Where the Devil Roams

WHERE THE DEVIL ROAMS is another creepy film from The Adams clan. Set during the Great Depression era, we are taken along with a family of three carnival performers (John Adams, Toby Poser, and Zelda Adams), as they embark on their spree of grisly murder.

Known for making the best of meager funds, this movie is no exception. As usual, the story is unique and gruesome, and the practical gore effects are well-realized. It's cool to see a family of filmmakers put together such a dark genre effort. The music -also performed by the Adamses- is a sort of ethereal sounding gloom-metal that might not have been around in the 1930s, but fits the overall mood of the film.

Recommended for those who appreciate low-budget horror movies that are quite out of the ordinary...

Short review: 'Where the Devil Roams' made me really happy. To see a family making independent horror movies is terrific, but these are anything but your average home movies. This one is made with a lot of class. It's extremely dark in the early going, but it isn't afraid to throw in some moments of humour. And it's absolutely funny stuff, but the tone is so dark you can almost feel bad for laughing.

This one was described to me before going in as a slow-burn, but I'm not sure I'd agree with that assessment. There's a hell of a lot of violence and mayhem for a 'Slow-burn". Then the twisted ending is the cherry on top. I enjoyed this movie. 7/10.

Please wait through the opening poetry reading (which I didn't care for), and you'll be rewarded with a solid little indie horror. I've liked other Adams family movies, and this one fits into their work nicely.

"The Deeper You Dig" was my first one and is still on my list of favorite "must see" October movies. It has a wonderful twist at the end, and the ending of this one provides just as good of a payoff.

Story = 5/10. I wasn't quite sure why the family wasn't traveling with the circus, but their horrific side trips wouldn't have happened otherwise.

Cinematography = 8/10 -- it's visually stunning. I loved the look of it and paid more attention to enjoying the imagery than to the story in some parts.

Recommended if you like different, weird stories.

The filmmaking Adams family make low budget,chilly horrors that are several cuts above the usual stalk and slash horrors that populate the market. They have a keen eye for character and atmosphere that make for a more subtle horror, with well drawn characters that add to a rather brave whole.

Unfortunately here the plot is bogged down with tedious hallucinationary scenes, an overlong opening that doesn't excite or grab the audience but is daring nonetheless, and a music video that plays weirdly at the end- It adds nothing really.

The piercings and tattoos on the carnival workers,seem too modernistic out of place , like Lucy Osbourne appeared,minus her sodding phone!

The CGI on the WW1 scenes are a little too unsubtle.

Nonetheless, I applaud this family of filmmakers for trying to appeal to the more adult of horror fans. The designs and cinematography effectively evoke the back roads of 30s Catskills, the chilly look got to my bones and they look of the time and place.

After a couple of predictable' found footage' films of late at least these guys know there is room for low budget horror to develop interesting ideas rather than cliched use of the camera and lines of dialogue.

It could have been better but overall a memorable little chiller.

And this one is out there. In my best estimate, it is as though they have pureed Alejandro Jodorowsky's Santa Sangre with Arthur Penn's Bonnie and Clyde and distilled that into a feature-long Dresden Dolls music video.

Set during the Great Depression, it's a tale of ukeleles, dronecore, baby shoes, shell shock and side-show extremity regeneration. As with most of their previous offerings, the Adamses have done a lot of lore and world-crafting but leave a good deal of it unexplained. Weird things just happen in their films as if all is normal.

And I am totally fine with that.

They are making films they want to make - which is admirable in its own right.

Is it shot on a budget? Sure.

Is the acting oddly stilted? Absolutely.

But that is the charm. Like John Waters carefree guerilla cinema style. They're just making quirky horror in upstate NY with anachronistic scoring with no fear of taking things in odd directions. And that is what makes their movies interesting and different.

This one maintains that trend.