud now, so they feel obligated to give it to them?
WHY did they play the end for laughs? WHY did they take a dive into the absurd? It wasn't by accident. The director clearly wanted us to have a laugh, but I just didn't understand why. All that buildup just to have a laugh at the absurd? I just don't get it. I don't regret seeing this, but knowing what I know now, I will never be revisiting this movie.
WHY did they play the end for laughs? WHY did they take a dive into the absurd? It wasn't by accident. The director clearly wanted us to have a laugh, but I just didn't understand why. All that buildup just to have a laugh at the absurd? I just don't get it. I don't regret seeing this, but knowing what I know now, I will never be revisiting this movie.
Really Unique
Weapons is a tense and gripping new horror from Zach Cregger that lives up to much of its immense hype. The story follows a community reeling after all but one child from the same class vanish on the same night at exactly the same time, and from there it unfolds with a sharp mix of mystery, dread, and dark humor. The acting across the board is phenomenal, the suspense is crafted with precision, and the world building for the small town setting feels rich and lived in. Practical effects shine, the score adds weight to the tension, and there are even moments of levity that break up the intensity without ever killing the mood.
What makes Weapons stand out is how confidently it holds your attention. From start to finish, it's a film that refuses to let go, pulling you deeper into its unsettling premise. It's refreshing to see such commitment to originality in mainstream horror, and the movie feels like a love letter to the genre's willingness to take risks. While the final reveal of what truly happened may divide viewers, and for me personally, it didn't entirely stick the landing but the journey there is so compelling that it's hard not to walk away impressed.
What makes Weapons stand out is how confidently it holds your attention. From start to finish, it's a film that refuses to let go, pulling you deeper into its unsettling premise. It's refreshing to see such commitment to originality in mainstream horror, and the movie feels like a love letter to the genre's willingness to take risks. While the final reveal of what truly happened may divide viewers, and for me personally, it didn't entirely stick the landing but the journey there is so compelling that it's hard not to walk away impressed.
This is what i wanted Longlegs to be more like...
I liked Creggers' Barbarian a lot, but he didn't entirely stick the landing for me. Weapons is his sophomore effort, and you can see the confidence in direction and story telling is more refined. I had a blast watching this, as much as i love serious horror, Weapons wasn't afraid to inject some huge laughs to release the tension. Its gonna be hard to choose between this and 'Bring her Back', as my fave horror of the year thus far...
Overhyped. A slow build to meh.
There's a steady hand at work building tension as the movie progresses but unfortunately it all leads to a rather dull climax. You get hints of an explanation, and I'm not the type of person who needs everything spelled out, but it feels as though the film simply ends things "because it's time." I appreciate the different storylines overlapping and converging but it all felt pointless by the time the credits rolled. I'm also not sure what tone the director is going for here. There's certainly a horror element, but I've seen it classified as a dark comedy and I don't know that I would remotely consider it in that category. The acting is fine and the photography is decent but there's nothing here that you haven't seen before in better packaging.
A tense build-up, but a lackluster payoff
I genuinely fail to see the buzz surrounding Weapons. The first half of the film did a commendable job of building tension. The atmosphere was thick with unease, and the slow burn of the narrative had me on the edge of my seat, waiting for the terror to strike. The mystery was compelling, and the gradual reveal of the plot promised a chilling experience. However, once the story began to fully reveal itself, the thrill completely evaporated. The suspense that had been so carefully crafted in the beginning was gone. The narrative shift from psychological tension to a more straightforward plot left me feeling underwhelmed and, frankly, bored. The film's "horror" element was almost non-existent. Ultimately, Weapons is a film that promises a gripping, terrifying experience but delivers something far more ordinary. It's a classic case of style over substance.
The Best New and Upcoming Horror
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¿Sabías que...?
- CuriosidadesTo further capitalize on the themes of the movie, theaters listed showtimes at 2:17, the same time the children in the film vanish.
- PifiasThe film is set in Pennsylvania where liquor can only be purchased in "State Stores". One can also buy wine in the state stores, but beer is purchased at package goods stores, bars, or some supermarkets. Nowhere in Pennsylvania can one buy liquor and beer at the same place.
- Citas
Gas Station Clerk: [as Justine runs from Marcus] Get outta my store!
Justine: Fucking help me!
- Créditos adicionalesThe New Line Cinema and Domain Entertainment logos have the sounds of children talking in the background.
- ConexionesFeatured in Tyrone Magnus: Weapons | Official Trailer | Reaction! (2025)
- Banda sonoraBeware of Darkness
Written and Performed by George Harrison
Courtesy of G. H. Estate Limited
By arrangement of BMG Rights Management (US) LLC
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Radical On-Screen Transformations
Radical On-Screen Transformations
Amy Madigan in Weapons and more actors who totally transformed for their roles. How many do you recognize?
- How long is Weapons?Con tecnología de Alexa
Detalles
- Fecha de lanzamiento
- País de origen
- Sitios oficiales
- Idioma
- Títulos en diferentes países
- La hora de la desaparición
- Localizaciones del rodaje
- Atlanta, Georgia, Estados Unidos(location)
- Empresas productoras
- Ver más compañías en los créditos en IMDbPro
Taquilla
- Presupuesto
- 38.000.000 US$ (estimación)
- Recaudación en Estados Unidos y Canadá
- 151.550.044 US$
- Fin de semana de estreno en EE. UU. y Canadá
- 43.501.217 US$
- 10 ago 2025
- Recaudación en todo el mundo
- 268.250.044 US$
- Duración
- 2h 8min(128 min)
- Color
- Mezcla de sonido
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