Daddy's Head

In case you're wondering, no, this is not a movie about a haunting, possession, zombie or another 'Pet Sematary'. There is a very subtle scene that edges more towards an alien movie, but its also not that kind of movie.

'Daddy's Head' revolves around the loss of a loved one. In this case, young Isaac is longing for his father, James, who passed away after a car accident. James recently got married to Laura, now Isaac's stepmother. When James dies, Laura considers sending Isaac to an orphanage, because she is convinced Isaac "hates" her. The two of them don't really get along, and is aggravated by James' absence.

When something starts lurking around the house at night, Isaac is convinced it is his Dad, who has come back for him, although he looks different - he has the same head, but a different body. The 'creature' is creepy and the sound effects are very good and scary.

The characters are well set up to make their actions believable. Rupert Turnbull delivers a strong performance as Isaac, and we root for him even though we know he is in the wrong. And then there's Laura, who not only has to come to terms with the loss of her husband, but also having to deal with Isaac. She confides in her friend, Lucas, which causes more friction between them. Apart from the supernatural horror, this is also a character study.

Over-analyzing the film will result in too many questions, like why the creature chose Isaac, how did he manage to resemble James, and what did it stand to gain by misleading a young boy? Rather just sit back, and enjoy the film for the creepy ride and unpredictability, with jump scares galore!

At first, I was a bit skeptical about this movie because the first 25 minutes were not particularly entertaining. It didn't give me much to work with, and the characters were not very interesting. The drama also didn't hit as hard, as we've seen movies with tragic deaths of loved ones a million times before. However, after the first encounter with the threat that Isaac-and especially Laura-have to deal with throughout the movie, I was hooked. Every time this entity appeared on screen, I was mesmerized by its design and movement. It felt like something new, not the typical evil you see in every third horror movie nowadays.

As the relationship between Laura and Isaac escalated, the drama worked more for me. Imagining the grief and pain that come after the death of a loved one under these circumstances was harrowing. The movie also has some really interesting visuals that look unique and engaging. The acting was decent, though nothing extraordinary, but Rupert Turnbull definitely succeeded in making me very annoyed with his portrayal of a grieving Isaac.

In the end, I had a rather good time watching this, and even though it's not spectacular, I would recommend giving it a try. [6.1/10]

Laura (Julia Brown) inherits a house in the middle of the woods from her late husband. Her young stepson Isaac refuses to talk to her. Her husband insisted on being buried with his previous wife on the property. They find an unusual wooden structure in the woods.

I like the isolation and the brooding moodiness. It starts with a good concept. There is good potential for a horror thriller. They could do more with the guardianship. They could also do more with the woods. If he gets lost in the woods overnight, the threat of losing guardianship could rise. In the end, the movie doesn't push beyond a few good ideas and the general spooky vibes.

The film seems to set itself up in the first 2 acts to deliver some interesting history on the characters. It drops ambiguous tid bits relating to past trauma and connections between characters both dead and alive that pique the interest.

It then never eventuates to anything.

What is the connection between the father's work as an architect and the way the creature is presented? How are any of the characters related? Why should the viewer care about the fate of anyone when there is little semblance of character development? The creators of this film must have run out of time or budget because the script doesn't just feel ambiguous, it feels unfinished.

The cinematography is absolutely beautiful and creates tension and suspense which is utilised well with some creepy and scary moments. This would have been enough to salvage the film but for the ending that undoes the little character development seen previously. It instead opts for a nonsensical deus ex machina reminiscent of the ending that was re-shot for the British release of 'Invaders From Mars (1953)'

What can I say about this film? It is truly unique in its depiction of grief as a creature that uses the face of others . Bending those affected at will to do whatever this creature summons.

The actors are all well grounded in their role in this film particularly Julia brown who had some difficult moments to perform in this film . She effortlessly convinces you to sympathise with her character's situation.

There are plenty of dark moments in this film but it is specifically horrific in its basis , imagine a loved one not talking to u from an ouija board or a ghostly form wailing. But clear as day face to face and yet you can feel something is not quite real about them .

This form being in fact a viscous malicious predator.

A physical manifestation of your grief and desire to see them once more now inescapable and hunting you .

Quite frankly I feel this movie will go on to have a small but cult following, it reminded me of heredity significantly in its development gradually becoming more disturbing psychologically rather than with silly quick jump scares like most films .

Put in short .

It's dark , disturbing and gripping and definitely deserves more attention.